Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.
Director:
Writer:
Awards:
- 1 win & 26 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Olivia Cooke | ... |
Amanda
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| Anya Taylor-Joy | ... |
Lily
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| Anton Yelchin | ... |
Tim
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| Paul Sparks | ... |
Mark
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| Francie Swift | ... |
Cynthia
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| Kaili Vernoff | ... |
Karen
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Svetlana Orlova | ... |
Cleaning Lady
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| Alyssa Fishenden | ... |
Jessica
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| Jack Damon | ... |
Phil
(as Jackson Damon)
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James Haddad | ... |
Michael
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Nolan Ball | ... |
Delivery Guy
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| Celeste Oliva | ... |
Receptionist
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| Rest of cast listed alphabetically: | |||
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Kristen Annese | ... |
Waitress (uncredited)
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Stephanie Atkinson | ... |
Knitting Therapist (uncredited)
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Jason Beckett | ... |
Party Guy (uncredited)
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| Chhoyang Cheshatsang | ... |
Party Goer (uncredited)
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Xavier Dillingham | ... |
Partygoer (uncredited)
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James Lawyer | ... |
Partygoer (uncredited)
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Daniel Martignetti | ... |
CT State Policeman (uncredited)
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Jack Norton | ... |
Mental Patient (uncredited)
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| Leah Procito | ... |
Doctor (uncredited)
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| Max Ripley | ... |
Boy in Cafe (uncredited)
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| Chaunty Spillane | ... |
Lackadaisical Mental Patient (uncredited)
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| Alex Wolff | ... |
Party Friend (uncredited)
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Directed by
| Cory Finley | ||
Written by
| Cory Finley | ... | (written by) |
Produced by
| Declan Baldwin | ... | executive producer |
| B. Ted Deiker | ... | executive producer (as Ted Deiker) |
| Andrew Duncan | ... | producer |
| Nat Faxon | ... | producer |
| Dani Johnson | ... | associate producer |
| Jim Rash | ... | producer |
| Alex Saks | ... | producer |
| Ryan Stowell | ... | executive producer |
| Leah Taylor Roy | ... | co-producer |
| Kevin J. Walsh | ... | producer |
Music by
| Erik Friedlander | ||
Cinematography by
| Lyle Vincent | ||
Editing by
| Louise Ford | ||
Editorial Department
| Brian Boyd | ... | colorist |
| Eduardo Cohn | ... | second assistant editor |
| Ben Federman | ... | on-line editor |
| Rebekah Hernández | ... | post-production coordinator (as Rebekah Hernandez) |
| Morgan Wajda-Levie | ... | assistant editor |
Casting By
| Douglas Aibel | ||
| Stephanie Holbrook | ||
Production Design by
| Jeremy Woodward | ||
Set Decoration by
| Kyra Friedman Curcio | ||
| Shann Whynot-Young | ||
Costume Design by
| Alex Bovaird | ||
Makeup Department
| Frank Barbosa | ... | hair department head |
| Liz Bernstrom | ... | makeup department head |
Production Management
| B. Ted Deiker | ... | unit production manager |
| Stuart Macphee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Elyssa Budd | ... | production assistant |
| Mark M. Greene | ... | additional second assistant director |
| Tina Haveles | ... | second assistant director |
| Michael T. Meador | ... | first assistant director |
Art Department
| Christopher Analoro | ... | set dresser |
| Shadya H. Ballug | ... | on set dresser |
| Risa Uchida Battis | ... | set dresser |
| Megan Blake | ... | graphic designer |
| Mickey Carter | ... | set dresser |
| Nicole C. Dube | ... | art pa |
| Rebecca Greene | ... | props |
| Morgan Kling | ... | property master |
| Timothy Lewis | ... | leadman |
| Alexandra Mann | ... | set dresser |
| Keenan McCarthy | ... | storyboard artist (as Keenan Mccarthy) |
