5.8/10
1,894
20 user 31 critic
Sisters in conflict travelling through Europe toward a mystery destination.

Director:

Lisa Langseth

Writer:

Lisa Langseth
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Popularity
3,807 ( 103)
2 nominations. See more awards »

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Cast

Credited cast:
Alicia Vikander ... Ines
Eva Green ... Emilie
Charles Dance ... Mr. Daren
Charlotte Rampling ... Marina
Adrian Lester ... Aron
Mark Stanley ... Brian
Tiger Kirchharz ... Gogo Dancer
August Zirner ... Frank
Katja Brenner ... Nurse
Steffen Jung ... Chauffeur
Olivia Emden Olivia Emden ... Young Hacker
Christiane Blumhoff Christiane Blumhoff ... Female Guest
Harald Siebler ... Spiritual Guy
Nataliya Stefanac Nataliya Stefanac ... Go-Go Dancer
Eveline Hall Eveline Hall ... Naked Woman
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Storyline

Sisters in conflict travelling through Europe toward a mystery destination.

Plot Summary | Add Synopsis

Taglines:

It's Never Too Late See more »


Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »
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Details

Official Sites:

Announcement

Country:

UK | Sweden | Germany

Language:

English

Release Date:

2 February 2018 (Sweden) See more »

Also Known As:

Euphoria See more »

Filming Locations:

Munich, Bavaria, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Shot on location in Germany. See more »

Soundtracks

Rock'n Roll Suicide
Written by David Bowie
Performed by David Bowie
See more »

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User Reviews

 
Shallow
9 June 2018 | by ferdinand1932See all my reviews

With a script that has the maturity of a first year college rumination about meaning and life, this catatonic film shuffles like arthritic legs. If only it had been half as long it might have had made the endurance lighter for all.

The characters and the premise are faintly lifted from Thomas Mann's 'Magic Mountain', as seen by Peter Greenaway, with all the arch cleverness and consequent life taken from it because it lacks intellectual agility. It is mediocrity aspiring to be grand and deep simultaneously. The movie title itself anxiously announces that intention. The paradox in this context is a cliche.

The dialog is deliberately stilted, artificial, and as such, this heightens the effect of portent and significance but is an adopted gesture of such superficiality as to strain the attention and interest of a viewer.

And the grist of the narrative is a quasi Bergman reckoning of family happiness and enmity. It's triteness and source material are evident and make one return to the original rather than waste time with this third generation copy.


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