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The Professor and the Madman (2019)

Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor.

Director:

Farhad Safinia
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Cast

Credited cast:
Natalie Dormer ... Eliza Merrett
Mel Gibson ... James Murray
Sean Penn ... Dr. William Chester Minor
Jennifer Ehle ... Ada Murray
Stephen Dillane ... Dr. Richard Brayne
Eddie Marsan ... MUNCIE
Ioan Gruffudd ... Henry Bradley
Jeremy Irvine ... Charles Hall
Aidan McArdle ... Defence Attorney Clarke
Adam Fergus ... Alfred Minor
Brendan Patricks ... Winston Churchill
Kieran O'Reilly ... Minor's Father
Bryan Murray ... Henry Liddell
Brian Fortune ... Head Board Member
David Crowley ... Parfit
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Storyline

Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor.

Plot Summary | Add Synopsis

Taglines:

The Incredible True Story That Defined Our World.


Certificate:

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Details

Country:

Ireland

Language:

English

Release Date:

7 March 2019 (Croatia) See more »

Also Known As:

Entre la razón y la locura See more »

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Box Office

Budget:

$25,000,000 (estimated)
See more on IMDbPro »

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Color:

Color
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Did You Know?

Trivia

Filmed partially in Dublin, Ireland in 2016. See more »

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User Reviews

 
An endeavour of unanticipated heft
21 March 2019 | by linkogeckoSee all my reviews

Unforeseen: when a movie about people LITERALLY writing a dictionary turns out to be captivating, specially the further it strays from the actual dictionary-writing. "The Professor and the Madman" features Sean Penn and Mel Gibson both retaking characteristics from some of their better-known, pre-controversy roles, with Gibson going back to the "Braveheart" Scottish accent and Penn to the "Dead Man Walking" maybe-redeemable inmate murderer; resulting in a very strong on-screen chemistry.

By the time this movie is released in most markets, its fame will likely stem from its legal issues which lead to Mel Gibson basically disavowing it and director Farhad Safinia doing so in full (the movie is credited to "P.B. Shemran", an Alan Smithee-like alias if there's ever been one). I find this decision suprising as for most of the film I could have easily bought this as a Mel Gibson-directed work. As a filmmaker, he might not have the strongest of auteurial signatures, but said signature that can most easily be defined in the depiction of gore, a fascination with language and Christian faith elements (most obvious in "The Passion of the Christ" and "Hacksaw Ridge"), definitely makes an appearance here.

Not content with Gibson-like directorial decisions, the screenplay fortunately digs deeper into some topics than any Gibson script has. Penn's character's arc in particular is well-developed in creating empathy towards the mentally ill, which is still not common enough nowadays, nevermind in a time when phrenology was still a valid study. The word "redemption", so rare yet supposed to be the most Christian of virtues as well, gets a very strong definition with this character arc. Obsession is touched upon as well, not to Aronofsky-an levels, but still enough to be worthy of a mention.

Considering the unforeseen depth of the treatment of these topics, it's truly unfortunate that there are some cases where the movie relies of the most shallow of tropes to force tension. The worst case of this is the almost-mustache-twirling-villain characters, with no depth or motive beyond antagonizing and foiling our brave heroes. One case in particular is not as tragic when a (until then) well-developed and rounded character inexplicably takes that villanous turn, at least having given us a solid base before. Additionally, the visuals suffer with some establishing shots clearly having made with inferior digital video quality, creating a jarring effect that takes you out of the movie. All in all, despite these shortcomings, "The Professor and the Madman" is a worthy story that goes into unanticipated and fortuitous depths, intensities, profoundities.


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