| Cast overview, first billed only: | |||
| Joaquin Phoenix | ... | Joe | |
| Dante Pereira-Olson | ... | Young Joe | |
|
|
Larry Canady | ... | Cincinatti Cab Driver |
| Vinicius Damasceno | ... | Moises | |
|
|
Neo Randall | ... | Moises's Friend |
| Judith Roberts | ... | Joe's Mother | |
| Frank Pando | ... | Angel | |
| John Doman | ... | John McCleary | |
|
|
Edward Latham | ... | Drug Dealer |
| Alex Manette | ... | Senator Albert Votto | |
| Claire Hsu | ... | Staring Girl | |
|
|
Denis Ozer | ... | Afghan Boy |
|
|
Tia Sofia Begh | ... | Afghan Girl |
|
|
Lucy Lan Luo | ... | Dead Girl |
|
|
Annie Mac-Yang | ... | Dead Girl |
Balancing between feverish dreamlike hallucinations of a tormented past and a grim disoriented reality, the grizzled Joe--a traumatised Gulf War veteran and now an unflinching hired gun who lives with his frail elderly mother--has just finished yet another successful job. With an infernal reputation of being a brutal man of results, the specialised in recovering missing teens enforcer will embark on a blood-drenched rescue mission, when Nina, the innocent 13-year-old daughter of an ambitious New York senator, never returns home. But amidst half-baked leads and a desperate desire to shake off his shoulders the heavy burden of a personal hell, Joe's frenzied plummet into the depths of Tartarus is inevitable, and every step Joe takes to flee the pain, brings him closer to the horrors of insanity. In the end, what is real, and what is a dream? Can there be a new chapter in Joe's life when he keeps running around in circles? Written by Nick Riganas
'You Were Never Really Here (2018)' is a dark, disturbing but discreet piece, one that's as off-kilter and uncomfortable as it is subdued. It's this remarkable restraint that allows its undercurrent of explosive violence, seedy deviance and childhood traumas to be all the more shocking and genuinely effecting when they erupt from the relative calm on the screen. It's an amazingly atmospheric and difficult watch that doesn't hold your hand, so that if you aren't always fully engaged then you may not wholly grasp the almost exposition-less plot. The explicit, brutally jarring flashes of a past narrative paint a picture of an incredibly wholistic implicit story, without filling in every blank, in an incredibly gripping way, leaving you to wallow in the head of a severely damaged individual and think about the experience for long after the credits have rolled. 8/10