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Das Sacher. In bester Gesellschaft 

A soap-operatic mini-series about the history of Hotel Sacher in Vienna. Starts with the takeover by Anna Sacher after her husband Eduard died aged 59. Most of the time, someone high or low... See full summary »
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1  
2016  
3 wins & 4 nominations. See more awards »

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Cast

Series cast summary:
Ursula Strauss ...  Anna Sacher 2 episodes, 2016
Josefine Preuß ...  Konstanze von Traunstein 2 episodes, 2016
Julia Koschitz Julia Koschitz ...  Martha Aderhold 2 episodes, 2016
Peter Simonischek ...  Josef von Traunstein 2 episodes, 2016
August Schmölzer August Schmölzer ...  Franz Sacher 2 episodes, 2016
Jasna Fritzi Bauer ...  Marie / ... 2 episodes, 2016
Robert Palfrader ...  Portier Mayr 2 episodes, 2016
Bernhard Schir Bernhard Schir ...  Julius Schuster 2 episodes, 2016
Simon Schwarz ...  Würtner 2 episodes, 2016
Laurence Rupp ...  Hans-Georg von Traunstein 2 episodes, 2016
Florian Stetter ...  Maximilian Aderhold 2 episodes, 2016
Christoph Bittenauer Christoph Bittenauer ...  Bediensteter & Jäger 2 episodes, 2016
Alexander Bruckner ...  Young Officer 2 episodes, 2016
Dietmar Bär ...  Karl Menning 2 episodes, 2016
Lili Epply Lili Epply ...  Flora 2 episodes, 2016
Karl Fischer ...  Rudolf von Götz 2 episodes, 2016
Edin Hasanovic ...  Vincent Zacharias 2 episodes, 2016
Joachim Król ...  Arthur Grünstein 2 episodes, 2016
Tobias Ofenbauer Tobias Ofenbauer ...  Hausdiener Anton 2 episodes, 2016
Nina Proll Nina Proll ...  Katharina Schratt 2 episodes, 2016
Robert Stadlober ...  Fritz Lechner 2 episodes, 2016
Jürgen Tarrach Jürgen Tarrach ...  Miklos Szemere 2 episodes, 2016
Roland Trnka Roland Trnka ...  Noble Master 2 episodes, 2016
Susanne Wuest ...  Sophie Stadler 2 episodes, 2016
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Storyline

A soap-operatic mini-series about the history of Hotel Sacher in Vienna. Starts with the takeover by Anna Sacher after her husband Eduard died aged 59. Most of the time, someone high or low in society seems to be kissing (or more) in one of the chambres séparées. Written by gpermant-1

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Germany | Austria

Language:

German

Release Date:

27 December 2016 (Austria) See more »

Also Known As:

Das Sacher. In bester Gesellschaft See more »

Filming Locations:

Vienna, Austria See more »

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Box Office

Budget:

€8,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

(2 episodes)

Color:

Color
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User Reviews

 
A boring film about a fascinating woman
29 December 2016 | by m-de-werdSee all my reviews

I have only seen the first part of this two part TV-film, but as nobody has written a review yet I will be the first. I live in Vienna and know the hotel Sacher quite well, so I was really looking forward to it. Unfortunately the film tells very little about Anna Sacher, the legendary director of the hotel, and concentrates on some rather uninteresting fictional characters: a editor couple from Berlin and an Austrian count and his wife who is a secret writer. In between is the weird story about a girl who is kept as a prisoner in the cellar of the opera - a mixture of the Phantom of the Opera and the story of Natascha Kampusch.

I was glad that on the same evening the Austrian television showed the documentary film "The queen of Vienna" about Anna Sacher, who was indeed a fascinating person. A butcher's daughter who after a long struggle becomes the first female director of a European top hotel. A close friend of the high-society and the cultural world when Vienna was one most of the most thrilling places in the world, a pioneer of equal treatment for women and a sworn enemy of Vienna's notorious antisemitic mayor Karl Lueger. Even Anna Sacher's personal was full of drama. As her great love was already married she made her daughter of fifteen marry his son. When she was 20 this daughter committed suicide.

I was not very enthusiastic about the actors either. Ursula Strauss has very little in common with of the real Anna Sacher and Nina Proll plays the imperial mistress Katherina Schratt like a cheap slut. I can't understand how Robert Dornhelm could make such a bad film about such a good theme.


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