A young man and his three younger siblings, who have kept secret the death of their beloved mother in order to remain together, are plagued by a sinister presence in the sprawling manor in which they live.
Director:
Writer:
Awards:
- 2 wins & 2 nominations.
- See more »
Reviews:
Photos and Videos
Cast
| George MacKay | ... |
Jack
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| Anya Taylor-Joy | ... |
Allie
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| Charlie Heaton | ... |
Billy
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| Mia Goth | ... |
Jane
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Matthew Stagg | ... |
Sam
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| Nicola Harrison | ... |
Mother
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| Kyle Soller | ... |
Porter
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| Tom Fisher | ... |
Father
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Myra Kathryn Pearse | ... |
Molly
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| Paul Jesson | ... |
Doctor
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| Robert Strange | ... |
Monster
(as Robert Nairne)
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| Rest of cast listed alphabetically: | |||
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Laura Brook | ... |
Thelma (uncredited)
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| Adam Quintero | ... |
Mr. Gouldman (uncredited) (voice)
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Directed by
| Sergio G. Sánchez | ... | (directed by) |
Written by
| Sergio G. Sánchez | ... | (written by) |
Produced by
| Belén Atienza | ... | producer (produced by) |
| Álvaro Augustin | ... | producer (produced by) |
| Ghislain Barrois | ... | producer (produced by) |
| J.A. Bayona | ... | executive producer |
| Sandra Hermida | ... | executive producer |
| Paloma Molina | ... | executive producer |
| Jorge Tuca | ... | delegate producer |
Music by
| Fernando Velázquez | ... | (music) |
Cinematography by
| Xavi Giménez | ... | director of photography |
Editing by
| Elena Ruiz | ||
Editorial Department
| Ana Benzal | ... | Post-production assistant |
| Quique Cañadas | ... | d.i. colorist |
| Ana Charte Isa | ... | first assistant editor (as Ana Charte) |
| David Cárceles | ... | operations manager: Deluxe Barcelona |
| Rafa Marmodoro | ... | conform editor |
| Laura Sánchez | ... | post-production coordinator: Deluxe Barcelona |
Casting By
| Karen Lindsay-Stewart | ||
Production Design by
| Patrick Salvador | ||
Art Direction by
| Jaime Anduiza | ||
Costume Design by
| Sonia Grande | ||
Makeup Department
| Chris Fitzpatrick | ... | prosthetics supervisor |
| Marina E. Gómez | ... | hair and make up assistant |
| Denise Kum | ... | makeup/hair/prosthetics designer |
| Chris Lyons | ... | special effects teeth |
| Nuria Mbomio | ... | hair stylist / makeup artist |
| Grace McComisky | ... | prosthetic makeup technician |
| Alex Rapazzini | ... | prosthetics trainee |
| Mariona Trias | ... | hair and make up assistant |
| Raquel Álvarez | ... | prosthetic makeup assistant |
Production Management
| Inés Font | ... | post-production supervisor |
| Sandra Hermida | ... | production manager |
| Margarita Huguet | ... | unit production manager |
| Víctor Martí | ... | post-production consultant |
Second Unit Director or Assistant Director
| Samu Fuentes | ... | third assistant director |
| Kike Maíllo | ... | second unit director |
| Pep Parés Font | ... | third assistant director |
| Olga Pujalte | ... | second assistant director |
| Javier Soto | ... | first assistant director (as F. Javier Soto) |
Art Department
| Rocío Ahumada | ... | drapery coordinator |
| Gorka Arnoso | ... | props (as Gorka Arnoso 'Kemen') |
| Chan Canelo | ... | scenic painter supervisor |
| David Allen Carr | ... | greens manager (as David Carr) |
| Nina Caussa | ... | set decoration assistant |
| Silvia Crivillers | ... | props |
| Edu Glez | ... | lead graphic designer |
| Elena Granell | ... | painter |
