| Cast overview, first billed only: | |||
| LaKeith Stanfield | ... | Cassius Green (as Lakeith Stanfield) | |
| Tessa Thompson | ... | Detroit | |
| Jermaine Fowler | ... | Salvador | |
| Omari Hardwick | ... | Mr. _______ | |
| Terry Crews | ... | Sergio | |
| Kate Berlant | ... | Diana DeBauchery | |
| Michael X. Sommers | ... | Johnny | |
| Danny Glover | ... | Langston | |
| Steven Yeun | ... | Squeeze | |
| Armie Hammer | ... | Steve Lift | |
| Robert Longstreet | ... | Anderson | |
| David Cross | ... | Cassius's White Voice (voice) | |
| Patton Oswalt | ... | Mr. _______'s White Voice (voice) | |
| Lily James | ... | Detroit's White British Voice (voice) | |
| Forest Whitaker | ... | First Equisapien / Demarius | |
In an alternate version of Oakland, Cassius Green gets a telemarketing job and finds the commission paid job a dispiriting struggle as a black man selling to predominately white people over the phone. That changes when a veteran advises him to use his "white voice," and the attitude behind it to make himself more appealing to customers. With a bizarrely high-pitched accent, Cassius becomes a success even as his colleagues form a union to improve their miserable jobs. Regardless, Cassius finds himself promoted a "Power Caller" selling the most morally abhorrent but lucrative products and services as his connection to his girlfriend and colleagues fades away. However, Cassius' conscience arises anew as he finds himself in the midst of his boss' bizarre world of condescending bigoted decadence and his sinister plans to create the perfect subservient work force with Cassius' help. Written by Kenneth Chisholm (kchishol@rogers.com)
The beginning is very like 'The Wolf of Wall Street', this film is also all about capitalism and greed. Our hero, Cassius is struggling to make end meet, he applies to be a telemarketer and quickly promoted to a 'Power Caller'
He discovers that senior management are exploiting its employees to generate more profit (you'll see how towards the end). The humour at the beginning turns into dark social commentary with lots of symbolism.
I'm always apprehensive when a poster says 'the best film of the year by far' Well ... it's not the 'best', but very good and definitely different.