The honorable citizen Nils ploughs snow in the wild winter mountains of Norway, when his son is mistakenly murdered, Nils takes action, which ignites a war between the vegan gangster "the Count" and the Serbian mafia boss Papa.
Hans Petter Moland
Pål Sverre Hagen
Dr. Louis Creed and his wife, Rachel, relocate from Boston to rural Maine with their two young children. The couple soon discover a mysterious burial ground hidden deep in the woods near their new home.
Quiet family man and hard-working snowplow driver Nels is the lifeblood of a glitzy resort town in the Rocky Mountains because he is the one who keeps the winter roads clear. He and his wife live in a comfortable cabin away from the tourists. The town has just awarded him "Citizen of the Year." But Nels has to leave his quiet mountain life when his son is murdered by a powerful drug lord. As a man who has nothing to lose he is stoked by a drive for vengeance. This unlikely hero uses his hunting skills and transforms from an ordinary man into a skilled killer as he sets out to dismantle the cartel. Nels' actions ignite a turf war between a manically unpredictable gangster known as Viking and a rival gang boss. Justice is served in one final spectacular confrontation that will leave (almost) no one unscathed.
Filmed in March 2017, but not released until February 2019. See more »
In the final gun battle, many of the guns exhibited muzzle flashes, but there was no action in the gun, i.e. hammer did not release, gun slide did not move, etc. See more »
Your mother's womb must be twitching in regret at bringing you into the world
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This film has no opening credits, except for the title itself. All throughout the entire film, immediately after a character is killed, the screen cuts to black, and the character's name, and nickname, is displayed. See more »
In South Korea, the title card is displayed in both English and Korean languages together. The Korean title is "Cold Chasing". See more »
Great Film Once You Understand Its Intention, With a Beautifully Surreal Depiction of Denver
This film was not what I was expecting but once I understood and came to grips with the fact it was a dark comedy, in a Fargo-esque sort of way, and a parody of revenge killing films, rather than meant to be taken seriously other than for its beautiful absurdity, I started to really enjoy it.
The whole movie was fun escapism with gratuitous violence, and hyper-exaggerated cliché portrayals of Native Americans, crime bosses and average men being local heroes, etc. Not to mention an exponentially growing kill tally. What is not to love?
It was a special treat for those of us that live in Denver, as although much of the movie was supposed to take place here, none of the neighborhoods, architecture, streets, buildings, trees, landscaping, mountain ranges, etc. matched anything close to what really exists in Denver. I spent the entire movie looking for something I could place as actually being in Denver, but I came up empty. Instead, a totally fictitious version thereof was portrayed (too surreal to match any actual city I am aware of, but closer to a blend of the more affluent parts of Los Angeles and Vancouver than Denver, with world class architecture and night clubs) which fit in perfectly with the artfully crafted alternative universe intended to be created. Like the bizarre relationships between the characters, I slowly began to realize that what first appeared to be a sloppy annoyance was in fact an intentional critique of the genre and actually a quite clever game with the audience.
Many will undoubtedly knock this film for being unrealistic, absurd, over the top, culturally insensitive, and with settings that did not match named cities (at least those such as Denver that actually exist). Those people just failed to see that was the entire point. You shouldn't go in expecting to see realism, complex character development, suspense and drama, or something akin to Taken. Instead, go in expecting to see a dark comedy parody film. Think Fargo meets Peppermint, with a wink to Quentin Tarantino in honor of his impact on modern cinema.
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