Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
Jack Dylan Grazer
Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Chloë Grace Moretz,
A confident and well-made directorial debut that's unfortunately pretty unmemorable.
'Wildlife (2018)' is well made in every way, with its fantastic performances combining with its restrained but assured direction and solid but somewhat unremarkable script to paint a realistic portrait of a failing family seen through the slightly immature yet more world-weary than he's given credit for young lead. The piece isn't necessarily all that powerful, though, and is, sadly, pretty unmemorable, to boot. It's a bit of a strange case because I was invested in the story, characters and overall world right from the off, always involved in its twists and turns and feeling as though I was participating in its narrative (in the sense that I wasn't spoon-fed everything), but I literally forgot I had even seen the feature not two hours after getting home from the cinema, only remembering after being reminded what it was I'd just watched, which doesn't bode well for its overall lasting impact. It also marks it, perhaps, as an experience more adept at setting up a confident new directorial talent than anything else, one rife with opportunity for its actors to impressively stretch their 'acting muscles' and for its plot to portray a more nuanced view of its core players than we usually see in typical 'Hollywood' fare. Of course, your mileage will vary depending on how much it connects with you, and I'd easily reccomended giving it a watch at least once. 6/10
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