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Hotel Artemis (2018)

R | | Action, Crime, Drama | 8 June 2018 (USA)
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Set in riot-torn, near-future Los Angeles, 'Hotel Artemis' follows the Nurse, who runs a secret, members-only emergency room for criminals.

Director:

Drew Pearce

Writer:

Drew Pearce
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Popularity
875 ( 200)
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Jodie Foster ... The Nurse
Sterling K. Brown ... Waikiki
Sofia Boutella ... Nice
Jeff Goldblum ... Niagara
Brian Tyree Henry ... Honolulu
Jenny Slate ... Morgan
Zachary Quinto ... Crosby Franklin
Charlie Day ... Acapulco
Dave Bautista ... Everest
Kenneth Choi ... Buke
Father John Misty ... P-22 (as Josh Tillman)
Evan Jones ... Trojan Nash
Nathan Davis Jr. ... Rocco
Ramses Jimenez ... Tariq
Angela Sprinkle ... Union Califia Hologram
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Storyline

A woman known as The Nurse (Jodie Foster) runs a high-security, members-only hospital for high-rolling criminals in Los Angeles. When a bank robber (Sterling K. Brown) brings his injured teammates along with $18 million in jewels there, both mob boss Wolf King (Jeff Goldblum) and the police follow. With the hospital under siege, The Nurse, her orderly (Dave Bautista) and her other criminal patients have to defend themselves.

Plot Summary | Plot Synopsis

Taglines:

Wounded. Wanted. Welcome. See more »


Motion Picture Rating (MPAA)

Rated R for violence and language throughout, some sexual references, and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Offical Twitter | Official Facebook | See more »

Country:

UK | USA

Language:

English | French

Release Date:

8 June 2018 (USA) See more »

Also Known As:

Hotel Artemis See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$3,232,790, 10 June 2018, Wide Release

Gross USA:

$6,708,147

Cumulative Worldwide Gross:

$11,162,584, 12 August 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Niagara (Jeff Goldblum) sings a song that begins "I watched a fly;" Goldblum is well known as the star of The Fly (1986). See more »

Goofs

Both Waikiki and Acapulco were able to create guns inside the weapons-free facility using parts made on a 3D printer. However they would not have been able to get the bullets to use the guns, though they are shown to fire them later. See more »

Quotes

Nice: You're the employee, I'm the business.
See more »

Crazy Credits

There is a mid-credits scene. See more »

Connections

Featured in Chris Stuckmann Movie Reviews: Hotel Artimis (2018) See more »

Soundtracks

California Dreamin'
Written by John Phillips (as John Edmund Andrew Phillips), Michelle Phillips (as Michelle Gilliam Phillips)
Performed by The Mamas and the Papas (as The Mamas & The Papas)
Courtesy of Geffen Records under license from Universal Music Enterprises
See more »

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User Reviews

 
Aesthetically pleasing, but the narrative is predictable and clichéd
30 July 2018 | by BertautSee all my reviews

Hotel Artemis is a film which doesn't do a great deal wrong. However, it is also a film which doesn't do a great deal right. It just kind of hangs in mid-air, with clichéd characters acting in clichéd ways and having clichéd conversations. And then it ends. It's not actually about anything. It's also predictable, and all surface, with precious little substance. It looks pretty though.

In 2028, riots are tearing Los Angeles apart. The film takes place primarily in the eponymous Hotel Artemis, a secret hospital for criminals in the heart of the city. The motley crew of characters, many of whom are known only by the name of the room in which they're staying, include Waikiki (Sterling K. Brown) and his brother Honolulu (Brian Tyree Henry), bank robbers who have been involved in a shootout with police; Nice (Sofia Boutella), an assassin who "only kills important people", and just so happens to be Waikiki's ex-girlfriend; and Acapulco (a spectacularly miscast Charlie Day), a weapons dealer and all round weasel. Also present are The Wolf King (Jeff Goldblum), Los Angeles's most feared gangster, who also finances the hospital, his incompetent son, Crosby (Zachary Quinto), and Morgan (Jenny Slate), a cop injured in the riots. The hospital is run by "Nurse" (Jodie Foster), an agoraphobic alcoholic haunted by visions of her past, with porter duties handled by Everest (Dave Bautista). The hospital functions because all guests must adhere to a rigid set of rules, the first of which is "don't kill the other patients", and a strict no weapons policy.

Sounds pretty interesting doesn't it? It's not. The dialogue is awful, the narrative beats can be seen coming a mile away, and the characters are all architypes, with only Nurse really fleshed out to any degree. There's the loud-mouth snivelling weapons dealer, the gorgeous but oh-so-deadly assassin, the criminal kingpin and his screw-up son who just wants to be like dad, the skilled bank robber who spends most of his time trying to get himself out of the trouble caused by his unreliable brother, and the tough-as-old-boots medical professional who just wants to help people when in actual fact, she's beyond help herself. The premise may be reasonably interesting, but, in his debut feature, writer/director Drew Pearce undermines it by populating the milieu with cardboard cut-outs instead of characters. True, most of the actors give it their all (Bautista in particular gives a performance far superior to the material he has to work with), but there's just no substance here, no depth. There are simply too many clichés at every level to be able to overlook them.

Yes, it's an original(ish) idea made with a small(ish) budget, which is exactly what we need more of these days, when every second film is a CGI-infested remake, comic book adaptation, or sequel (or a CGI-infested remake of a sequel to a comic book adaptation). However, an original idea is all very well and good, but it can only take you so far; the execution has to be there as well, and this is where Hotel Artemis falls down. It's simply not an especially well-made film. Pearce does a reasonably good job with the directorial side of things, as aesthetically, the hotel is really intriguing, with a nice use of primary colours and a well-conceived juxtaposition of modern technology and 3D printers with retro décor and secret passages. In terms of plot, however, there's just nothing to latch onto or get your teeth into. None of the characters really do or say anything very interesting, and a half-hour into the film, as it became increasingly apparent that none of them were going to be developed to any great degree, I just stopped caring.


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