In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his...Written by
Sony Pictures Classics
During an interview at the BFI London Film Festival in October 2017, director Luca Guadagnino said he had already planned to film at least one sequel to Call Me by Your Name (2017), "I want to do a sequel because Timothée Chalamet, Armie Hammer, Michael Stuhlbarg, Amira Casar, Esther Garrel--they are all gems. The texture we built together is very consistent. We created a place in which you believe in the world before them. They are young but they are growing up. If I paired the age of Elio in the film with the age of Timothée, in three years' time Timothée will be 25, as would Elio by the time the second story was set." This would mean that the sequel would be released in 2020. In the source novel, Elio and Oliver do meet again fifteen years after their first encounter, but Guadagnino said that the plot of his sequel would not necessarily follow the coda in the novel. See more »
Throughout the entire movie Oliver wears a Star of David necklace. In the final scene where we see Oliver, saying goodbye to Elio at the train station, he is not clearly seen wearing the Star of David necklace. No explanation is given for why he would take it off or not be wearing it. Though it's very very hard to clasp a glimpse of it due to the way the shirt is buttoned up, there are a few split seconds where you can see the necklace is definitely on his neck during that scene. See more »
I miss you.
I miss you too, very much. I have some news.
News? Oh, you're getting married, I suppose.
I might be getting married next spring, yeah.
You never said anything.
Well, it's been off and on for two years.
That's wonderful news.
Do you mind?
See more »
The sound of the fire crackling in the fireplace continues after the last image of Elio goes black and the final notes of Sufjan Stevens's "Visions of Gideon" fade out. See more »
China Gates for Piano
Written by John Adams (as J.C. Adams)
Performed by Fraser Graham
Published by Assoc. Music Publishers Inc.
Administered in Italy by Casa Ricordi Srl
Courtesy of Fraser Graham See more »
A masterpiece that will stay with you long after the credits
Call Me By Your Name is the kind of movie that makes you sit through the credits with tears rolling down your face, staring blankly at the screen with a lump in your throat and tightness in your chest.
Call Me By Your Name is not a tragic movie. It's not a sad movie. It's not a pretentious movie. It's a movie about love, and love, and love. A beautiful love that will leave you longing to find your own love and drown in it.
Timothée Chalamet is an absolute force of nature. Elio will make you want to love, and hurt, and piece yourself back together with absolutely no regrets whatsoever. Elio will make you want to live your life to the fullest. Elio will make you want to break your own damn heart. It's so rare that a performance truly shows the depth of longing, and despair, and passion a character conveys through written words without the internal monologue. Timothée is truly a revelation and his last scene during the credits will have a lasting impact on everyone.
Armie Hammer is absolutely brilliant in the way he humanizes Oliver who is somewhat glorified through Elio's lens in the first part of the book. In the movie, Oliver is endearing and human and sexy and caring. He cares for Elio, and his love for him is so tender and so touching
Michael Stuhlbarg's monologue delivered nearing the end of the film is a complete masterpiece, and without a doubt that monologue with be taught and quoted for many years to come. A raw and beautiful scene.
Watch this movie. Watch it, and love it, and don't let it fall victim to over-hype. Watch this movie. Fall in love in two hours and twelve minutes, then question every single time you didn't allow yourself to feel just because you were afraid of getting hurt. Was avoiding a possible heartbreak that might have shattered you worth never getting a taste of the heavens? Was killing the potential pain and heartache worth it? Was it worth it?
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