Society and the world as we know it has collapsed. A massive, automatic factory operates according to the principles of consumerism; humans consume to be happy, and in order to consume continuously, ...
In a near future, a policewoman who still blames herself for a past tragedy accepts her loving wife's suggestion to take a vacation in a virtual simulation, but she soon realizes that this might be ...
Nine of the ten stories adapted for season 1 were written by Philip K. Dick in a 14-month period from November of 1952 to the end of 1953. (The exception, "Autofac," is from October 1954.) Among the other 30 stories written and published by Dick in these 14 months are the sources for the films The Adjustment Bureau (2011), Impostor (2001), and Next (2007), and short versions of three novels, Vulcan's Hammer, Dr. Futurity, and The Cosmic Puppets. See more »
Philip K Dick's stories have been shown by films like Bladerunner and Minority Report to be brilliant source material to make great screen adaptations. Black Mirror has shown how great a science fiction anthology series can be. The first two episodes of Philip K Dick's Electric Dreams hint at how great the series could be.
There have been many adaptation's of P K Dick's stories into movies. The makers of Electric Dreams would do well to study those carefully. They would learn that the closer film makers stick to the spirit and intention of P K Dick the better the end product is.
Electric Dreams feels half true to the originals. As a spoiler free example of where they stray, the first two episodes change the endings of the stories. P K Dick is a master of the plot twist and the original endings are not only shocking but made you think. His signature themes make you question the nature of reality, of memory and whether people really have what they want. In the show, these themes are muted: replaced by the writers' own hackneyed ideas and messages.
The first episode looked really cheap. It could have been a cop show set in the seventies. There was no sense that it was the future. The second show was far better and looked believable as a vision of the far future. As a writer, P K Dick doesn't delve to much into how things look or the minutiae of individual's character's. There is so much space for film makers to fill with something incredible as Ridley Scott did in Bladerunner.
I'm excited to see the coming episodes and I hope there are future series. Most of all I hope the makers quickly learn that, as is shown by the first two episodes, P K Dick was a great writer and the further you veer from what he was trying to say with his stories, the weaker the adaptations will be.
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