In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Chloë Grace Moretz,
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
After the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smitten by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.Written by
Acting for the first time in his 67 years, Cincinnati native Michael Trester plays the Elderly Man in a scene with Colin Farrell, Nicole Kidman and Bill Camp at a medical convention banquet. See more »
[All goofs for this title are spoilers.]
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I don't want to write any criticism for the movie. Most good reviews have done it better than me. What I would like to write has to do with basic understanding of a particular kind of movies.
There are movies which are self-explanatory and there are movies like this one. I find it sad that a lot of critics have the words "obtuse, weird, no meaning, garbage, etc ". I am Greek so I am familiar with the context and the generic idea behind the movie but even in other complicated movies (directors like Aronofsky, Bunuel, etc have created movies like this one (and because i want to avoid haters, i am NOT making a comparison between Lanthimos and those guys)), I always, ALWAYS think and read before I judge.
It's one of those movies that you need to think and even by thinking you may still not be able to understand it. You may need to read before passing any judgment. But for me at least this is the beautiful thing with these kind of movies. They educate you. You evolve as a personality because of them. To rephrase it, you may evolve as a personality because of them if you let yourself open. If you baptize the movie as crap just because you found the acting "weird" or "empty" without thinking why the director choose this approach(?), then you have barricaded yourself under the safety of your own little world.
Of course if you believe that a movie is good only if you are able to understand it without the need of any reading, considerable thinking etc. then of course this is not a movie for you and you have excluded yourself from a vast collection of amazing directors and movies but that's just personal preference. There is always a new Saw movie coming along :) !
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