Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.
A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
To celebrate her long-awaited prestigious post as a Shadow Minister for Health and, hopefully, the stepping stone to party leadership, the newly-appointed British opposition politician, Janet, is throwing a party for friends at her London flat. Of course, in this select and intimate soirée, apart from Bill--Janet's self-denying academic husband--a motley crew of elite hand-picked guests have been invited: There's April, the sourly cynical American best friend; her unlikely German husband, Gottfried; there's also Jinny and Martha; and finally, Tom, the smooth banker in the impeccable suit. But inevitably, before dinner is served, the upbeat ambience will shatter to pieces, as festering secrets will start surfacing in this perfect domestic war-zone. Undoubtedly, after this night, things will never be the same again.Written by
I'M A MAN
Written by Bo Diddley (as Ellas McDaniel)
Performed by Bo Diddley
Published by Jewel Music Publishing, administered by Hornall Brothers Music Ltd, a BMG Company.
Master Recording Courtesy of MCA Records Inc.
Under licence from Universal Music Operations Ltd. See more »
Stellar performances, 9/10 script (there is a little bit lacking in the ending), and an overall likability to all the characters. For the first time in a long time I felt like I needed to post a review, because it felt like my view wasn't represented. If you liked Carnage, this is for you: This is a tightly wound, small play, made for screen. The bonus of having close-ups and a definitive, select final cut, made this a real treat.
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