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Call Me by Your Name (2017)

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In 1980s Italy, a romance blossoms between a seventeen year-old student and the older man hired as his father's research assistant.

Director:

Luca Guadagnino

Writers:

James Ivory (screenplay by), André Aciman (based on the novel by)
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Popularity
136 ( 28)
Won 1 Oscar. Another 88 wins & 210 nominations. See more awards »

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Cast

Complete credited cast:
Armie Hammer ... Oliver
Timothée Chalamet ... Elio
Michael Stuhlbarg ... Mr. Perlman
Amira Casar ... Annella Perlman
Esther Garrel ... Marzia
Victoire Du Bois Victoire Du Bois ... Chiara
Vanda Capriolo Vanda Capriolo ... Mafalda
Antonio Rimoldi Antonio Rimoldi ... Anchise
Elena Bucci Elena Bucci ... Bambi - Art Historian
Marco Sgrosso Marco Sgrosso ... Nico - Art Historian
André Aciman André Aciman ... Mounir
Peter Spears ... Isaac
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Storyline

CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his... Written by Sony Pictures Classics

Plot Summary | Plot Synopsis

Taglines:

Is it better to speak or die?

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, nudity and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France | Brazil | USA

Language:

English | Italian | French | German | Hebrew

Release Date:

19 January 2018 (USA) See more »

Also Known As:

Llámame por tu nombre See more »

Filming Locations:

Crema, Cremona, Lombardy, Italy See more »

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Box Office

Budget:

€4,000,000 (estimated)

Opening Weekend USA:

$412,932, 26 November 2017, Limited Release

Gross USA:

$18,095,701, 26 April 2018

Cumulative Worldwide Gross:

$40,353,565, 15 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film is dedicated to actor Bill Paxton, who died in February 2017. Brian Swardson, the husband of one of the film's producers, Peter Spears, was Bill Paxton's best friend and agent. He is also the agent for Timothée Chalamet. Paxton visited the set in Italy and became friends with director Luca Guadagnino. Guadagnino decided to honor Paxton by dedicating the film to him. See more »

Goofs

On the morning after, Oliver is laying with his arm around Elio's shoulder and Oliver's bike wound almost looks healed, next scene after the swim when Oliver walks up to Elio the wound looks scabbed over again. See more »

Quotes

Mr. Perlman: There are four known sets, after the Praxiteles originals. This fellow's at number three. The Emperor Hadrian had a pair, dug up at Tivoli, but one of the more philistine of the Farnese Popes melted them down and had them recast as a particularly voluptuous Venus.
See more »

Crazy Credits

The sound of the fire crackling in the fireplace continues after the last image of Elio goes black and the final notes of Sufjan Stevens's "Visions of Gideon" fade out. See more »

Connections

Featured in The Oscars (2018) See more »

Soundtracks

Lady Lady Lady
Written by Giorgio Moroder and Keith Forsey
Performed by Joe Esposito and Giorgio Moroder
Published by WB Music Corp./Chappell & Co. su licenza di Warner Bros Music Italy S.r.l.
Courtesy of Oasis
By arrangement with Repertoire Records
See more »

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User Reviews

 
Absorbing but not a masterpiece
19 January 2018 | by kiwi_22See all my reviews

First, to all the Americans on here outraged about the film "endorsing" a criminal act - NEWS FLASH!! Just because the age of consent is 18 in your country, doesn't make it so everywhere else in the world! 18 is comparatively old by global standards. I believe the average age is 16 (as in my country) and in Italy where the film takes place it's actually 14. Whether you agree with it morally or not, no criminal act takes place - US law does not apply!

However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.

Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.

Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.

Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.


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