After the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smote by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.Written by
The design of many scenes in the film seem to be drawn from Edward Hopper's painting. See more »
When Martin talks about his father's favorite film, Barry Keoghan's Irish accent can be heard on the word "father" See more »
You have beautiful hands. I never noticed before. Everyone's been telling me lately what beautiful hands you have and now I can see for myself. Nice and clean. But so what if they're beautiful? They're lifeless. Sometimes, Steven, you're just an incompetent man who goes on and on, saying stupid things like, "Let's do a scan."Let's do an ultrasound, let's wear brown socks."Let's make mashed potatoes, let's go to the beach house."
Our two children are dying in the other room, but, yes, I...
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This slow paced psychological thriller embodies everything that is key to making the viewer feel a lively and frightening experience: it is beautifully shot, with very talented actors, a soundtrack that will give you chilling goosebumps, and an enigmatic plot. While some parts might feel slow or superfluous, this is easily compensated by the rising tension. Moreover, the fright is ingeniously generated through the actors' astute portrayal of character turmoil, and not cheaply made jump-scares or gratuitous violent scenes. In a way, The Killing of A Sacred Deer reminds me of Cape Fear (1991). Great movie if you like biting your knuckles in apprehension and get your nerves all twisted up, not so great if you are searching for fast-paced graphic experience (although the movie contains some instances of sexuality and gore).
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