| Héctor Leiro | ... | set dresser |
| Joan Martí | ... | concept artist (as Joan Marti) |
| Aitana Ozaeta | ... | painter |
| Carlos Salgado | ... | concept artist |
| Alejandro Serna | ... | concept artist |
| Eva Torres | ... | set dresser |
| Roberto Álvarez Espinedo | ... | property master |
Sound Department
| Irma Areta | ... | sound post production |
| Tamara Arévalo | ... | boom operator |
| Marc Bech | ... | additional sound effects editor |
| Sergio Bürmann | ... | sound |
| Abraham F. Apresa | ... | second assistant sound editor (as Abraham Fernández) |
| Coque F. Lahera | ... | second unit: sound |
| Lucas Fernández | ... | boom operator |
| Marc Gonell | ... | foley artist |
| Pelayo Gutiérrez | ... | sound designer / supervising sound editor |
| Ana Belén Martín | ... | post sound production |
| Boi Martínez | ... | foley recordist |
| Marta Monistrol | ... | foley artist |
| Miguel Muñoz Huete | ... | sound assistant |
| Marc Orts | ... | re-recording mixer |
| Andrea Paralta | ... | dialogue editor |
| Yasmina Praderas | ... | sound re-recording assistant |
| Yisel Pupo | ... | foley recordist |
| Pedro Sánchez Alonso | ... | sound |
| Oriol Tarragó | ... | sound designer / supervising sound editor |
Special Effects by
| Raquel Guirro | ... | corpse dummies: GADGET Efectos Especiales |
| Enric Masip | ... | special effects supervisor |
| Pablo Perona | ... | animatronic effects: May Effects |
| Juan Serrano | ... | special effects: Gadget Efectos Especiales |
Visual Effects by
| Joan Azpeitia | ... | digital compositor |
| Marc Carreres | ... | visual effects editor |
| Gerard Casas Rué | ... | visual effects: cg artist |
| Albert Garcia Gil | ... | digital compositor |
| Juan León | ... | lighting & lookdev td |
| Daniel López-Izquierdo | ... | digital compositor |
| Santiago Muñoz Carreras | ... | cgi artist: modeling/shading/lighting |
| Kiruba Nanthan | ... | visual effects artist |
| Eduard Puertas | ... | digital compositor |
| Àlex Villagrasa | ... | visual effects supervisor |
Stunts
| Dan Adams | ... | utility stunts (as Daniel Adams) |
| Roberto Bonacini | ... | stunts |
| Alejandro López Estacio | ... | stunt rigger |
| César Solar | ... | stunt coordinator |
| Cuco Usín | ... | stunt coordinator |
Camera and Electrical Department
| Antonio Antón de los Ángeles | ... | video assistant: second unit (as Antonio De Los Angeles) |
| Sergi Bartrolí | ... | director of photography: second unit |
| Chisko Blanco | ... | electrician |
| Jon Mikel Caballero | ... | making-of: pre-production |
| Vicente Calleja | ... | camera trainee |
| Marc Canalda | ... | electrician |
| Edu Canet | ... | camera operator: "a" camera |
| Francesc Carreras | ... | first assistant camera |
| Jordi A. Corrales | ... | colorist: dailies / data manager |
| Beatriz Delgado | ... | first assistant camera: "b" camera, second unit |
| Lucía Forner Segarra | ... | video assist (as Lucía Forner) |
| Javier González Leonardo | ... | key grip |
| Celine Gravez | ... | second assistant camera |
| Javier Lomas | ... | d.i.t. data loader |
| Martí Maluquer | ... | gaffer |
| José Ángel Manrique | ... | grip |
| Jesús Martínez | ... | grip assistant |
| Nacho Martínez | ... | electrician (as Nacho Martinez) |
| Carlos Nava | ... | video assist cableman |
| Ferran Parera | ... | key rigger |
| Javi Prieto | ... | assistant camera |
| Eduard Pumariega | ... | Best boy / electrician (as Edu Puma) |
| Ernesto Reguera | ... | digital imaging technician |
| Edgar Solé | ... | electrician |
| Pablo Suárez Fernández | ... | electrician |
| Quim Vives | ... | still photographer |
| Josep Zueras | ... | electrician |
Casting Department
| Iván Armesto | ... | extras casting director |
| Emily Jacobs | ... | casting associate |
| Aure Roces | ... | Local Extras Casting Director |
Costume and Wardrobe Department
| Sara Cabrera | ... | set costumer |
| Paula Chiappetta | ... | wardrobe assistant |
| Ana Cuerda | ... | assistant costume designer |
| Elisabeth Martirena | ... | breakdown artist |
