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Barracuda (2017)

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A strange woman comes to Texas to meet her half-sister and stake a claim to the family music legacy-one way or another.

Writer:

Jason Cortlund
1 win & 2 nominations. See more awards »

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Cast

Credited cast:
Allison Tolman ... Merle
Sophie Reid ... Sinaloa
JoBeth Williams ... Patricia
Luis Bordonada ... Raul
Larry Jack Dotson ... Spud
Angelo Dylen ... Ray
Tanner Beard ... Trace
Monique Straw ... Andrea
Rest of cast listed alphabetically:
Dennis Alcorn Dennis Alcorn ... Country Western Dancer
Addie Alexander Addie Alexander ... Caterer
Shayla Allen ... Kid in the office
Kenneth Wayne Bradley ... Police Officer #2
Cora Cardona Cora Cardona ... Emse / Raul's Mom
Ricky Catter ... Driver
Carlton Caudle ... Cousin
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Storyline

A strange woman comes to Texas to meet her half-sister and stake a claim to the family music legacy-one way or another.

Plot Summary | Add Synopsis

Taglines:

A strange woman comes to Texas to meet her half-sister and stake a claim to the family music legacy-one way or another.

Genres:

Drama | Music | Thriller

Parents Guide:

View content advisory »
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Details

Country:

USA | Poland

Language:

English

Release Date:

11 March 2017 (USA) See more »

Also Known As:

La Barracuda See more »

Filming Locations:

Elgin, Texas, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Soundtracks

Pretty Polly
Traditional
Performed by Butch Hancock, Bob Livingston, Richard Bowden, Colin Gilmore, Sophie Reid
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User Reviews

One of the oddest and most perplexing indies this year.
11 October 2017 | by jdesandoSee all my reviews

I have always enjoyed those Flannery O'Connor stories where a visitor "changes things." So, too, is writer/co-director Jason Courtland's (with co-director Julia Halperin) Barracuda, about a young woman, Sinaloa (Sophie Reid), who visits her half sister, Merle (Alison Tolman) in Austin for the first time. Sinaola does change things but not as fast as you might expect nor as clearly as I would like.

However, I may ask too much because family connections are never straightforward, dealing as we do with layers of biology and experience. In Barracuda (the fish depicted on her dad's guitar and an apt metaphor for her), Sinaloa can barely be accepted into the family, even with her talent and knowledge of her deceased dad's music.

Country, bluegrass, and folk music are interwoven with the slow disclosure of the legacies, e.g., dad was "a drunk, a drug addict and a cheater." She's suspected of falsely claiming kinship or arriving to cut herself into the inheritance, which could be considerable given the parcel of land the family owns. Yet, really, most of them, especially her half-sister, are just trying to figure out why she's there and where she's going.

The film is successful not letting us deeply onto Sinaloa's psyche except for a flash of her occasional discomfort at family interactions or Merle's suspicious and unlikable mother, Patricia (JoBeth Williams). Slowly, very slowly, Sinaloa's true character and intentions become clearer. Most everything relates to her exclusion from the family--her resolution is dramatic but not surprising.

No surprise that Bruce Beresford is a producer of this film, he the director of Tender Mercies, a milder rendition of this film's underlying family disabilities. Like bloodline and family in real life, this thriller has few certainties, exacerbated by the visitor who changes things.

If you're patient, you'll enjoy one of the year's oddest and most perplexing indies.


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