6.3/10
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12 user 78 critic

Let the Corpses Tan (2017)

Laissez bronzer les cadavres (original title)
Unrated | | Thriller | 31 August 2018 (USA)
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A grizzled thug and his gang head to an island retreat with a haul of 250 kilograms of gold bullion to lay low; however, a bohemian writer, his muse, and a pair of gendarmes further complicate things, as allegiances are put to the test.
3 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elina Löwensohn ... Luce
Stéphane Ferrara Stéphane Ferrara ... Rhino
Bernie Bonvoisin Bernie Bonvoisin ... La brute
Michelangelo Marchese Michelangelo Marchese ... L'avocat
Marc Barbé Marc Barbé ... Max Bernier
Marine Sainsily Marine Sainsily ... La nounou
Hervé Sogne Hervé Sogne ... Le policier
Pierre Nisse ... Le jeune
Aline Stevens Aline Stevens ... La femme dorée
Dorylia Calmel Dorylia Calmel ... La femme de Bernier
Marilyn Jess Marilyn Jess ... La policière (as Dominique Troyes)
Bamba Forzani Ndiaye Bamba Forzani Ndiaye ... Le fils
Pierre Guidoni Pierre Guidoni ... Homme route
Jean Franchesquin Jean Franchesquin ... Homme bar
Frédéric Poggi Frédéric Poggi ... Homme bar
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Storyline

The Mediterranean summer: blue sea, blazing sun....and 250 kg of gold stolen by Rhino and his gang! They had found the perfect hideout: an abandoned and remote hamlet now taken over by a woman artist in search for inspiration. Unfortunately surprise guests and two cops compromise their plan: the heavenly place where wild happenings and orgies used to take place turns into a gruesome battlefield....Relentless and mindblowing.

Plot Summary | Add Synopsis

Genres:

Thriller

Certificate:

Unrated | See all certifications »
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Details

Country:

France | Belgium

Language:

French

Release Date:

31 August 2018 (USA) See more »

Also Known As:

Let the Corpses Tan See more »

Filming Locations:

Corsica See more »

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Box Office

Gross USA:

$93,409, 13 December 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Luce: Don't you like gunshots before breakfast?
See more »

Connections

References Death Walks on High Heels (1971) See more »

Soundtracks

Solo Grida
(From "Chi l'ha vista morire?")
Written by Ennio Morricone
Courtesy of Gemelli Edizioni Musicali
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User Reviews

Let the corpses tan and the audiences sleep
21 October 2017 | by searchanddestroy-1See all my reviews

First, let me tell you that I highly liked the Jean Patrick Manchette's novel which this film is based on, and written and - or - produced by Doug headline - Manchette's son. That said, this film is faithful to the novel written back in 1971. At least if you consider the narrative ark, the basic scheme. This book from 1971 was a turn in the French crime novels history; it was one of the last French crime novels where it was question of gangsters, bank robbers and so on, which was a topic usually spoken about since the fifties and Auguste Le Breton, José Giovanni and so on...After this novel it was the beginning of the post May 68 era and the rise of the "subversive" crime novels, inspired by extreme left winged ideas and topics, stories highly against the establishment and political power. Manchette was the master in this field. He opened the road. Back to this film, it is faithful to the book BUT the aesthetic aspect is too much hysterical, totally crazy. NOT FOR ME. Most of the scenes are unexplained, absolutely senseless, you wonder where the screenplay drives at. This was unbearable for me. Sorry. I won't say that's a crap movie. No, but simply not for my taste. But I am aware that this feature is a big tribute to the sixties ear and the spaghetti western in particular. I won't even mention the Ennion Morricone like score. This movie seems most of the time boring. I nearly fell asleep at some times. I deserves although to be seen. The armored truck heist sequence is also a tribute, but to Jean Pierre Melville's masterpiece THE SECOND BREATHE, in the heist attack scene, on the lost sea side mountain road.

This movie is like a pasta dish, with or without red pepper. It could have been told in a raw way, without all those artifices. But maybe some audiences could have found this tasteless. So they used this camera eccentricities.

See for yourself.


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