| Wanda Morales | ... | assistant costume designer |
Location Management
| Raúl Díaz | ... | location scout |
| Lluna Juvé | ... | assistant location manager / location manager: second unit |
Music Department
| Marc Blanes | ... | score mixer (as Marc Blanes Matas) / score recordist (as Marc Blanes Matas) |
| Jaime Gutiérrez Domínguez | ... | orchestrator |
| Alfred Tapscott | ... | music production |
| Rubén Villar Fernández | ... | music: copyist |
Script and Continuity Department
| Glòria Blanes | ... | script supervisor |
| Cristina Sánchez Belmonte | ... | script supervisor: second unit |
Transportation Department
| Marc Canalda | ... | electric truck driver |
| Laura Vaquerizo | ... | camara truck driver / electric truck driver |
Additional Crew
| Andrés Albarracín | ... | animal coordinador / animal coordinator |
| Helena Casas | ... | production assistant |
| Adrián Castañeda | ... | production assistant |
| Alina Constanso | ... | production assistant |
| Almudena Cormenzana | ... | production coordinator |
| Victoria Donovan | ... | acting coach |
| Raúl Díaz | ... | assistant: Sergio G. Sanchez |
| Cristóbal García | ... | business affairs |
| Jan García | ... | production accountant |
| Alvaro Garcia Gonzalez | ... | Marketing assistant |
| Macarena Gregorio | ... | marketing |
| Rachel Harris | ... | tutor |
| Jacob Hesmondhalgh | ... | Runner: Dailies |
| Cris Lafront | ... | production assistant |
| Araceli Lasso | ... | clearance coordinator |
| Gonzalo López Carlassare | ... | production assistant (as Gonzalo López) |
| Guillermo Martel | ... | documentalist |
| Soledad Martínez | ... | production coordinator |
| Inés Mas | ... | production assistant |
| Beatriz Mayo | ... | financial controller (as Bea Mayo) |
| Teresa Morales de Álava | ... | head of marketing |
| Emma Riesco | ... | office production assistant |
| Teresa Silleras | ... | payroll accountant |
Thanks
| Héctor Acebal | ... | the producers wish to thank |
| Marta Aces | ... | the producers wish to thank |
| Mayta Ordóñez Antunez | ... | art department wishes to thank |
| Chello Apreas | ... | the director wishes to thank |
| Keiran Bowtell | ... | the director wishes to thank |
| José Braña | ... | thanks |
| David Armando Caballin | ... | art department wishes to thank: Caballin Gijón |
| Jaime Cachero | ... | art department wishes to thank |
| Pamela García Carbajal | ... | the producers wish to thank |
| Javier Carneros | ... | the director wishes to thank |
| Álvaro Cervantes | ... | the director wishes to thank |
| Pablo Collado | ... | the director wishes to thank |
| Rosario Cuervo Corrales | ... | the producers wish to thank |
| Jorge Luis Santiago Cortés | ... | thanks: ministry of defense |
| Daniel Cuevas | ... | the director wishes to thank |
| Desirée de Fez | ... | the director wishes to thank |
| Fernando De La Hoz | ... | art department wishes to thank |
| Vicente Domínguez | ... | the producers wish to thank |
| Raúl Díaz | ... | the producers wish to thank |
| Urko Errazquin | ... | the director wishes to thank |
| Avelino Rubio Fernández | ... | the producers wish to thank |
| Ignacio Escribano Fernández | ... | the producers wish to thank: mayor of Cudillero |
| Rita Irusca Fernández | ... | the producers wish to thank |
| David Flynn | ... | the director wishes to thank |
| Juan Gabino | ... | art department wishes to thank |
| David Gallart | ... | the director wishes to thank |
| Estefanía Garaízar | ... | the producers wish to thank |
| Carlos García Bayona | ... | the director wishes to thank / the producers wish to thank |
| José Ramón García López | ... | art department wishes to thank |
| Alicia García | ... | the producers wish to thank |
| Idelfonso Magdalena García | ... | art department wishes to thank |
| Maderas Miguel Ágel García | ... | art department wishes to thank: Bances Pravia |
| Raul Soria García | ... | art department wishes to thank |
| Dede Gardner | ... | the director wishes to thank |
| Covadonga González | ... | the director wishes to thank |
