An agent works for a secretive organization that uses brain-implant technology to inhabit other people's bodies - ultimately driving them to commit assassinations for high-paying clients.
Director:
Writer:
Awards:
- 15 wins & 39 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Gabrielle Graham | ... |
Holly
|
|
| Hanneke Talbot | ... |
Katherine
|
|
 |
Matthew Garlick | ... |
Elio
|
| Daniel Junghuan Park | ... |
Policeman
(as Daniel Park)
|
|
| Andrea Riseborough | ... |
Tasya Vos
|
|
| Jennifer Jason Leigh | ... |
Girder
|
|
| Hrant Alianak | ... |
Lead Technician
|
|
| Rachael Crawford | ... |
Dr. Melis
|
|
| Rossif Sutherland | ... |
Michael Vos
|
|
| Gage Graham-Arbuthnot | ... |
Ira Vos
|
|
| Kathy Maloney | ... |
Reporter
|
|
| Megan Vincent | ... |
Alice
|
|
| Danny Waugh | ... |
Patrick
|
|
| Christopher Abbott | ... |
Colin Tate
|
|
| Tuppence Middleton | ... |
Ava Parse
|
|
| Christopher Jacot | ... |
Reid Parse
|
|
| Sean Bean | ... |
John Parse
|
|
| Ayesha Mansur Gonsalves | ... |
Martha
|
|
| Raoul Bhaneja | ... |
Eddie
|
|
| Kaniehtiio Horn | ... |
Reeta
(as Tiio Horn)
|
|
| Deragh Campbell | ... |
Moira
|
|
| Dorren Lee | ... |
Tess
|
|
| Doug MacLeod | ... |
Alex Boyko
(as Doug Macleod)
|
|
|
|
Thomas Kane | ... |
Guest
|
|
|
Julia Burns | ... |
Utility Female
|
|
|
Rhonda Hall | ... |
Utility Female
|
| Miranda Millar | ... |
Utility Female
|
|
|
|
Steve Curto | ... |
Utility Male
|
Directed by
| Brandon Cronenberg | ... | (directed by) |
Written by
| Brandon Cronenberg | ... | (written by) |
Produced by
| Fraser Ash | ... | producer |
| Dave Bishop | ... | executive producer |
| Rob Cotterill | ... | supervising producer |
| Niv Fichman | ... | producer |
| Gary Hamilton | ... | executive producer |
| Ryan Hamilton | ... | executive producer |
| Matthew Hannam | ... | associate producer |
| Karim Hussain | ... | associate producer |
| Kevin Krikst | ... | producer |
| David U. Lee | ... | executive producer |
| Adrian Love | ... | executive producer |
| Vaishali Mistry | ... | executive producer |
| Daniel Negret | ... | executive producer |
| Doris Pfardrescher | ... | executive producer |
| Tony Roman | ... | executive producer |
| Noah Segal | ... | executive producer |
| Steve Solomos | ... | co-producer |
| Steven Squillante | ... | executive producer |
| Andrew Starke | ... | producer |
| Simon Williams | ... | executive producer |
| Ying Ye | ... | executive producer (as Ye Ying) |
Music by
| Jim Williams | ... | (original music by) |
Cinematography by
| Karim Hussain | ... | director of photography |
Editing by
| Matthew Hannam | ||
Editorial Department
| Matt Adams | ... | digital intermediate sales consultant: Technicolor Production Services |
| Darcy Arthurs | ... | dailies producer: Technicolor Toronto |
| Frank Biasi | ... | digital intermediate editor: Technicolor Production Services |
| Elliot Bick | ... | data management team: Technicolor Production Services |
| Grace Carnale-Davis | ... | dailies sales executive: Technicolor Toronto |
| Sydney Cowper | ... | first assistant editor |
| Colin Davis | ... | senior digital intermediate producer: Technicolor Production Services |
| Johnathan Wei Dickinson | ... | digital intermediate editor: Technicolor Production Services |
| Rory Ferron | ... | data management team: Technicolor Production Services |
| Jim Fleming | ... | digital intermediate colorist: Technicolor Production Services |
| Eric Harrison | ... | dailies operator: Technicolor Toronto |
| Graham Hoselton | ... | manager of color and front end services: Technicolor Toronto |
| Omar Khan | ... | feature deliverables team: Technicolor Production Services |
| Grace Lan | ... | digital intermediate workflow supervisor: Technicolor Production Services |
