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Vox Lux (2018)

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An unusual set of circumstances brings unexpected success to a pop star.

Director:

Brady Corbet

Writer:

Brady Corbet
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Popularity
1,504 ( 307)

How Natalie Portman Created Chemistry in 'Vox Lux'

Natalie Portman and her Vox Lux co-star Raffey Cassidy discuss playing the same complex character and how they created chemistry with director Brady Corbet.

Watch our interview

10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Natalie Portman ... Celeste
Jude Law ... The Manager
Stacy Martin ... Eleanor
Jennifer Ehle ... Josie the Publicist
Raffey Cassidy ... Young Celeste / Albertine
Christopher Abbott ... The Journalist
Logan Riley Bruner ... Cullen Active
Maria Dizzia ... Ms. Dwyer
Meg Gibson ... Celeste's Mother
Daniel London ... Father Cliff
Sahr Ngaujah
Micheál Richardson ... The Musician
Matt Servitto ... Celeste's Father
Leslie Silva Leslie Silva ... The Stylist
Allison Winn ... Therese
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Storyline

Vox Lux follows the rise of Celeste from the ashes of a major national tragedy to pop super stardom. The film spans 18 years and traces important cultural moments through her eyes, starting in 1999 and concluding in 2017. In 1999, teenage Celeste (Raffey Cassidy) survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister (Stacy Martin) and a talent manager (Jude Law). Celeste's meteoric rise to fame and concurrent loss of innocence dovetails with a shattering terrorist attack on the nation, elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar. By 2017, adult Celeste (Natalie Portman) is mounting a comeback after a scandalous incident that derailed her career. Touring in support of her sixth album, a compendium of sci-fi anthems entitled Vox Lux, the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to ...

Plot Summary | Add Synopsis

Taglines:

A Twenty-First Century Portrait

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language, some strong violence, and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Croatian | Chinese

Release Date:

20 December 2018 (Kuwait) See more »

Also Known As:

Vox Lux See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Opening Weekend USA:

$155,714, 9 December 2018

Gross USA:

$727,119
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

This is Natalie Portman's and Jude Law's fourth collaboration. The others were Cold Mountain (2003), Closer (2004), and My Blueberry Nights (2007). See more »

Goofs

In the voice-over at the beginning, the year 2000 is described as "the dawn of the new millennium". In fact that year was the last year of the second millennium, which would make 2001 "the dawn of the new millennium. See more »

Quotes

Young Celeste: I'll nail that, then we can get started on Body Talk.
Music director: I'm sorry, what section is that?
Young Celeste: It's the next track.
See more »

Crazy Credits

There are all cast and crew credits rolling up 10 min in the movie. See more »

Connections

References Perry Mason (1957) See more »

Soundtracks

Symphony No. 6 in B Minor, Op. 74 Pathetique
Written by Pyotr Ilyich Tchaikovsky
Performed by Moscow RTV Symphony Orchestra
Courtesy of Essential Media Group
See more »

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User Reviews

 
Yikes - starts really well - a narcisstic mess by the end
12 December 2018 | by peedurSee all my reviews

This film suffers from the same kind of poor choices which would cause someone to, say, make a 9/11 disco musical. It wields an enormous subject and chooses to focus on the most irrelevant aspects of any reaction to that subject.

It doesn't really matter what you want to say - the bizarre, unresolved context for the setup feels faintly obscene and eventually bankrupt. If the point of the film is to illustrate the shallowness of reactions to terror and violence, then it failed to say that. Instead, it looks more like a statement about the parallels between self-expression, terrorism, self-obsession, or losing your identity to celebrity, or something... By the end of the film I was deeply annoyed.

Hats-off the all of the professionals who clearly know how to make an impressive film here. But this story however, is a mess of intensity looking for a point. I believe that it fails eventually because of the indigestible premise.


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