| Juan González | ... | the director wishes to thank |
| Juan Ramón González | ... | the director wishes to thank |
| Natalia Carbajal González | ... | the producers wish to thank |
| Alberto González Gutiérrez | ... | art department wishes to thank |
| Irene Gutiérrez | ... | the director wishes to thank |
| Isabel Gutiérrez | ... | the director wishes to thank |
| Iñigo Gutiérrez | ... | the director wishes to thank |
| Juan Manuel Gutiérrez | ... | the director wishes to thank |
| Juan Ramón Gutiérrez | ... | the director wishes to thank |
| Martina Gutiérrez | ... | the director wishes to thank |
| María Gutiérrez | ... | the director wishes to thank |
| Pilar Gutiérrez | ... | the director wishes to thank |
| Teresa García Gutiérrez | ... | art department wishes to thank |
| Pedro Fernandez Hevia | ... | art department wishes to thank |
| María Del Valle Iturrate | ... | the producers wish to thank |
| Jeremy Kleiner | ... | the director wishes to thank |
| Rich Klubeck | ... | the director wishes to thank |
| Eneko Lizarraga | ... | the producers wish to thank |
| Yolanda Lobo | ... | the director wishes to thank |
| Santiago Longo | ... | art department wishes to thank: Malezza |
| Teresa Lorite | ... | the director wishes to thank |
| José López | ... | the director wishes to thank |
| Javier Gutiérrez Manzanares | ... | art department wishes to thank |
| Iban Manzano | ... | the director wishes to thank |
| Helen Martí Donoghue | ... | the director wishes to thank (as Helen Martí) |
| Mónica Matabuena | ... | the producers wish to thank |
| Rocio Menendez | ... | the producers wish to thank |
| Juan Diego Feranández Menéndez | ... | art department wishes to thank |
| Francisco Mestre | ... | the director wishes to thank |
| Rocío García Millán | ... | the director wishes to thank / the producers wish to thank |
| David Álvarez Muñiz | ... | art department wishes to thank |
| Carlos Navarro | ... | thanks |
| Guillermo Bas Ordóñez | ... | art department wishes to thank |
| Sara Orton | ... | the producers wish to thank |
| Ignacio Garcia Palacios | ... | the producers wish to thank: mayor of Navia |
| Oriol Paulo | ... | the director wishes to thank |
| Paul Pen | ... | the director wishes to thank |
| Fermín Álvarez Perea | ... | art department wishes to thank |
| Manuel Álvarez Perea | ... | art department wishes to thank |
| Roberto Pire | ... | the producers wish to thank |
| Marino Fernández Pérez | ... | the producers wish to thank |
| Roberto Martínez-Illescas Redondo | ... | thanks: ministry of defense |
| Matt Reeves | ... | the director wishes to thank |
| Adrián Barbón Rodríguez | ... | the producers wish to thank: mayor of Pola de Laviana |
| Alejandro Rodríguez | ... | art department wishes to thank |
| Verónica Pardo Romero | ... | the producers wish to thank |
| Belén Santianes | ... | the director wishes to thank |
| Rai Sanz | ... | the producers wish to thank |
| Francisco Javier Serres González de Linares | ... | thanks: ministry of defense |
| Manolo Solo | ... | the director wishes to thank |
| Mateo Soto | ... | thanks |
| Angel Miguel Quintana Suarez | ... | the producers wish to thank |
| David Álvarez Suárez | ... | the producers wish to thank: mayor of Pravia |
| Isabel Sánchez | ... | the director wishes to thank |
| Luisma Tello | ... | the director wishes to thank |
| Paolo Vasile | ... | the director wishes to thank |
| Marta Vidal | ... | the producers wish to thank |
| Álex Villazán | ... | the director wishes to thank (as Alex Villazán) |
| Carmen Yllera | ... | the director wishes to thank |
| Mariano Yllera | ... | the director wishes to thank |
| María Yllera | ... | the director wishes to thank |
| Marina Álvarez | ... | art department wishes to thank |
Production Companies
- Lionsgate Films
- Mediaset España
- Marrowbone
- Telecinco Cinema
- Mogambo
- Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)
- Movistar+
- Lions Gate International
Distributors
- Magnet Releasing (2018) (United States) (theatrical)
- Batrax Entertainment (2017) (Non-US) (multi-territory)
