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Phantom Thread (2017)

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Set in 1950's London, Reynolds Woodcock is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma, who becomes his muse and lover.
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Cast

Cast overview, first billed only:
Vicky Krieps ... Alma
Daniel Day-Lewis ... Reynolds Woodcock
Lesley Manville ... Cyril
Julie Vollono ... London Housekeeper
Sue Clark Sue Clark ... Biddy
Joan Brown Joan Brown ... Nana
Harriet Leitch Harriet Leitch ... Pippa
Dinah Nicholson Dinah Nicholson ... Elsa
Julie Duck Julie Duck ... Irma
Maryanne Frost Maryanne Frost ... Winn
Elli Banks Elli Banks ... Elli
Amy Cunningham Amy Cunningham ... Mabel
Amber Brabant Amber Brabant ... Amber
Geneva Corlett Geneva Corlett ... Geneva
Juliet Glaves Juliet Glaves ... Florist
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Storyline

Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. Written by Focus Features

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK

Language:

English | French

Release Date:

19 January 2018 (USA) See more »

Also Known As:

Phantom Thread See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$35,000,000 (estimated)

Gross USA:

$21,023,275, 1 April 2018

Cumulative Worldwide Gross:

$44,523,275, 1 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The 1955 Bristol 405 (reg WDF 964) driven by Reynolds Woodcock (Daniel Day-Lewis) is the same vehicle that was driven by David Goldman (Peter Sarsgaard) in the 2009 film An Education. See more »

Goofs

When Alma takes off her shoes in Woodcock's bedroom, she leaves them by the door. When Cyril enters the room, she steps over the shoes, but when Cyril leaves, the shoes have changed position and Cyril also seems to trip over them. See more »

Quotes

[first lines]
Alma: Reynolds has made my dreams come true. And I have given him what he desires most in return.
Dr. Robert Hardy: And what's that?
Alma: Every piece of me.
Dr. Robert Hardy: He's a very demanding man, isn't he? Must be quite a challenge to be with him.
Alma: Yes. Maybe he is the most demanding man.
See more »

Crazy Credits

The typeface used for the credits is called Reynolds Stone and it was created by English wood engraver, typographer, and designer Reynolds Stone, who was a close friend of the parents of Daniel Day-Lewis. See more »

Connections

References Notorious (1946) See more »

Soundtracks

My Foolish Heart
Written by Ned Washington and Victor Young
Performed by Oscar Peterson
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Elegantly Crafted Masterpiece
27 December 2017 | by imewSee all my reviews

Intimate, delicate, and a beautifully crafted masterpiece. Paul Thomas Anderson manages to expresses an artist's creative journey through threads of fashion and romance with such subtlety that it could only be conveyed through the medium of film. An atmosphere reminiscent of Kubrick's achievements, this romantic odyssey illustrates a unique perspective of love; a perspective in which love is shaped and manipulated by the fragile strings of each character's hearts.

To begin with, I will praise an awfully disregarded aspect of "Phantom Thread": the cinematography and direction. The style and manner in which Paul Thomas Anderson uses silence and long takes is ingenious, and as stated above, was most likely inspired from Kubrick's works. Similar to the quote, "The less you say, the more your words will matter," the more silence, the more each line will signify. The more long takes, the more each short take will signify. Therefore, this method permits a greater control over the variety of dramatic effects; and in turn, the audience's emotions. Anderson also utilized this technique in many of his other films, including "The Master", "Magnolia", and his masterpiece, "There Will Be Blood".

Of course, this strategy doesn't always serve well. The more the audience regards the dialogue, the more engaging the screenplay has to be. The more engaging the screenplay is, the more compelling the performances have to be.

Yet "Phantom Thread" has all of this. Magnificent lead performances by Daniel Day-Lewis and Vicky Krieps, a strong and often overlooked supporting performance by Lesley Manville, and a sharp, dense original screenplay written by Paul Thomas Anderson himself. A few sprinkles of comedy are also blended in the script, which is always valuable for a romance. Not to forget the costume design either, which was essential to establish a post-war 1950s London environment.

And finally, the score. Arguably the strongest part of the film, the score possesses Paul Thomas Anderson's signature strange aura that is found in several of his other films. It's not a coincidence that one of his most frequent collaborators is Jonny Greenwood, who composed the score for this film, "There Will Be Blood", and many others. While most movies nowadays would use music to heighten drama, Paul Thomas Anderson rejects the common norm; valuing music to form an atmosphere. This atmosphere is crucial in almost all of his works, creating an eerie tone for a mystery that drives the story forward.

A transcendental and sublime work of art so remarkably subtle- delicately transfixing the audience ever so slightly, exploring the convoluted depths of an artist's obsession, and expanding cinema's horizons for miles of wonder- all woven beneath the intertwined threads of the phantom.

Farewell, Daniel Day-Lewis. We will miss you.


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