| Ian Mosedale | ... | feature deliverables team: Technicolor Production Services |
| Brian Reid | ... | dailies technical operations manager: Technicolor Toronto |
| Raul Sevilla | ... | feature deliverables team: Technicolor Production Services |
| Margaret Hutz | ... | digital imaging technician (uncredited) |
| Louis Plamondon | ... | teaser trailer editor (uncredited) |
Casting By
| Deirdre Bowen | ||
| Pam Dixon | ||
Production Design by
| Rupert Lazarus | ||
Art Direction by
| Kent McIntyre | ||
Set Decoration by
| Brittany Morrison | ||
Costume Design by
| Aline Gilmore | ||
Makeup Department
| McGregor Allen | ... | sculptor: 13 Finger FX |
| Tracy Bentley | ... | makeup artist assistant (as Tracy Bently) |
| Renee Chan | ... | key hair stylist |
| Anna Cichon | ... | hair work: 13 Finger FX |
| Polly Joy Crafter | ... | silicone technician: 13 Finger FX (as Polly Crafter) |
| Kyle Doust | ... | on set technician assistant: 13 Finger FX |
| Dixie George | ... | mould maker: 13 Finger FX |
| Dan Gomer | ... | art finishing: 13 Finger FX |
| Roz Gomersall | ... | senior figurative effects and special makeup technician: 13 Finger FX |
| James Iovino | ... | mould maker: 13 Finger FX |
| Cara Lanning | ... | additional life casts: 13 Finger FX |
| Traci Loader | ... | key prosthetics artist: 13 Finger FX |
| Davide Losi | ... | sculptor: 13 Finger FX |
| Rachael Mao | ... | sculptor: 13 Finger FX |
| Dan Martin | ... | special makeup and figurative effects designer: 13 Finger FX |
| Dorota Mitoraj | ... | key makeup artist |
| Sasha Pawluk | ... | on set prosthetics assistant: 13 Finger FX |
| Ricard Ramos | ... | sculptor: 13 Finger FX |
| Tenille Shockey | ... | hair stylist: 13 Finger FX |
| Hannah Stewart | ... | silicone technician: 13 Finger FX |
| Thomas Tuohey | ... | mechanical technician: 13 Finger FX |
| Matt Wadge | ... | mould shop supervisor: 13 Finger FX |
| Debra Way | ... | hair stylist assistant |
Production Management
| Hashim Alsaraf | ... | post-production supervisor |
| Lori Fischburg | ... | production manager |
| Andrew Starke | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Rob Cotterill | ... | first assistant director |
| Larissa Malarek | ... | third assistant director |
| Riley Morrison | ... | fourth assistant director |
| Lawrence Ng | ... | second assistant director |
Art Department
| John Bean | ... | lead set dresser |
| Nika Belianina | ... | assistant on set props |
| Shelby Lynn Black | ... | first assistant art director |
| Phil Carvalho | ... | construction coordinator |
| Pebbles Clements | ... | graphics project manager: Intro |
| Paolo Concepcion | ... | key on set props |
| Daniel Cuison | ... | props builder |
| Taku Dazai | ... | props builder |
| Rhiannon Dunets | ... | set dresser |
| Henry Fong | ... | hood mask concept designer |
| Michael Genereux | ... | property master |
| Craig Harris | ... | set dresser |
| Cameron Hoffman | ... | head painter |
| Julian House | ... | graphics designer: Intro |
| Greg Kleynhans | ... | key scenic |
| Patrick Kroetsch | ... | props builder |
| Carolyn Li | ... | second assistant art director |
| Erika Lobko | ... | sets buyer |
| Meaghan Lynch | ... | props builder |
| Rachel Mathews | ... | on set dresser |
| Ryan O'Connell | ... | head carpenter |
| Tiffany Pang | ... | props builder |
| Hiep Pham | ... | first assistant art director |
| Yasmine Riachi | ... | props builder |
| Joseph Kenneth Roy | ... | scenic painter |
| Rob Vajdec | ... | props builder |
| Lee Wildgen | ... | props buyer |
| Michael Smith | ... | set dresser (uncredited) |
Sound Department
| Amelia Chiarelli | ... | adr recordist: Sim Toronto |
| Ben Cross | ... | foley mixer: Universal Sound |
| Rob Davidson | ... | mix technician: MPMP Music & Sound |
