A young girl comes of age in a dysfunctional family of nonconformist nomads with a mother who's an eccentric artist and an alcoholic father who would stir the children's imagination with hope as a distraction to their poverty.
One millennial I.T. nerd plus one computer illiterate senior citizen, equals one unlikely attachment. Eileen Roth is a widow who needs to learn how to use a computer in order to communicate... See full summary »
Lee Hayden is a veteran actor of Westerns whose career's best years are behind him after his one really great film, "The Hero". Now, scraping by with voice-overs for commercials, Lee learns that he has a terminal prognosis of pancreatic cancer. Unable to bring himself to tell anyone about it, especially his estranged family, Lee can only brood alone as troubling, yet inspiring, dreams haunt him. Things change when he meets Charlotte Dylan, a stand-up comedienne who becomes a lover who inadvertently jump-starts his public profile. Now facing a profound emotional conflict of having a potential career comeback, even as his imminent death is staring him in the face, Lee must finally come to terms with both realities when he finally confesses his situation to the one person he can.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Lifetime character actor Sam Elliott was born to play this part, or perhaps this film was written specifically for Sam Elliott. Whatever the case, the big screen's most famous moustache finally lands a career changing role as a septuagenarian.
Once, and only once, Lee Hayden was a big screen cowboy presence. Now, now he gets by with voice overs for barbecue sauce. But oh what a voice. Real life parallels abound: Elliott is best known for small cameos, TV and commercial work, but is still a much loved and recognized celebrity.
As the ticker is about to roll 72, Hayden is given some terminally awful news, giving the ol' coot some pause to ponder a stalled career and failed family life. A December - May romance gets the ball rolling, as our hero sets out to make some amends.
What could have been a terribly sappy piece of fluff, is actually a lovely paced rumination on the very complicated topic of existence, with a wonderful, understated, and vulnerable performance from Elliott: Hollywood's new leading man.
Warning: guns are drawn, and poetry is read.
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