When Rasmus meets Marie, he is certain that she is the love of his life. However, it doesn't take long before it turns out she is a possessive and manipulative being, that cunningly dissects Rasmus to pieces.
WORD OF GOD is the screen version of Jens Blendstrup's best-selling autobiography of the same name published in 2004 - a wry, funny and touching film by award-winning director Henrik Ruben ... See full summary »
Henrik Ruben Genz
"The Charmer" is an intense psychological drama about Esmail, a young Iranian man who is desperately looking to meet women who can secure his stay in Denmark. As time is running out he falls in love and his past catches up with him.
Stine Fischer Christensen
Lita witnesses the murder of her own father, a university professor. Frustrated over the local police she and her family starts to investigate the murder themselves. Located at the dark and... See full summary »
A teachers' world is turned upside down when her husband, a successful headmaster, is caught embezzling from their own school. Did he do this of his own free will - or has his personality been altered by the tumor lurking in his brain? As the teacher is assisting an attorney in providing a legal defense, recent neuroscience forces her to rethink who her husband really is.
Peter Schønau Fog
Nikolaj Lie Kaas,
High in the mountains, two orphaned children keep their mother's death secret. They survive until the villagers destroy their innocence when they brutally assault the girl. Now, the siblings must protect each other to survive.
Darling is a world-famous Danish ballerina. After a long absence, she and her husband Frans return to the Royal Danish Ballet in Copenhagen to perform the classic ballet "Giselle". She will dance the title role with Frans as choreographer. During a rehearsal, Darling collapses in pain. Try as she may to deny it, the prognosis is clear: her hip is irreparably damaged. She will never dance again. Her professional life, her world, is in ruins. But Darling refuses to let go. She decides to train her replacement, a young ballerina named Polly, to make Polly the Giselle she can no longer be. But as Polly becomes the center of attention, of Frans' attention, Darling's emotional stability begins to unravel.
A fantastically watchable "ballet within a ballet" with a great female protagonist!
Just saw this film at the BFI film festival opening last Friday and I never took my eyes from the screen. Great female protagonist, easy to empathize with, and eminently watchable. The cinematography & costuming, the focus on close-in shots make the film compelling: I keep revisualising Darling with her fuzzy sweater, her paper thin shirts. The film draws you into her world, her drives, her hopes, but Franz and Polly are also sympathetic characters. And you definitely don't have to be interested in ballet to love this movie!
5 of 5 people found this review helpful.
Was this review helpful to you?
| Report this