| Martin Pavey | ... | re-recording mixer: MPMP Music & Sound / sound designer |
| Ken Porter | ... | boom operator |
| Brent Robichaud | ... | epk sound mixer |
| Nikki Ruck | ... | dialogue editor: MPMP Music & Sound / sound assistant: MPMP Music & Sound |
| Tom Sichel | ... | adr recordist |
| Philip Stall | ... | sound mixer |
| Ian Waggott | ... | foley artist: Universal Sound |
| Brian Horrell | ... | sound mixer: second unit (uncredited) |
| Martin Pavey | ... | supervising sound editor (uncredited) |
Special Effects by
| Derek Liscoumb | ... | special effects supervisor |
| Kirk Middleton | ... | special effects key |
| David Antonacci | ... | special effects technician (uncredited) |
| Ian Cole | ... | special effects technician (uncredited) |
| Anibal Davila | ... | special effects first assistant (uncredited) |
| Nicole Johnson | ... | special effects buyer/prep key (uncredited) |
| Vimal Parmar | ... | special effects first assistant (uncredited) |
| Spencer Wowk | ... | special effects technician (uncredited) |
Visual Effects by
| Murray Barber | ... | visual effects supervisor: Milk Visual Effects |
| Nastasia Bois | ... | lead texture artist: Milk Visual Effects |
| Will Cohen | ... | visual effects executive producer: Milk Visual Effects |
| David Cook | ... | visual effects financial controller: Milk Visual Effects |
| John Cooper | ... | editorial: Milk Visual Effects |
| Mauricio Cuencas | ... | visual effects coordinator: Milk Visual Effects |
| Francesca Dare | ... | compositor: Milk Visual Effects |
| Amy Felce | ... | lead matchmove artist: Milk Visual Effects |
| Haakon Gustavsen | ... | compositor: Milk Visual Effects |
| Bryan Jones | ... | visual effects supervisor: Milk Visual Effects |
| Rory Knight-Jones | ... | visual effects producer: Milk Visual Effects |
| Benoit Leveau | ... | head of pipeline: Milk Visual Effects |
| Sam Lucas | ... | lead modeler: Milk Visual Effects |
| Paola Maiorana | ... | compositor: Milk Visual Effects |
| Kat Mann | ... | head of production: Milk Visual Effects |
| Bastien Mortelecque | ... | lighting technical director lead: Milk Visual Effects |
| Niahm O'Brien | ... | visual effects production assistant: Milk Visual Effects |
| Alexandre Pavot | ... | software developer: Milk Visual Effects |
| Andrea Pirisi | ... | editorial: Milk Visual Effects |
| Jenna Powell | ... | visual effects executive producer: Milk Visual Effects |
| Jack Proops | ... | compositor: Milk Visual Effects |
| Sean Ralphs | ... | matchmove artist: Milk Visual Effects |
| Neil Roche | ... | lead rigging technical director: Milk Visual Effects |
| Elliott Smith | ... | software developer: Milk Visual Effects |
| Andrés Talegón | ... | compositor: Milk Visual Effects |
| Simon Wicker | ... | digital matte painter |
| Keith Barton | ... | technical support: Milk Visual Effects (uncredited) |
| Jamie Harris | ... | vfx editor (uncredited) |
| Dustin Henning | ... | compositor: Milk Visual Effects (uncredited) |
| Jonathan Williams | ... | roto & prep artist (uncredited) |
Stunts
| Tim Cody | ... | stunt safety (as Timothy Cody) |
| Neil Davison | ... | stunt coordinator |
| Rowan Kimbell | ... | stunt double: Ira |
| Louis Paquette | ... | stunt double: Sean Bean |
| Ana Shepherd | ... | stunt double: Ava / stunt safety |
| Christine Cleary | ... | stunt safety (uncredited) |
| Thomas Kane | ... | stunt performer (uncredited) |
Camera and Electrical Department
| Don Anderson | ... | electrician |
| Johnny Askwith | ... | camera operator: c camera |
| Blayne Badge | ... | electrician |
| Ashley Binette | ... | second assistant camera: "b" camera |
| Matt Bradley | ... | playback operator |
| Kyle Brunet | ... | dmt |
| Joseph Chan | ... | first assistant camera: daily |
| Adam Craig | ... | first assistant camera: "c" camera |
