1978. For his documentary, Adam, backstage at the Oscars, continues to conduct interviews with those still alive that were involved or knew of the situation between Bette and Joan specifically during Baby Jane and after, Bette still an unconfirmed participant in the project. Most of the current discussion centers around the mid-1960s and later - the post Charlotte era. In the late 1960s entering into the 1970s, Joan, getting few movie offers, decides to accept two projects, the first against the advice of her agent, Stan: a low-budget B-movie eventually titled Trog (1970) which Joan nonetheless believes will bring her back into A-list status and into the minds of Oscar voters; and from Simon and Schuster, a lifestyle book for women in how to live and look like Joan Crawford. Concurrently, she is starting to face potentially serious health issues, she still not willing to forgo her beauty for her health. The outcomes of both projects in addition to a specific incident leads to her ...
Did You Know?
At one point, Victor Buono comments that Bette Davis "didn't know true hatred until she met Faye Dunaway," referring to when they worked together on The Disappearance of Aimee (1976). Six years after that film, Dunaway would play her ultimately career defining role: Davis' legendary "arch-rival" Joan Crawford in Mommie Dearest (1981). The episode even refers to how Crawford spoke very highly of Dunaway and wished for her to play her in a film. See more
The New York Daily News is depicted as a broadsheet. It has been published in a tabloid format since 1919. See more
[upon hearing of Joan Crawford's death
My mother always said "don't say anything bad about the dead, only say good." Joan Crawford is dead. Good.
Written by Jim Morrison
, Ray Manzarek
, Robby Krieger
& John Densmore
Performed by The Doors
[The song is playing while Joan is simultaneous filming Trog and dictating into the tape recorder] See more