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Rodin (2017)

Not Rated | | Biography, Drama, Romance | 24 May 2017 (France)
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An account of the famous French sculptor's romance with Camille Claudel.

Director:

Jacques Doillon

Writer:

Jacques Doillon
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Vincent Lindon ... Auguste Rodin
Izïa Higelin ... Camille Claudel
Séverine Caneele ... Rose Beuret
Bernard Verley ... Victor Hugo
Anders Danielsen Lie ... Rainer Maria Rilke
Arthur Nauzyciel Arthur Nauzyciel ... Paul Cézanne
Laurent Poitrenaux Laurent Poitrenaux ... Octave Mirbeau
Olivier Cadiot Olivier Cadiot ... Claude Monet
Alexandre Haulet Alexandre Haulet ... Assistant Rodin
Louise Le Pape Louise Le Pape ... Adèle Abruzzesi
Morgane de Vargas ... Modèle Thérèse Fontaine
Nia Acosta Nia Acosta ... Soeur d'Adèle Abruzzesi
Pauline Cousty Pauline Cousty ... Mademoiselle Octavie
Cendrine Gourbin Cendrine Gourbin ... Modèle de Pierre Louÿs
Guylène Péan Guylène Péan ... Juliette Drouet
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Storyline

Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation. Written by AnonymousB

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

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Details

Country:

France | Belgium | USA

Language:

French | Japanese

Release Date:

24 May 2017 (France) See more »

Also Known As:

Роден See more »

Filming Locations:

Paris, France See more »

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Box Office

Gross USA:

$44,261, 8 July 2018
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Company Credits

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Technical Specs

Runtime:

Color:

Color
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User Reviews

 
Pretty but plodding biopic
25 September 2017 | by jamesrupert2014See all my reviews

"Rodin" presents moments in the sculptor's life as he struggles to complete his statue of Balzac, which was panned at the time but is now considered by some to represent the dawn of modern sculpture. Rodin's role in changing the art of sculpture is reflected by the impressionists with whom he socialises, including Cezanne and Monet, who were likewise challenging the conventions of painting. In the background, literally and figuratively, is the famous "Gates of Hell" sculptural group that the master is slowly assembling. In the foreground is his tempestuous relationship with student Camille Claudel, one of the many students/models he beds over the course of the film. Like his "Balzac" the film was panned on release (but likely not to be considered a game-changing masterpiece in the future) and although I seemed to have liked it more than most critics, it is undeniably slow-moving and disjointed. Unlike films such as "Lust for "Life" (1956), it does not follow the artist from beginning to end, so anyone without some knowledge of the sculptor will find themselves dropped into the story midpoint with insufficient 'exposition' to immerse themselves in the characters or situations. While a known womaniser, the emphasis on Rodin's flings with his frequently nude (and sometimes not very convincing) models gets in the way of what is interesting: the sculpting. On the plus side, the film is beautifully photographed and I thought that Vincent Lindon (Rodin) and Izïa Higelin (Camille) were very good (an opinion not shared by all).


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