Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
Jack Dylan Grazer
This semi scripted documentary hosted by Gokhan Ozoguz revolves around the issue of water crisis. In a near future, Istanbul will be on the verge of a water crisis, and if the people of ... See full summary »
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th-century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his...Written by
Sony Pictures Classics
In an interview with the website Creative Screenwriting in May 2017, James Ivory revealed that initially, he and Luca Guadagnino would co-direct the film. The rights to the novel were optioned by some friends of Ivory who lived in upstate New York, in which one of them was an agent in Hollywood and the other was then a would-be producer. They asked Ivory whether he would be interested in being an executive producer on a film adaptation of the book if they were able to get it going, and Ivory agreed. Time passed, and they unable to get it going because they could not find anyone to direct that had a track record. They then found Guadagnino and he made the suggestion that he co-direct the film with Ivory. They asked Ivory if he would be willing to co-direct it with Guadagnino, and though he did not really know him, Ivory said, "Sure, but if I do that I want to have my own screenplay." Ivory did not want anybody else writing the screenplay if he were co-directing and he spent nine months writing it, and because of the screenplay they were finally able to raise the money to make the film. However, the French financier thought that it would be awkward to have two directors working together, so Ivory sold the rights to the screenplay to Guadagnino's company and the film was made by them. See more »
Around one hour and 1 minute, Elio sat on the floor with a nosebleed. His hand was on and off Oliver's shoulder in different angles. See more »
[Reading from The Heptaméron]
A handsome young knight is madly in love with a princess, and she too is in love with him, though she seems not to be entirely aware of it. Despite the friendship that blossoms between them, or perhaps because of that very friendship, the young knight finds himself so humbled and speechless that he is totally unable to bring up the subject of his love. Until one day he asks the princess point-blank: Is it better to speak or to die?
I'll never have the courage to ask...
[...] See more »
The sound of the fire crackling in the fireplace continues after the last image of Elio goes black and the final notes of Sufjan Stevens's "Visions of Gideon" fade out. See more »
M.A.Y. in the Backyard
Written and Performed by Ryuichi Sakamoto
(c) 1984 KAB America Inc./KAB Inc.
Courtesy of KAB America Inc./For Life Music Entertainment Inc.
Sub publisher SONY/ATV Music Publishing (Italy) See more »
Now, where to begin... Pretty much everything I feel about this film has been mentioned here before. But boy did it make me FEEL, from the opening credits right through the end credits. It made my heart soar and sink with its colours, scenery, music, and above all else its acting. The phenomenon that is Chalamet was yet unknown to me, and Hammer I'd only seen in a bad chickflick, so it would be an understatement to say I was pleasantly surprised by how they performed.
There's so much detail as well, from the inquisitive and knowing looks of a mother, to the picturesqueness of a ladder against the fruittree. Everything about this film draws you in. If I could dream up memories of a hot Italian summer in a rural hamlet, this would be it, I swear I could almost smell and taste this film. Luca Guadagnino made a masterpiece here and I highly doubt it will ever be surpassed in its category.
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