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Puppet Master: The Littlest Reich (2018)

Not Rated | | Comedy, Horror | 17 August 2018 (USA)
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All hell breaks loose when a strange force animates the puppets up for auction at a convention, setting them on a bloody killing spree that's motivated by an evil as old as time.

Writers:

S. Craig Zahler, Charles Band (based on characters created by) | 1 more credit »
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4,463 ( 417)
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Thomas Lennon ... Edgar Easton
Jenny Pellicer ... Ashley Summers
Nelson Franklin ... Markowitz
Charlyne Yi ... Nerissa
Michael Paré ... Detective Brown
Barbara Crampton ... Officer Carol Doreski
Udo Kier ... Andre Toulon
Alex Beh ... Howie
Matthias Hues ... Strommelson
Skeeta Jenkins ... Cuddly Bear
Anne Beyer ... Hedwig Wagner
Victoria Hande ... Candace
Betsy Holt ... Nancy
James Healy Jr. ... Tom Easton
Laurie Guzda ... Suzanne Easton
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Storyline

Recently divorced and reeling, Edgar returns to his childhood home to regroup his life. When Edgar finds a nefarious looking puppet in his deceased brother's room, he decides to sell the doll for some quick cash. Girl-next-door Ashley and and comic book pal Markowitz join Edgar for a doomed road trip to an auction at a convention celebrating the 30th Anniversary of the infamous Toulon Murders. All hell breaks loose when a strange force animates the puppets at the convention, setting them on a bloody killing spree that's motivated by an evil as old as time. Written by Cinestate

Plot Summary | Add Synopsis

Plot Keywords:

gore | reboot | See All (2) »

Taglines:

World War III Begins on Your Toy Shelf

Genres:

Comedy | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

17 August 2018 (USA) See more »

Also Known As:

Puppet Master: The Little Reich See more »

Filming Locations:

Dallas, Texas, USA See more »

Company Credits

Production Co:

Cinestate,Fangoria,Ghost Horse See more »
Show more on IMDbPro »

Technical Specs

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This movie was in production at the same time as Puppet Master: Axis Termination. The only other time two Puppet Master movies have been in production at the same time was when Puppet Master IV & V were being made back-to-back. See more »

Crazy Credits

After the end credit there are a scene where Cuddly Bear comes home to his wife. See more »

Connections

Featured in Half in the Bag: 2018 Catch-Up (part 2 of 2) (2018) See more »

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User Reviews

 
The first decent Puppet Master movie in decades, but still not great.
25 August 2018 | by Kolobos51See all my reviews

I've seen at least a little of every movie in Charles Band's incredibly long running franchise. The fact of the matter is that really only the first two movies were any good and everything after that ranged from barely watchable to downright awful.

The Puppet Master brand is basically all that has kept series creator Band's company Full Moon alive since the 80's and he has mercilessly milked it, sometimes openly cheating fans in the process. There were PG-13 sequels (rolls eyes), movies that were clearly shot back-to-back to save money (groan), and even a freaking clip movie (screams in anger)! So, when I heard that the brilliant, uncompromising genre author and filmmaker S. Craig Zahler (Bone Tomahawk, Brawl in Cell Block 99) was writing the next film in the franchise I thought one of two things: either Zahler was a longtime fan that wanted to write the first truly great Puppet Master movie OR Zahler had a car payment due and knocked out a script in a weekend. Unfortunately, the latter seems to be what happened. Puppet Master Littlest Reich is not a great movie but it's still better than any other sequel since the second movie.

This film is a reboot which reimagines the puppet master, anti-hero Andre Tulon, into an outright villain portrayed by horror legend Udo Kier (Blade, Flesh for Frankenstein, Suspiria, Fear Dot Com). Kier is fantastic, playing a hideously scarred, wantonly sadistic Nazi sympathizer that wants to continue the Third Reich's mission of a pure white race and intends to do so, even after his death, with the help of black magic and an army of puppets he mass produced and sold prior to an unfortunate run in with the cops.

Flash forward to find a divorced, broke comic book writer (Thomas Lennon of Reno 911) in possession of one of Tulon's puppets, Blade, which he finds among his dead brother's things. There is a convention being held at Tulon's old house where collectors intend to auction off all the old dolls belonging to the notorious psychopath.

Everyone loads into a hotel, the puppets all come to life, and much, MUCH bloody mayhem ensues. Along the way we are joined by fantastic scream queen Barbara Crampton (Re-Animator, From Beyond, and the original Puppet Master) as the retired cop that took Tulon down and professional b-movie tough guy Michael Pare (The Lincoln Lawyer and basically every Uwe Boll movie) as the cop currently on the case.

Let me just say that the script for this movie was either hacked to pieces or sorely underwritten. Concepts and ideas are introduced and dropped at a moment's notice. Crampton's character has no pay off, supporting characters fall in and out of the story, plot points are introduced only to be dismissed immediately after, the tone is all over the place constantly swapping from dumb fun gore to weirdly preachy anti-nazi talk, and the ending makes no sense and just kind of drops off with a lame bit of sequel baiting.

On top of that, the director makes some serious technical errors. Some scenes are underlit, the editing is at times hard to follow, and dialogue is recorded too low sometimes.

As far as its places in the franchise, the sloppy plotting is nothing new and this movie is a great deal faster paced than most of the other films which, after part 2, started leaning towards cheap time killing devices over actual action. The direction is unusually bad, though. Most of these movies had a generically competent, TV sort of vibe to them but this movie really kind of felt like one of those ultra-violent, straight-to-video horror films of the late 90s.

I'm fine with the revamp on Tulon, especially because Kier is so great in the role but I do really wish he had been in it more. I hate the redesign on the puppets. They look cheap and action figure like, lacking the artistry that made the original puppets so distinct. I also dislike that the puppets no longer have any personality. They're all just mean little killing machines. There's no real sense they are actually ALIVE and instead all feel like instruments used by a primary antagonist that's a little too off screen to really resonate.

Thomas Lennon and most of the rest of the cast are strong (with the exception his annoying, motor mouth boss) and I did have fun watching the movie. However, thinking about it afterward, I couldn't help but feel that this movie was a little too flawed to really say I liked. It was alright and gore hounds and puppet fanatics will probably have at least a little fun, but it could and should have been a lot better.


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