| Caitlin Cronenberg | ... | still photographer |
| Margaret Demchenko | ... | first assistant camera: "b" camera |
| Rob Duckworth | ... | second assistant camera: "c" camera |
| Nikolai Efimov | ... | playback operator |
| Brett Hurd | ... | camera operator: "b" camera |
| Jayme Hutchinson | ... | dolly grip |
| Jeremy J. James | ... | best boy electric |
| Chris Leblanc | ... | grip |
| Yoann Malnati | ... | camera operator: "a" camera / steadicam operator |
| Benjamin Martin Cocher | ... | epk camera operator (as Benjamin Martin-Cocher) |
| Amanda Matlovich | ... | still photographer |
| Chris Monk | ... | best boy grip |
| Craig Morgan | ... | first assistant camera: "a" camera |
| Loreen Ruddock | ... | gaffer |
| Augustina Saygnavong | ... | second assistant camera: "a" camera |
| Savanna Slonimski | ... | camera utility |
| Mike Sokoluk | ... | key grip |
| Jim Troy | ... | base camp generator operator |
| Brad Usher | ... | grip |
| Scott Wales | ... | generator operator |
| Glen Zapreff | ... | playback operator |
| Kyla Smith | ... | camera trainee (uncredited) |
Animation Department
| Chris Hutchison | ... | lead animator: Milk Visual Effects |
Casting Department
| Roisin McGilly | ... | background casting |
| Christopher Richards | ... | casting associate |
Costume and Wardrobe Department
| Kim Forrest | ... | assistant costume designer |
| Joey Watson | ... | set supervisor |
| Rivkah Weisdorf | ... | truck supervisor |
| Sara Brzozowski | ... | costumer (uncredited) |
| Melanie Jennings | ... | costume buyer (uncredited) |
| Kristen V. O'Reilly | ... | breakdown artist (uncredited) |
| Shannon Pomakov | ... | buyer (uncredited) |
| Mara Zigler | ... | costumer (uncredited) |
Location Management
| Brad Alexander | ... | assistant location manager |
| Lynn Bolsby | ... | location production assistant |
| Corinna Curry | ... | assistant location manager |
| Paul Franklin | ... | location manager |
| Donnie Saville | ... | location production assistant |
| Yuriy Zachepylenko | ... | location production assistant |
Music Department
| Lisa Abbott | ... | vocalist |
| Kristen Azevedo | ... | music business & legal executive: Cutting Edge |
| Graham Brierton | ... | musician: double bass |
| Tara Finegan | ... | executive music producer: Cutting Edge |
| John Gallen | ... | mix engineer |
| Charlotte Glasson | ... | musician: viola & violin |
| Tim Hegarty | ... | executive music producer: Cutting Edge |
| Monique Kairouz | ... | music business & legal executive: Cutting Edge |
| Musata | ... | musician |
| Ian Neil | ... | music supervisor |
| Will Taggart | ... | music coordinator: Cutting Edge |
| Bessie Williams | ... | vocalist |
| Jim Williams | ... | conductor / orchestrator / musician: guitar & keyboards (uncredited) |
Script and Continuity Department
| Danielle Depeyre | ... | script supervisor |
Transportation Department
| Dennis Baldock | ... | driver |
| Rosalind Callahan | ... | driver |
| Tim Carleton | ... | transportation captain |
| Scott Clarke | ... | driver |
| Richard Hooper | ... | driver |
| James May | ... | driver |
| Elsa Scruton | ... | transportation coordinator (as Elsa 'Dee Dee' Scruton) |
| Orges Shkreli | ... | swamper |
| Jim Snell | ... | head driver |
| Gerald Wood | ... | driver |
Additional Crew
| Reno Antoniades | ... | legal counsel: UK |
| Natasha Arsenault | ... | set production assistant |
| Allison Barber | ... | unit publicist |
| Brian Beckmann | ... | chief financial officer: Arclight Films International |
| Omar Chalabi | ... | representative: Elevation Pictures |
| Jasper Chen | ... | coordinator: Arclight Films International |
| Leon Chen | ... | coordinator: Arclight Films International |
| Kate Clark | ... | production executive: completion guarantor |
