Pose is set in the world of 1987 and "looks at the juxtaposition of several segments of life and society in New York: the rise of the luxury universe, the downtown social and literary scene and the ball culture world."
On the 200th year anniversary of the publication of Mary Shelly's Frankenstein, Magic Hour is a genderbending retelling of the classic story with a modern twist; in this psychedelic-macabre... See full summary »
Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent ... See full summary »
In 1978, when the push to decriminalise homosexuality has stalled, a group of activists decide they must make one final attempt to celebrate who they are. Led by former union boss, Lance ... See full summary »
How long is an eternity? A few years or just a breaking of the waves at the rugged Baltic coast? Andreas and Martin share all the ups and downs of life, and their son is maturing. A cautious approach to the traces of a long relationship.
Starring James Fanizza, Alex House and Katya from RuPaul's Drag Race (Brian McCook). Alex and Sebastian meet one fateful evening and it's love at first sight. However, Alex has a boyfriend ... See full summary »
It's still not easy being gay, but it's easier if you have friends
Saturday Church (2017) was written and directed by Damon Cardasis. It stars Luka Kain as Ulysses, a young gay African-American man who would like to be a cross dresser. He's tormented and bullied in school, and verbally abused at home by his aunt, who takes care of him.
Ulysses finds Saturday Church, a place where gay men can express their identity, and where most of the members can, and do, cross dress safely. Saturday Church introduces Ulysses to the voguing scene, and the film gives us plenty of music to hear and voguing to watch.
It's discouraging that we still need places like Saturday Church, but at least they are there. (There really is a Saturday Church in NYC.)
I enjoyed this film because of the great performance by Luka Kain. (Performance in the sense of acting, as well as performance in the sense of voguing.) To a certain extent, it opened a window to the world of drag queens. It also reminded me that, even in 2017, in the United States, it still isn't easy being openly gay. I think that all of us need that reminder.
We saw this movie at Rochester's great Little Theatre, as part of the wonderful ImageOut, the LGBT Film Festival. It won't work as well on the small screen, but it's still worth finding it and watching it.
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