- GEM Entertainment (2017) (Non-US) (multi-territory)
- Film & TV House (2017) (Non-US) (multi-territory)
- ACME (2017) (Lithuania) (theatrical)
- Blitz (2018) (Croatia) (theatrical)
- Cinecolor Films (2018) (Colombia) (theatrical)
- Digicine (2018) (Argentina) (theatrical)
- Entertainment One (2018) (United Kingdom) (theatrical)
- Golden Screen Cinemas (2018) (Malaysia) (theatrical)
- Golden Village Pictures (2018) (Singapore) (theatrical)
- Imagem Filmes (2018) (Brazil) (theatrical)
- Impuls Pictures (2018) (Switzerland) (theatrical)
- Jaguar Film International Distribution (2017) (Lebanon) (theatrical)
- Jaguar Film International Distribution (2017) (Non-US) (theatrical) (Middle East)
- Kino Films (2019) (Japan) (theatrical)
- Latam Pictures (2018) (Mexico) (theatrical)
- Metropolitan Filmexport (2018) (France) (theatrical)
- Monolith Films (2018) (Poland) (theatrical)
- Odeon (2017) (Greece) (theatrical)
- PT. Prima Cinema Multimedia (2017) (Indonesia) (theatrical)
- Pioneer Films (2018) (Philippines) (theatrical)
- Times Media Films (2018) (South Africa) (theatrical)
- United King Films (2017) (Israel) (theatrical)
- Universal Pictures International (UPI) (2017) (Spain) (theatrical)
- Volga (2017) (Russia) (theatrical)
- Volga (2017) (Ukraine) (theatrical)
- Film1 (2018) (Netherlands) (tv) (limited)
- Monolith Video (2018) (Poland) (DVD)
- Multivision Multimedia India (2018) (India) (India & Indian Sub-continent)
- Pris Audiovisuais (2018) (Portugal)
- TME Films (2018) (Turkey)
- Universum Film (UFA) (2018) (Germany) (Blu-ray)
- Universum Film (UFA) (2018) (Germany) (DVD)
Special Effects
Other Companies
- Asturias Film Commission (acknowledgement)
- Bobbi Brown Cosmetics (thanks)
- Coser y Cantar (acknowledgement)
- Deluxe Entertainment Services (acknowledgement) (2016-present logo)
- Deluxe Spain (post-production sound services)
- Deluxe Spain (post-production)
- Dolby Laboratories (sound mix)
- Fintage CAM (collection account management)
- Gobierno de España (acknowledgement)
- MAC Cosmetics (makeup provided by)
- MAC Cosmetics (thanks)
- Marrowbone (acknowledgement)
- Mediaset España (acknowledgement)
- Movistar+ (acknowledgement)
- Postflow (acknowledgement)
- Silleras Asesores Juridicos S.L. (payroll services) (Spain)
- Telecinco Cinema (acknowledgement)
- The Stunt Club (stunt team)
- Why On Set (DIT equipment)
Storyline
| Plot Summary |
Three brothers and a sister have just lost their mother. After her death they fear to be separated, so to protect themselves and prevent this from happening they decide to flee to an abandoned farm, a place that is not what it seems, because it hides a dark secret between its walls. |
| Plot Keywords | |
| Taglines | No One Will Ever Separate Us. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
| Also Known As |
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| Official Sites | |
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| Sound Mix | |
| Filming Locations |
Box Office
| Budget | EUR8,000,000 (estimated) |
| Opening Weekend Spain | EUR200,000, 27 Oct 2017 |
| Cumulative Worldwide Gross | $11,165,901, 29 Apr 2018 |
Did You Know?
| Trivia | All the scenes in the house (but not the attic ones, and the library sequence) have been filmed in the same house with natural light only. The three different stairways existed as such and have been kept for filming. See more » |
| Goofs | When Billy drops down into the chimney to look for the money box, the burn length on the first match he lights changes with multiple camera angles, from the front camera shot (short burn length), and the rear camera shot (long, almost to his fingers). Also, other than for a suspense affect, why is he using multiple matches for minimal light? Earlier in the movie, it was clear the children were in possession of working flashlights. See more » |
| Movie Connections | Referenced in Episode #1.168 (2017). See more » |
| Soundtracks | I'll Keep You Safe See more » |
| Quotes |
Allie:
[to Simon Fairbairn]
You're the only one who's really dead See more » |