| Ben Cowley | ... | legal counsel: Canadian |
| Michael Cuckson | ... | loop group performer (as Mike Cuckson) |
| Alina D'Wonnik | ... | second assistant general accountant |
| Sara Dee | ... | loop group coordinator / loop group performer |
| Bridget Deer | ... | assistant actra steward |
| Brian Dingle | ... | immigration counsel |
| Greg Fleming | ... | coordinator: Arclight Films International |
| Agar Forjan | ... | representative: Rakija Films and Ingenious Media |
| Matt Foster | ... | representative: Elevation Pictures |
| Geraldine Franklin | ... | trainee accountant |
| John Fremes | ... | executive vice president sales: Arclight Films International |
| Mike Gabrawy | ... | chief creative officer: Arclight Films International |
| Olivier Gauthier-Mercier | ... | representative: Elevation Pictures |
| Laura Gibson | ... | legal counsel: UK |
| Kelly Gilbert | ... | production accountant |
| Lauren Gilman | ... | audit & co-production accountant: UK, hipleys |
| Emma Goegan | ... | office production assistant |
| Pietro Greppi | ... | representative: Rakija Films and Ingenious Media |
| Anwen Griffiths | ... | legal counsel: UK |
| Ashley Haines | ... | assistant: A. Riseborough |
| Jen Handorf | ... | loop group performer |
| Matthew Hannam | ... | titles by |
| Jo Haughton | ... | assistant: S. Bean |
| Ainslee Herbert | ... | senior accountant: Arclight Films International |
| Sam Hudecki | ... | main title by |
| Lindsey Hunt | ... | representative: Rakija Films and Ingenious Media |
| Darlene Ibbitson | ... | key craft service: Star Grazing |
| Tory Jennings | ... | director of programming: Bell Media |
| Steve Joberns | ... | audit & co-production accountant: UK, Shipleys |
| Gareth Jones | ... | post production accountant |
| Gosia Kamela | ... | production executive original programming: Bell Media |
| Jordan Kanner | ... | first assistant payroll accountant |
| John Kim | ... | development manager: Arclight Films International |
| Michelle Krumm | ... | head of australian operations: Arclight Films International |
| Tom Lewis | ... | legal representative: US |
| Nadine Luque | ... | representative: Rakija Films and Ingenious Media |
| Tim Marczenko | ... | executive assistant: N. Fichman (as Tim 'The Legend' Marczenko) |
| Lina Marrone | ... | executive vice president sales: Arclight Films International |
| William Meradith | ... | loop group performer |
| Jordan Nahmias | ... | legal counsel: Canadian |
| Anthony Natoli | ... | craft service assistant: Star Grazing |
| Michael O'Leary | ... | representative: Elevation Pictures |
| Michael O'Leary | ... | Executive: Elevation Pictures |
| Gbohun Palmer-Inyang | ... | representative: Rakija Films and Ingenious Media |
| Kare Parkes | ... | representative: Elevation Pictures |
| John Petti | ... | first assistant production coordinator |
| Nico Rice | ... | office production assistant |
| Gord Robertson | ... | on-set puppeteer assistant: 13 Finger FX |
| Philip Rosch | ... | loop group performer |
| Stephanie Schmalzle | ... | loop group performer |
| Catherine Simmonds | ... | representative: Elevation Pictures |
| Christopher Warre Smets | ... | epk producer |
| Jeremy Smith | ... | representative: Elevation Pictures |
| Dominic Stubbs | ... | controller |
| Giacomo Stucchi-Prinetti | ... | representative: Rakija Films and Ingenious Media |
| Moona Syed | ... | actra steward |
| Erin Norah Thompson | ... | production coordinator |
| Sarah Timlick | ... | representative: Elevation Pictures |
| Elysse Welk | ... | representative: Rakija Films and Ingenious Media |
| Brigitte Wise | ... | business affairs: Arclight Films International |
| Hunter Christensen | ... | production assistant (uncredited) |
| Genna McAuliffe | ... | completion guarantor: Film Finances Canada Ltd (uncredited) |
