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A Hidden Life (2019)

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1:01 | Trailer
The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II.

Director:

Terrence Malick

Writer:

Terrence Malick
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196 ( 57)
4 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
August Diehl ... Franz Jägerstätter
Valerie Pachner ... Fani Jägerstätter
Maria Simon ... Resie Schwaninger
Karin Neuhäuser Karin Neuhäuser ... Rosalia Jägerstätter
Tobias Moretti ... Fr. Fürthauer
Ulrich Matthes ... Lorenz Schwaninger
Matthias Schoenaerts ... Captain Herder
Franz Rogowski ... Waldland
Karl Markovics ... Mayor Kraus
Bruno Ganz ... Judge Lueben
Michael Nyqvist ... Bishop Fliesser
Wolfgang Michael ... Eckinger
Johannes Krisch ... Trakl - The Miller
Johan Leysen ... Ohlendorf - The Painter
Martin Wuttke ... Major Kiel
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Storyline

Based on real events, A HIDDEN LIFE is the story of an unsung hero, Bl. Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife, Fani, and children that keeps his spirit alive. Written by Anonymous

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including violent images. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA

Language:

English | German | Italian

Release Date:

30 January 2020 (Germany) See more »

Also Known As:

A Hidden Life See more »

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Box Office

Opening Weekend USA:

$50,383, 15 December 2019

Gross USA:

$1,730,597

Cumulative Worldwide Gross:

$4,124,362
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Atmos | SDDS | Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

August Diehl played a German officer in Quentin Tarantino's Inglorious Basterds (2009) See more »

Quotes

Closing Title Card: ...the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs. -George Eliot
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Crazy Credits

The title card at the end of the picture comes from the final sentence of George Eliot's "Middlemarch". See more »

Connections

Referenced in Midnight Screenings: A Hidden Life (2019) See more »

Frequently Asked Questions

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User Reviews

Beautiful film about an ugly past.
10 December 2019 | by jdesandoSee all my reviews

"How simple life was then." Franziska (Valerie Pachner)

Auteur Terence Malick's brilliant A Hidden Life is just as beautifully photographed by DP Jorg Widmer as you'd expect from the acclaimed director. The Austrian countryside is mountain green and moody, but not really simple anymore for our heroes.

Nazi conscientious objector Franz (August Diehl) and his wife knew much better times before he refused to swear allegiance to Hitler. The 3-hour depiction of their troubled life, right down to his imprisonment and execution, is ironically one of the most beautiful films of the year and one of the most disturbing.

The contrast between the bucolic life and the imprisoned one is best served by beautiful landscapes juxtaposed with starkly cruel prisons. Malick succeeds at having us fall in love with the landscape and the heroic couple at the same time. Sometimes there seem to be short- lens anamorphic shots, with everything distorted but the center, emphasizing the loneliness of rebellion while the wide-shot landscapes offer hope of a better time sadly not to come soon enough.

Don't be fooled by my exuberant appreciation of this romance gone bad, for it is a hard study of payment due for a man to have scruples, when it would have been easy for him to sign the oath but believe inside the opposite. It is not the dialogue that will put you squarely in support of the futile objection; it is the simplicity of Franz's devotion to what is good to do, and his wife's support of that as death knell.

As might be expected, few fellow Austrians support Franz, and just as few Germans seemed to realize the horror that was Hitler. For those today who oppose autocrats, let this be a warning that necessary opposition to authority comes with a heavy payment.


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