Critic Reviews

30

Metascore

Based on 26 critic reviews provided by Metacritic.com
63
The surreal and silly sequel to the hit 2015 comedy skates on the well-known but still-appealing comic personas of stars Will Ferrell and Mark Wahlberg and their zany chemistry.
58
Like the passable original, this formulaic comedy can’t stop teasing the possibility of a funnier, smarter movie being made with the exact premise, central conflicts, and stars.
50
It arrives at a moment when the crackling voltage of the culture wars — blue state vs. red state, Trump haters vs. Trump lovers — is coursing through every fiber of the nation. This means that a film like Daddy’s Home 2, in its stupido-on-purpose way, can seem almost relevant in its trivial hit-or-miss yocks.
42
Daddy’s Home 2 wants points for exploring the ever-expanding family tree in a Christmas comedy, but it only barely succeeds. Lithgow’s delightful grandpa offers a welcome diversion from the madness, but those moments are as fleeting as the plate of cookies left out for Santa on Christmas Eve.
40
It’s hard to know if this clunky comedy is part of Mel Gibson’s redemption arc or some strange new form of karmic retribution.
38
Slant Magazine
The film portrays parenting as the death of manhood, a final surrender to the castrating effects of domesticity.
20
With all the violence in the world lately, it seems perverse to insert so much male aggression into what is supposed to be a fun holiday movie. When Roger (Cena) roars onto the scene in his very large truck, it’s testosterone overload.
20
Director Sean Anders (“Horrible Bosses 2”) and his co-writer John Morris (“We’re the Millers”) execute what are supposed to be the laughs with blunt force. The jokes announce themselves with heavy footsteps, and almost none of them land, stranding a talented cast with terrible material that they’re straining to sell.
20
IGN
Daddy’s Home 2 seems like just another cookie-cutter comedy, but its heart is in the wrong place. It’s mean-spirited and half-hearted, and more than that… it’s just not funny.
20
It's odd, for a film that ostensibly makes male vulnerability its ultimate goal, how much contempt it has for its most open and loving character.

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