| Robert C. Shannon | ... | marine safety lifeguard (uncredited) |
| Jess Smallwood | ... | production assistant (uncredited) |
Thanks
| Aer Agrey | ... | special thanks |
| Kelli Alick | ... | special thanks |
| Reno Antoniades | ... | special thanks |
| Darcy Arthurs | ... | special thanks |
| Laura Ash | ... | special thanks |
| Geoff Ashenhurst | ... | special thanks |
| Stephanie Azam | ... | special thanks |
| Brian Beckmann | ... | very special thanks |
| Peter Bevan | ... | special thanks |
| Andrew Boswell | ... | special thanks |
| Tracy Brennan | ... | special thanks |
| John Burnham | ... | special thanks |
| Jenne Casarotto | ... | special thanks |
| Chilly Chick | ... | special thanks |
| Andrew Cividino | ... | special thanks |
| Caitlin Cronenberg | ... | special thanks |
| John Doe | ... | special thanks |
| Kinky Dope | ... | special thanks |
| Patrick Duchesne | ... | special thanks |
| Gwen Duda | ... | special thanks |
| Jason Eisener | ... | special thanks |
| Jane Epstein | ... | special thanks |
| Andrew Erlich | ... | special thanks |
| Sari Friedland | ... | special thanks |
| Sarah Gadon | ... | special thanks |
| Mitch Geddes | ... | special thanks |
| Corey Gorewicz | ... | special thanks |
| Christopher Halliday | ... | special thanks |
| Karen Harnisch | ... | special thanks |
| Amy Harper | ... | special thanks |
| Moira Holmes | ... | special thanks |
| Lindsey Hunt | ... | thanks |
| Natalie Igelfeld | ... | special thanks |
| Ali Jafri | ... | special thanks |
| Vivien Jordan | ... | special thanks |
| Susan King | ... | special thanks |
| James Klopko | ... | special thanks |
| Diane Konecny | ... | special thanks |
| Jill Krasnicki | ... | special thanks |
| Adam Litovitz | ... | special thanks |
| James Luscombe | ... | special thanks |
| Glenda MacInnis | ... | special thanks |
| Laurie May | ... | special thanks |
| Cam McLauchlin | ... | special thanks |
| Andy McQueen | ... | special thanks |
| Anthony Mestriner | ... | special thanks |
| Jacquelyn Mills | ... | special thanks |
| Monica Moore | ... | special thanks |
| Steven Nossokoff | ... | special thanks |
| Kelly Payne | ... | special thanks |
| Murray Pomerance | ... | special thanks |
| Elan Ruspoli | ... | special thanks |
| Oleg M. Savytski | ... | special thanks |
| Charlotte Selb | ... | special thanks |
| Frances Shantz | ... | special thanks |
| Albert Shin | ... | special thanks |
| Paki Smith | ... | special thanks |
| Lisa Soper | ... | special thanks |
| Viviane Telio | ... | special thanks |
| James Vandewater | ... | special thanks |
| Jacqueline White | ... | special thanks |
| Aaron Woodley | ... | special thanks |
Production Companies
- Rhombus Media
- Rook Films
- Particular Crowd (in association with)
- Arclight Films
- Ingenious Media
- Ontario Creates
- Crave
- Téléfilm Canada (with the participation of)
Distributors
- Kinostar Filmverleih (2021) (Germany) (theatrical)
- Megogo Distribution (2020) (Russia) (theatrical)
- Monster Pictures (2020) (Australia) (theatrical)
- Neon (2020) (United States) (theatrical)
- Shaw Organisation (2021) (Singapore) (theatrical)
- Elevation Pictures (2019) (Canada)
- Film1 (2023) (Netherlands) (tv) (limited)
- Signature Entertainment (2021) (United Kingdom) (Blu-ray)
- Signature Entertainment (2021) (United Kingdom) (DVD)
- Sky Cinema (2022) (Germany) (tv) (Sky Cinema Premieren) (limited)
- Turbine Medien (2022) (Germany) (Blu-ray)
- Turbine Medien (2022) (Germany) (Ultra HD Blu-ray)
- Well Go USA Entertainment (2020) (United States) (Blu-ray)
- Well Go USA Entertainment (2020) (United States) (DVD)
- Well Go USA Entertainment (2020) (United States) (Ultra HD Blu-ray)
Special Effects
- 13 Finger FX (figurative and special makeup effects by)
