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The Orville 

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An exploratory ship from Earth faces intergalactic challenges 300 years in the future.

Creator:

Seth MacFarlane
Reviews
Popularity
204 ( 14)

"The Orville" and 25 Other Sci-Fi Comedies

The crew of "The Orville" is having a lot of fun in space. Check out stills from the show and discover other TV sci-fi comedies you might have missed.

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Episodes

Season 2 Premiere


Sunday, December 30

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Most Recent Episode


Thursday, December 7, 2017

The crew crash land on a planet from another universe; Ed and Kelly consider getting back together.


Previous Episode


Thursday, November 30, 2017

Seasons


Years



2   1  
2019   2018   2017  
2 wins & 5 nominations. See more awards »

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Cast

Series cast summary:
Seth MacFarlane ...  Capt. Ed Mercer 26 episodes, 2017-2019
Adrianne Palicki ...  Cmdr. Kelly Grayson 26 episodes, 2017-2019
Penny Johnson Jerald ...  Dr. Claire Finn 26 episodes, 2017-2019
Scott Grimes ...  Lt. Gordon Malloy 26 episodes, 2017-2019
Peter Macon ...  Lt. Cmdr. Bortus 26 episodes, 2017-2019
Halston Sage ...  Lt. Alara Kitan 26 episodes, 2017-2019
J. Lee ...  Lt. Cmdr. John LaMarr / ... 26 episodes, 2017-2019
Mark Jackson ...  Isaac 26 episodes, 2017-2019
Jessica Szohr ...  Talla 14 episodes, 2018-2019
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Storyline

Set 400 years in the future, the show follows the adventures of the Orville, a not-so-top-of-the-line exploratory ship in Earth's interstellar Fleet. Facing cosmic challenges from without and within, this motley crew of space explorers will boldly go where no comedic drama has gone before.

Plot Summary | Add Synopsis


Certificate:

TV-14 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

10 September 2017 (USA) See more »

Also Known As:

Orville See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

16:9 HD
See full technical specs »
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Did You Know?

Trivia

Penny Johnson Jerald (Dr. Claire Finn) is the only member of the main cast with extensive experience acting in "Trek-ian" sci-fi. She guest starred in Star Trek: The Next Generation: Homeward (1994) before her recurring role as Captain Ben Sisko's main love interest Kasidy Yates on Star Trek: Deep Space Nine (1993) starting with Star Trek: Deep Space Nine: Family Business (1995). Seth MacFarlane had appeared as junior engineer Ensign Rivers in Star Trek: Enterprise: The Forgotten (2004) and Star Trek: Enterprise: Affliction (2005), and Scott Grimes had his scenes from Star Trek: The Next Generation: Evolution (1989) deleted. See more »

Quotes

[repeated line]
Captain Ed Mercer: Alara, you want to open this jar of pickles for me?
See more »

Connections

Referenced in Family Guy: Married with Cancer (2018) See more »

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User Reviews

 
THIS is Star Trek - not that other show
25 October 2017 | by rocnathanSee all my reviews

After having seen six episodes of both Star Trek: Discovery and The Orville, I am truly baffled and very positively surprised. Baffled at how, with a budget of millions, the people who made Discovery could not come up with a single interesting character or plot, but instead basically just made The Expanse with Klingons, taking every single thing that is unique, positive, and enjoyable about Star Trek and tossing it out the window. And positively surprised, because, out of the corner I would least have expected it - the filthy, cobwebbed one with the rancid yogurt, in which Seth MacFarlane used to reside for me - comes this gem of a show that takes everything fun, positive, and enjoyable from Trek and runs with it.

It is - as nearly everyone here has pointed out - the spiritual successor of TNG, although I would actually put it somewhere between TOS and TNG. It has a bit of the "cowboy" feeling people seem to like so much about TOS while including at least some of the elements that made TNG so brilliant - people actually trying to overcome petty human concerns by looking at the bigger picture and solving problems through compassion and dialogue rather than by inventing the next, bigger gun (yes, I know Trek did that too, but big guns are fine occasionally).

Now this is still by and large a comedy, so in order for that to function, you can't have straight TNG-like characters. But apart from occasionally overshooting the target a bit, the balance of comedy and seriousness is handled excellently - something I would not have thought possible for a Trek-like sci-fi show, let alone from MacFarlane.

You will recognize the plot elements, you'll recognize character traits. After hundreds of stories of drama and intrigue among the stars, what story hasn't Trek told? Again, the idea, as far as I can see, was not to create something entirely new (which, ironically, it is, though), but to take those elements that made Trek great and combine them with enough comedy to provide a breath of fresh air. And provide it does. In fact, the comedy allows the writers to approach topics in a way that would actually not have been possible for Trek playing it straight. Without spoiling, I will here point to the Episode "About a girl", which actually touches on subjects that weren't very prominent at the time TNG ran and is therefore quite unique in itself.

I'm not really going to touch on the scientific aspects of the show except to say that, even with scientific advisors, Trek has obviously always taken huge liberties with established science at times, while at others making the science and (at them time) new discoveries a central point of the story. Naturally, scientific accuracy is going to suffer a bit in a comedy. But let me just point to "Discovery" and say (farcially): subspace mushroom network.

I don't know how long they can make the concept work, but if they keep coming up with episodes like #3, #4 and #6, they deserve to have the kind of money thrown at them that "Discovery" now squanders on a tired old war story, forgettable characters, and making everything dark and shaky. But even with its limited budget, the visuals are more than adequate (maybe barring the Ikea furniture), proving once more that you only need so much resources to tell great stories.

Finally, one more thing. THE MUSIC. This show has hands down the best music of any official or unofficial Star Trek show (including the new movies, but of course always excepting Jerry Goldsmith). But considering you have Bruce Broughton doing the theme, and John Debney and Joel McNeely scoring episodes, that shouldn't be a big surprise.

Simply put, this show saves Star Trek for me and blows any contemporary Trek movie or show out of the water - with ease.


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