Wrangel and von Reinhartz have a dramatic battle on the Atlantic. Margot is horrified by a betrayal. The seriously injured Hoffmann asks Cassandra to leave the city with him.
Forster tells Simone that U-612 is lost. The resistance risks innocent lives with a risky operation.
The crew of U-612 copes with the recent events. In La Rochelle Forster receives bad news. Simone faces a tough decision.
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Title: Das Boot (2018– )
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The story of the new high end series "Das Boot" begins in the fall of 1942, at a time when, in the midst of World War II, submarine warfare was becoming ever more brutal. The plot follows a young submarine crew on a dangerous surveillance mission, as the Résistance begins to gain influence at the French port of La Rochelle. During the Autumn of 1942, in occupied France, U-612 is now ready for its maiden voyage, preparing to head into the increasingly brutal warfare with its young crewmen, including the new commander, Klaus Hoffmann (Rick Okon). As the 40 young men take on their first mission, they struggle with the cramped and claustrophobic conditions of life underwater. Their personalities are pushed to the limit as tensions rise and loyalties begin to shatter. Meanwhile, at the port of La Rochelle, the world of Simone Strasser (Vicky Krieps) spirals out of control as she is engulfed in a dangerous liaison and forbidden love, torn between her loyalty for Germany and the Résistance, ...
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Hm well. I've seen the first 2 episodes of 8. Petersens "original" das Boot of 1981 surely was an impressive movie/serie. Here, the only thing in common with the new serie (described as a sequel) seems to be the name, I wonder how they were able to get the rights to use it with its soundtrack. In fact, here we get a highly thrilling and complicated espionage/action, the similarities to the original are reduced to the settings of the sea, subs, uniforms. In that regard it is well produced, adequate settings, well shot, convincing gear etc. So if you are willed to overlook all these footnotes you will get a decent entertainment, although highly political correct. In the latter regard the german filmmaking is really hopeless. I guess Petersen just shakes his head.