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Title: Lucky (2017)
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| Cast overview, first billed only: | |||
| Harry Dean Stanton | ... | Lucky | |
| David Lynch | ... | Howard | |
| Ron Livingston | ... | Bobby Lawrence | |
| Ed Begley Jr. | ... | Dr. Christian Kneedler | |
| Tom Skerritt | ... | Fred | |
| Barry Shabaka Henley | ... | Joe | |
| James Darren | ... | Paulie | |
| Beth Grant | ... | Elaine | |
| Yvonne Huff | ... | Loretta (as Yvonne Huff Lee) | |
| Hugo Armstrong | ... | Vincent | |
| Bertila Damas | ... | Bibi | |
 |
Pam Sparks | ... | Pam (as Pamela Sparks) |
|
|
Mouse | ... | Mouse |
| Ulysses Olmedo | ... | Juan Wayne | |
| Ana Mercedes | ... | Victoria | |
Lucky is an old US Navy veteran of rigid habits and attitudes in a small town. When his routine is interrupted by a sudden collapse at home, Lucky finds himself realizing that his remarkably healthy old age is going to face an inevitable decline and he has to accept it. In that difficult reassessment, Lucky must face up to what he believes in and how much it compares to his neighbors' priorities. In doing so, Lucky finds that his life has its positive side as he searches for some meaning that he can accept. Written by Kenneth Chisholm (kchishol@rogers.com)
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In terms of humanity, Lucky is the simplest story I've ever connected to. Seeing it in theaters was one of the most emotional experiences I've ever had watching a movie.
Lucky walks the thin line between being an exploration of death and a celebration of life, because it manages to be both. Lucky is a character that at first couldn't care less about his mortality. He didn't think about it because he didn't have to. But when the effects of old age start to set in, Lucky can't help but see his own death everywhere. With the onset of this fear, he learns to embrace death - "realism", as said in the movie. However, this process was not so easy, as he first had to let go of his anger to understand the beauty and sadness in the experience of his whole life up until his old age, and everything he has yet to be a part of.
Many try to claim that movies "used to be simpler" and "had better stories" due to less technology, but I'll be damned if they aren't easier to connect to now than ever. Lucky follows suit of movies, loosely like "Manchester by the Sea", and greatly like "Paterson" which both came out within the past year. These movies pay homage to real life by stripping the substance down to normal human experiences that most end up having to face, and everyone can at least recognize. In particular, Lucky is that of accepting how everything in life will go away in time, so all that can be done is to experience it. This ephemeral experience of life is both beautiful and sad, as this movie is both about life and death.
The reason that a movie like Lucky hit me so hard was because it threw nothing in my face. I was so immersed in what felt like real life to me that it was as sudden as extreme as life can be when all the sudden it got so emotional, like in the bar. Lucky's stance in the bar, letting go and explaining his stance as a human being was one of the most emotionally moved I've ever been by a single scene. Again, this is because everything develops so naturally, and because I personally connect with what Stanton's character has to find his way back to after 90 some years of age - being able to smile. While all aspects of the filmmaking delivered this effect, I especially recognize the script and Stanton's performance for their organic emotional accomplishment within the story.
To me, Lucky owns up to the internal and external unknown. It represents the ongoing process of learning how to smile in a life that will continue to break you down.