In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Chloë Grace Moretz,
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
After the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smitten by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.Written by
This slow paced psychological thriller embodies everything that is key to making the viewer feel a lively and frightening experience: it is beautifully shot, with very talented actors, a soundtrack that will give you chilling goosebumps, and an enigmatic plot. While some parts might feel slow or superfluous, this is easily compensated by the rising tension. Moreover, the fright is ingeniously generated through the actors' astute portrayal of character turmoil, and not cheaply made jump-scares or gratuitous violent scenes. In a way, The Killing of A Sacred Deer reminds me of Cape Fear (1991). Great movie if you like biting your knuckles in apprehension and get your nerves all twisted up, not so great if you are searching for fast-paced graphic experience (although the movie contains some instances of sexuality and gore).
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