Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and ... See full summary »
After an accident Raymond has gone blind .His family treats him like a child .But fortunately ,a nun comes to his rescue.She works in a center where blind people learn to read with the Braille alphabet.
They go from town to town, a big top on their backs, their show over their shoulder. They bring dreams and disorder to our lives. They are ogres, giants. They've devoured the theater and ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
Juan David Restrepo
In 1721, the Regent of France, wanting to seal the peace with Spain, offers to the Spanish King, a marriage between their respective heirs: Louis XV, age 11, and Maria Anna Victoria, the 4-... See full summary »
Two moments of Jonas's life intertwine, each reflecting the other: in 1995, when he was a secretive teenager, and 18 years later, as an attractive and impulsive thirty-something looking for balance in his life.
Tommy Lee Baïk
Coming of age drama doesn't break any new ground but is extremely well done
Luxembourger writer-director Anne Fontaine has tackled all kinds of subjects and often attracted big names, recently international ones, to her films. Here she tackles a coming of age drama that appears to be based on a real-life story although no source material is credited. (N.B. When the film was released in the UK it transpired that the screenplay was based on the autobiographical novel "En finir avec Eddy Belleguele." Author Edouard Louis disapproved of the adaptation and did not want to be credited). Sissy schoolboy Marvin grows up to be an actor, who tells his hard-luck story on stage and in print. That's about all there is to it and the tale seems overstretched at nearly two hours; but it's done with great integrity, the screenplay is intelligent, and there are sincere performances from the two actors representing the boy at different ages. The elder Marvin is played by British actor Finnegan Oldfield, who seems only to work in France. Marvin gets to co-star in his play with the great Isabelle Huppert, who has been in three of Fontaine's films. Here she plays herself, which is a strange conceit. Also unusual is the structure, which has flashes forward until grown-up Marvin's story gradually predominates. The film will impress anyone who wants high quality work in all departments but particularly those who were bullied or are being bullied at school for their sexuality. "Reinventing Marvin" is an encouragement to rise above it.
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