With sudden passing of his grandmother, Peter Latang returns to his hometown and encounters his long lost, childhood friend, Donald Treebeck. What begins as a simple favor, turns into a long day's journey into the past.
Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music ... See full summary »
Michael David Dunn
In a world where children grow up sleeping on the floor, numerous families crammed into a two-bedroom apartment, barely receiving enough sustenance to stay alive, these kids begin life with nothing but survival instincts. Fathers in prison. Mothers staying home to care for their children. The kids needing to find monies for their families. Their parents grew up in identical conditions before them and know nothing of survival in an "acceptable" way because they have NEVER been given instruction. We need to remember that what we know is due to years of instruction, they are not innate abilities we understand when we are born--we have been taught.
Watch the movie WITH your kids, pausing for periodic discussions, and remember that kids often have no sense of the future -- only their immediate desires. Parents must teach them about consequences and the way the law works. It's much more than "don't get caught," it's about not doing it in the first place. There will be repercussions for every decision, and some of those consequences alter lives of other innocent people who happen to be at the right place at the wrong time.
Admittedly, as a writer myself, I was pleased to see the opportunity for these young men to create a substantial work from within the walls of a prison. Their ideas were phenomenal and their hard work toward something of context is phenomenal. At first, I appreciated the semi-counseling of the first meeting from the filmmaker. As the film progressed, I was disappointed to realize his purpose for tackling this project appeared not to do with the boys as much as granting himself credit. He began adding lines to situations he knows nothing about. It always irritates me to see writers embarking on unfamiliar subjects without bothering to research. He went there for a purpose and should have followed through the first time. Thank goodness, he backed off and allowed them free reign. The actors portraying the story? They were great. So was the camera crew and writers of the score. I may embark on something like this myself. Anyone up for a challenge?
One other frustrating item was the subtitles. When words are inaudible or in another language, for the audience to comprehend what is taking place, the story must be readable. Aside from these minor things, the idea behind allowing the public in was good.
3 of 5 people found this review helpful.
Was this review helpful to you?
| Report this