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Under the Silver Lake (2018)

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Sam, intelligent but without purpose, finds a mysterious woman swimming in his apartment's pool one night. The next morning, she disappears. Sam sets off across LA to find her, and along the way he uncovers a conspiracy far more bizarre.
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66 ( 82)
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Andrew Garfield ... Sam
Wendy Vanden Heuvel ... Topless Bird Woman (as Wendy Vaden Hueval)
Deborah Geffner ... Mom (voice)
Riley Keough ... Sarah
Riki Lindhome ... Actress
Jeannine Cota Jeannine Cota ... Botox Reporter (as Jennine Cota)
Chris Gann ... Jefferson Sevence
Callie Hernandez ... Millicent Sevence
Jessica Makinson ... Mrs. Sevence
Reese Hartwig ... Sevence Kid #1
Izzie Coffey ... Sevence Kid #2
Kayla DiVenere ... Sevence Kid #3 (as Kayla Di Venere)
Tucker Meek ... Sevence Kid #4
Sky Elobar ... Clerk
Stephanie Moore ... Brunette Roomate
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Storyline

Sam (Andrew Garfield) is a disenchanted 33-year-old who discovers a mysterious woman, Sarah (Riley Keough), frolicking in his apartment's swimming pool. When she vanishes, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal and conspiracy in the City of Angels. Written by A24

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Taglines:

What are they hiding?


Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity, violence, language throughout and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

19 April 2019 (USA) See more »

Also Known As:

Under the Silver Lake See more »

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Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend USA:

$35,270, 21 April 2019, Limited Release

Gross USA:

$38,630, 22 April 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Was shown at the first Brussels International Film Festival (BRIFF) on June 30, 2018. See more »

Goofs

When Sam drinks the tea, we see it to the right of him when the camera faces him. But, in the cut to the next shot behind him, he picks up the tea from his left. See more »

Quotes

[from trailer]
Bikini Top Hat Girl: Welcome to Purgatory.
Sam: Good to be here.
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Soundtracks

Screwed Up Running
Written by Michael Turner
Performed by Michael Turner and Mark Ullrich
Sam wanders dazed in traffic as cars rush by
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User Reviews

 
If Mulholland Drive were written by a 9th grader

Let me preface this by saying I was very excited for this movie. I'm into mysteries, I'm into noir, I'm into giallo, I'm into people making things that are ambitious and unpredictable, I'm a sucker for Riley Keough, and I was a pretty big fan of IT FOLLOWS. But, I never could have imagined this...

With this film, David Robert Mitchell has basically solidified his position as the world's new Richard Kelly. IT FOLLOWS was his DONNIE DARKO, and THIS is his SOUTHLAND TALES. Southland Tales is the ONLY movie that I find this truly comparable to.

First, it's strengths: it is astronomically ambitious, unpredictable, and it will go WAY out of it's way to try to be weird. You have to give anyone who is willing to go THAT FAR out on a limb a little bit of credit. But, aside from that, the casting of a few extremely good looking people, and the desire you'll probably feel to continue observing this 2 hour and 20 minute freakshow just to see if the train wreck can get any uglier, the positives end there.

Now, let's just talk about the most painful parts: Garfield's character is impossible to take seriously the majority of the time. His portrayal of a smelly (people bring up how horrible he smells literally every 5 minutes throughout the film) timid weirdo is awkward in the wrong way - reminds me of Bradley Cooper in Silver Linings Playbook - you're trying to be a weirdo but it's not working - I see acting, I see trying. Then, he transforms into the Terminator in some really out-of-place sequences that would be really cool if they didn't make such little sense in their placement. Second, this is a movie about Los Angeles that feels like it was made by someone who only knows as much as tourists know about Los Angeles. The locations are all the most cliche L.A. staples, which serve their purpose, but the majority of the characters feel like ignorant caricatures of what outsiders think L.A. people are like: yoga hippies, music producers, prostitutes, but all depthless interpretations with no inspiration - there is one specific "L.A. party" sequence on a downtown rooftop full of bland L.A. actors trying to portray eccentric L.A. people and it's so off base it feels like a rejected Target commercial.

It's clear that this movie wants to be Mulholland Drive, but it lacks the conceptual focus, the effective dreamlike surrealism, and the palpable creativity that make that film so masterful. The "homeless king" clearly wishes he was "the mysterious cowboy", but he's not - his crown looks way too cheap. Under The Silver Lake is full of "totally random" characters, scenarios, and cryptic "clues" that eventually tie into EACH OTHER, but still leave you feeling like they all served no plausible purpose in the end, like connecting a bunch of effects pedals with coupler cables but then having no batteries or AC adapter to power them up with.


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