Shattered by recent losses and a sweeping new protocol, the Travelers face a bleak future with only one long-shot chance to succeed in their mission.
The Faction sets off nuclear blasts that destroy all of the Travelers' archives, except the one in which a wounded David just happens to be trapped.
MacLaren urges Yates to help him when a Traveler with a mission vital to humanity's survival arrives in the body of a just-captured serial killer.
The original Karate Kid decides which dojo best suits some famous fighters in film and TV history.
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Title: Travelers (2016–2018)
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From Barry Allen and Grant MacLaren to Kiera Cameron, check out our favorite characters who accidentally and intentionally broke the space-time continuum.
Hundreds of years from now, the last surviving humans discover the means of sending consciousness back through time, directly into people in the 21st century. These Travelers assume the lives of seemingly random people, while secretly working as teams to perform missions in order to save humanity from a terrible future. These travelers are: FBI Special Agent Grant MacLaren, the team's leader; Marcy, a young, intellectually disabled woman in the care of her social worker, David; Trevor, a high school quarterback; Carly, a single mom in an abusive relationship; and Philip, a heroin-addicted college student. Armed only with their knowledge of history and an archive of social media profiles, the travelers discover that 21st century lives and relationships are as much a challenge as their high-stakes missions. Written by ahmetkozan
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If you breeze on by this one, you will miss something.
Canuck Sci-fi veteran Brad Wright (Stargate) seems to have teamed up with Canadian actor/producer Eric McCormack to bring us one of the tightest and leanest shows I have seen in quite some time.
The concept is a joy. Wright has taken the notion of "walk-ins" (something that was hugely popular in the 1970s and then disappeared) and updated it to a more modern, edgy, arc for this series.
The writing is so tight you could use it to re-skin a drum.
Unfortunately, so is the budget. The budget is so lean that you almost expect the TV to turn itself off the moment the show ends. To save power.
The opener hooked me -- solid acting, direction, really neat characters you can care about -- and I can happily put up with sparse location shoots in return for an interesting show. (As for example in the classic Canadian series Witchblade, which also got the most output from the least input.)
Intrigued, happy, optimistic. Hopefully this show will find an audience.