- Milk Visual Effects (visual effects by)
- Storm FX (special effects company)
- Technicolor Production Services (theatrical imaging by)
Other Companies
- Absolutely Famished Catering (catering)
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (acknowledgement)
- Blazing Kitchen (catering)
- CBC Licensing (stock footage)
- Chubb Insurance Company of Canada (insurance)
- Cutting Edge (music services provided by)
- Directors Guild of Canada: Ontario (acknowledgement)
- EP Canada Film Services (payroll services)
- En Route Catering (catering)
- Endcrawl.com (end titles made with)
- Film Finances Canada (completion guarantee provided by)
- Freeway CAM B.V. (collection account management)
- Front Row Insurance Brokers (insurance)
- Golden Arrow Entertainment (production monitoring)
- Goldenberg Nahmias (legal services)
- I.A.T.S.E. Local 411 (acknowledgement)
- I.A.T.S.E. Local 667 (acknowledgement)
- Intro (graphics by)
- Kay and Warburton (tax credit audit: Canadian)
- Lakeshore Records (soundtrack)
- Lee & Thompson (legal services)
- MPMP Nsic & Sound (audio post production by)
- Mad Cat Wrangling (animal wrangler)
- Nabet 700 (acknowledgement)
- SAG-AFTRA (acknowledgement)
- SIM International (camera equipment provided by)
- SIM International (grip and lighting equipment)
- Shipleys (tax credit audit and co-production accountant: US)
- Sim Post Toronto (adr recorded at)
- Star Grazing (craft service by)
- Sundance Film Festival (festival)
- Technicolor Toronto (dailies by)
- The March of Time/Getty Images (stock footage)
- The Rights Company (clearances)
- Twickenham Film Studios (sound mixing studio)
- Universal Sound Department (foley recorded at)
- Walter Klassen Special Effects (props build)
- iFEED Catering (catering)
Storyline
| Plot Summary |
Tasya Vos is a corporate agent who uses brain-implant technology to inhabit other people's bodies, driving them to commit assassinations for the benefit of the company. While she has a special gift for the work, her experiences on these jobs have caused a dramatic change in her, and in her own life she struggles to suppress violent memories and urges. As her mental strain intensifies, she begins to lose control, and soon she finds herself trapped in the mind of a man whose identity threatens to destroy her own. |
| Plot Keywords | |
| Taglines | No Body is Safe See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Did You Know?
| Trivia | Most of the special effects in the film were done practically, with an effort to use as little VFX work as possible. The hallucination scenes' effects in particular were done in-camera. Cronenberg credits his effects specialists, Dan Martin and Derek Liscoumb, and his longtime cinematographer Karim Hussain for being able to pull off convincing visuals with a minimum of CGI. See more » |
| Goofs | Although the film is set in 2008, the song "Dead of Night" by Orville Peck, released in 2019, is heard when Colin arrives at his house. However, the film is set in an alternate 2008, so the time line in which that song was released could be different. See more » |
| Movie Connections | Featured in Possessor/Possessor Uncut Review (What's the difference?) (2020). See more » |
| Soundtracks | Detroit II See more » |
| Quotes |
Colin Tate:
Just think, one day your wife is cleaning the cat litter and she gets a worm in her, and that worm ends up in her brain. The next thing that happens is she gets an idea in there, too. And it's hard to say whether that idea is really hers or it's just the worm. And it makes her do certain things. Predator things. Eventually, you realize that she isn't the same person anymore. She's not the person that she used to be. It's gotta make you wonder, whether you're really married to her... or married to the worm. See more » |