A traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what... Read allA traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what could be his death trip or his awakening.A traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what could be his death trip or his awakening.
- Nominated for 1 BAFTA Award
- 24 wins & 78 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to the director Lynne Ramsay, the scene where Joaquin Phoenix's character lies down on the floor next to the agent and begins singing was improvised by Phoenix.
- GoofsScott gives the security code as 4392, but the first number we see Joe punching is on the upper right of the keypad.
- Crazy creditsThe indistinct conversation from the diner continues through the end credits, even when the music changes.
- ConnectionsFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
Featured review
I saw mixed reviews for You Were Never Really Here and it made me put off watching this film for 2 years. That was a mistake to say the least. YWNRH is a fantastically shot, gripping stray away from your typical blockbuster crime drama. While this movie isn't perfect, most negative reviews I've seen for this movie are nonsense. This movie is more than worth the hour and a half runtime regardless of whether or not you're typically drawn to the genre. Without spoilers, this review will tell you what you can expect, give you pros and cons, and debunk the faulty overwhelmingly negative reviews some people gave it.
Don't believe the reviews saying there is a "nonexistent, boring plot". The people who think that are the people who need a plot spoon fed to them with in your face exposition and unrealistic, unnecessary character dialogue so they can follow along without having to pay attention. Not only is the plot very clear, it's also very well written. While I'm not sure I would call this movie a thriller, it is a gripping, gritty, crime drama. The plot, despite not being battered into the front of your brain, is straightforward and easy to follow. A man suffering from several traumatic life experiences bides his time finding, and avenging missing girls in an attempt to find peace within himself. Initially, you are left in the dark regarding the main character. His character is developed throughout the story via fragmented displays of flashbacks chopping up his daily life. Through this you simultaneously gather information regarding his daily life, his occupation, his past, and his motives. I believe the way these flashbacks are used are why some people incorrectly believe there is a weak or incomplete plot, but to be frank they couldn't be more wrong.
The use of flashbacks in this movie is not only masterful, but incredibly unique. They are not given to the viewer in their entirety, and they are not meant to give us the entire picture on Joaquin Phoenix's background. They give you enough to understand him, but serve to convey a more important point. The use of these choppy, fragmented flashbacks seen from the main characters perspective convey the hardships of daily life for someone suffering from traumatic experiences. Constantly being reminded of something they'd like to forget, but can't. The seamless and uncontrollable drift from present to the past triggered by random occurrences encountered in day to day life that takes a toll on a person. The director did a phenomenal job conveying this with her technique, while also creating a complete character.
This film is also incredibly well shot. While I'm sure someone could reference several influences this movie draws from I was taken aback at how unique each scene is in how it is shot. This movie strays from the norm and does it extremely well. This individuality not only creates very powerful, gripping, exciting scenes, but makes it easy to focus on less exciting, build up scenes as well. If only based on cinematography I would give this film a 10/10.
While the pros of this movies far outweigh the cons, no movie is perfect. One critique I have is that some of the audio during Joaquin's flashbacks is so quiet I would've completely missed it had I had the subtitles off. Because, as I referenced earlier, the flashbacks are incredibly fragmented each second really counts when establishing the main characters background. Without subtitles, while the quiet, layered audio creates a nice effect to describe the feeling in the main characters head, you lose some relatively important exposition to truly help you understand his past. It's not major and doesn't take away from anything, but it's a critique nonetheless. Same goes for dialogue in a few important character interactions. You really can't fall asleep for a second during this movie if you want to get every detail. I had to rewind another scene that wasn't a flashback just because I missed someone's name. Again, not a deal breaker, doesn't change the plot, but would slightly change your understanding if you missed it.
Overall I give this movie somewhere between a 7/8 out of ten. The only thing holding it back from a 8/9 or a 9/10 was a few minor plot holes at the end. Nothing major, especially when compared to the gargantuan plotholes most Hollywood blockbusters ignore these days, but I'm nitpicky and watch too much CinemaSins on YouTube. Great movie I would highly recommend to anyone.
Don't believe the reviews saying there is a "nonexistent, boring plot". The people who think that are the people who need a plot spoon fed to them with in your face exposition and unrealistic, unnecessary character dialogue so they can follow along without having to pay attention. Not only is the plot very clear, it's also very well written. While I'm not sure I would call this movie a thriller, it is a gripping, gritty, crime drama. The plot, despite not being battered into the front of your brain, is straightforward and easy to follow. A man suffering from several traumatic life experiences bides his time finding, and avenging missing girls in an attempt to find peace within himself. Initially, you are left in the dark regarding the main character. His character is developed throughout the story via fragmented displays of flashbacks chopping up his daily life. Through this you simultaneously gather information regarding his daily life, his occupation, his past, and his motives. I believe the way these flashbacks are used are why some people incorrectly believe there is a weak or incomplete plot, but to be frank they couldn't be more wrong.
The use of flashbacks in this movie is not only masterful, but incredibly unique. They are not given to the viewer in their entirety, and they are not meant to give us the entire picture on Joaquin Phoenix's background. They give you enough to understand him, but serve to convey a more important point. The use of these choppy, fragmented flashbacks seen from the main characters perspective convey the hardships of daily life for someone suffering from traumatic experiences. Constantly being reminded of something they'd like to forget, but can't. The seamless and uncontrollable drift from present to the past triggered by random occurrences encountered in day to day life that takes a toll on a person. The director did a phenomenal job conveying this with her technique, while also creating a complete character.
This film is also incredibly well shot. While I'm sure someone could reference several influences this movie draws from I was taken aback at how unique each scene is in how it is shot. This movie strays from the norm and does it extremely well. This individuality not only creates very powerful, gripping, exciting scenes, but makes it easy to focus on less exciting, build up scenes as well. If only based on cinematography I would give this film a 10/10.
While the pros of this movies far outweigh the cons, no movie is perfect. One critique I have is that some of the audio during Joaquin's flashbacks is so quiet I would've completely missed it had I had the subtitles off. Because, as I referenced earlier, the flashbacks are incredibly fragmented each second really counts when establishing the main characters background. Without subtitles, while the quiet, layered audio creates a nice effect to describe the feeling in the main characters head, you lose some relatively important exposition to truly help you understand his past. It's not major and doesn't take away from anything, but it's a critique nonetheless. Same goes for dialogue in a few important character interactions. You really can't fall asleep for a second during this movie if you want to get every detail. I had to rewind another scene that wasn't a flashback just because I missed someone's name. Again, not a deal breaker, doesn't change the plot, but would slightly change your understanding if you missed it.
Overall I give this movie somewhere between a 7/8 out of ten. The only thing holding it back from a 8/9 or a 9/10 was a few minor plot holes at the end. Nothing major, especially when compared to the gargantuan plotholes most Hollywood blockbusters ignore these days, but I'm nitpicky and watch too much CinemaSins on YouTube. Great movie I would highly recommend to anyone.
- lempkecoleton
- Jan 27, 2019
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Тебе ніколи тут не було
- Filming locations
- Astoria, Queens, New York City, New York, USA(Elevated subway platform)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,528,078
- Opening weekend US & Canada
- $132,829
- Apr 8, 2018
- Gross worldwide
- $9,360,514
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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