Sam, a disenchanted young man, finds a mysterious woman swimming in his apartment's pool one night. The next morning, she disappears. Sam sets off across LA to find her, and along the way he uncovers a conspiracy far more bizarre.
David Robert Mitchell
A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Violet is a shy teenager who dreams of escaping her small town and pursuing her passion to sing. With the help of an unlikely mentor, she enters a local singing competition that will test her integrity, talent and ambition. Driven by a pop-fueled soundtrack, Teen Spirit is a visceral and stylish spin on the Cinderella story.
Vox Lux follows the rise of Celeste from the ashes of a major national tragedy to pop super stardom. The film spans 18 years and traces important cultural moments through her eyes, starting in 1999 and concluding in 2017. In 1999, teenage Celeste (Raffey Cassidy) survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister (Stacy Martin) and a talent manager (Jude Law). Celeste's meteoric rise to fame and concurrent loss of innocence dovetails with a shattering terrorist attack on the nation, elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar. By 2017, adult Celeste (Natalie Portman) is mounting a comeback after a scandalous incident that derailed her career. Touring in support of her sixth album, a compendium of sci-fi anthems entitled Vox Lux, the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to ...
In the voice-over at the beginning, the year 2000 is described as "the dawn of the new millennium". In fact that year was the last year of the second millennium, which would make 2001 "the dawn of the new millennium. See more »
Yikes - starts really well - a narcisstic mess by the end
This film suffers from the same kind of poor choices which would cause someone to, say, make a 9/11 disco musical. It wields an enormous subject and chooses to focus on the most irrelevant aspects of any reaction to that subject.
It doesn't really matter what you want to say - the bizarre, unresolved context for the setup feels faintly obscene and eventually bankrupt. If the point of the film is to illustrate the shallowness of reactions to terror and violence, then it failed to say that. Instead, it looks more like a statement about the parallels between self-expression, terrorism, self-obsession, or losing your identity to celebrity, or something... By the end of the film I was deeply annoyed.
Hats-off the all of the professionals who clearly know how to make an impressive film here. But this story however, is a mess of intensity looking for a point. I believe that it fails eventually because of the indigestible premise.
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