The married Bongwan leaves home in the dark morning and sets off to work. The memories of the woman who left weigh down on him. That day Bongwan's wife finds a love note, bursts into the office, and mistakes Areum for the woman who left.
When 45 year old widower Erwan discovers by accident that the man who raised him isn't his real dad, he begins a search for his biological father. He soon locates the mischievous, 70 ... See full summary »
Cécile de France,
Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.Written by
The hardest way of telling a story is never the best
With Rodin, Jacques Doillon gives us a very strange movie. While the actors are great, the light is OK and the cinematography is flawless, what ruin the film is the story and how it is told.
Rather than going through the events of the life of the sculptor, Rodin is only showing glimpses of it like Quotes, moments of works or moments of love. The problem with it is, though the chronological order is preserved, that the spectator is completely lost with untold names or missing events and you always need to think about what happened before in the movie to finally understand what took place an hour ago, which is completely annihilating the empathy for the characters because you can't feel the same as them because you have no idea what just happened.
In addition to that, the scenario have no real purpose, the movie is starting nowhere, and is ending nowhere. Moreover, there are totally useless nude scenes, which is sometimes embarrassing because its going nowhere and is never justified. I'm OK with that, but there must be at least 20 minutes of these, and because the movie is often boring and overall too long, it's annoying.
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