| Alix Metros | ... | art department coordinator / set decoration buyer |
| Jarrett Staaf | ... | set dresser |
| Jessica L. Therrien | ... | additional set dresser |
| Shann Whynot-Young | ... | set dresser |
Sound Department
| Leslie Bloome | ... | foley artist |
| Ryan Collison | ... | foley mixer |
| Joanna Fang | ... | foley artist |
| Bill Orrico | ... | dialogue editor |
| Gene Park | ... | re-recording mixer / supervising sound editor |
| Kevin S. Parker | ... | sound mixer |
| Ric Schnupp | ... | foley editor / sound effects editor |
| Nick Seaman | ... | foley mixer (as Nicholas Seaman) |
| Peter Stevenson | ... | boom operator |
| Roland Vajs | ... | sound designer |
Visual Effects by
| Meg Bailey | ... | visual effects producer |
| Brian Drewes | ... | visual effects producer |
| Richard Nehmad | ... | visual effects artist |
| Sergio Villegas | ... | digital effects |
Stunts
| Paul Marini | ... | stunt coordinator |
Camera and Electrical Department
| Nolan Ball | ... | first assistant camera |
| Jonathan Beattie | ... | camera operator |
| Jason Brignola | ... | second assistant camera |
| Joshua Dreyfus | ... | gaffer |
| Tim Driscoll | ... | key grip |
| Sean English | ... | company grip |
| Claire Folger | ... | still photographer |
| Terrence Hayes | ... | additional photography |
| Ben Heald | ... | dolly grip |
| Patrick Hines | ... | lamp operator |
| Daniel Hourihan | ... | electrician |
| Mark Killian | ... | first assistant camera: second unit |
| Leonard A. Mazzone | ... | digital imaging technician |
| Brandon J. Meadows | ... | electrician |
| Dylan Michael Peloquin | ... | best boy grip |
| Derek Whittington | ... | Genny Op |
Casting Department
| Matt Bouldry | ... | casting associate |
| Billy Dowd | ... | extras casting |
| Ryan Drake | ... | casting assistant |
| Jodi Purdy-Quinlan | ... | extras casting assistant |
Costume and Wardrobe Department
| Dana Starbard | ... | costume production assistant |
| Tina Ulee | ... | wardrobe supervisor |
| Penelope Cariolo | ... | seamstress (uncredited) |
Location Management
| Oliver Amerigian | ... | location manager (as Ollie Amerigian) |
| Brinton MacFarland | ... | assistant location manager / location assistant |
Music Department
| Sylvie Courvoisier | ... | musician: prepared piano |
| Erik Friedlander | ... | musician: cello and all other instruments |
| Susan Jacobs | ... | music supervisor |
| Jackie Mulhearn | ... | music coordinator |
| Emma Smith | ... | assistant music supervisor |
| Satoshi Takeishi | ... | featured musician: percussion |
| Ilyse Wolfe Tretter | ... | music clearance coordinator |
| Louise Ford | ... | music editor (uncredited) |
Script and Continuity Department
| Steve Deering | ... | script coverage |
| Aidan Payne | ... | script supervisor |
Additional Crew
| Jared Acquaviva | ... | production assistant |
| Thoma Anas | ... | production assistant (as Tom Anas) |
| Matt Cassaro | ... | assistant: Ms. Taylor-Joy |
| Brad Courtemanche | ... | production assistant (as Bradley Grenon) |
| Katherine Mary Curtis | ... | production intern |
| Tevya Desiderio | ... | assistant production coordinator |
| Gleanna Doyle | ... | dog trainer |
| Thomas Doyle | ... | accounting 2nd assistant |
| Michelle Ferullo | ... | clearance coordinator: Product Placement |
| Chip Hamilton | ... | production assistant |
| Tina Haveles | ... | production assistant |
| Colleen Kelly | ... | stand-in: Francie Swift/Cynthia |
| Michael Khouri | ... | 1st assistant accountant |
| Zach Larkin | ... | production intern |
| Scott Levine | ... | unit publicist |
| Feifei Ling | ... | production coordinator |
| Monica Mazel | ... | publicity assistant |
| Josh Miller | ... | creative content: Focus Features |
| Ronnie Orlando | ... | production assistant |
| Kylie Paul | ... | production assistant |
| Steve Rasetta | ... | stand-in: Anton Yelchin |
| John L. Richmond | ... | production assistant |
| K-C Roballo | ... | set medic (as K.C. Roballo) |
| Susan Saunders | ... | production accountant |
| Christian Torti | ... | production assistant |
| Debbie Von Arx | ... | production legal counsel |
Thanks
| Mario Batali | ... | special thanks |
| Jaki Bradley | ... | special thanks |
| Geoff Chapin | ... | special thanks |
| Albert Chi | ... | special thanks |
| Val Day | ... | special thanks |
| Sal Giarratano | ... | special thanks |
| Diana Glazer | ... | special thanks |
| Josh Glick | ... | special thanks |
| Judy Jennings | ... | special thanks |
| Jessica Lacy | ... | special thanks |
| Bill Ledbetter | ... | special thanks |
| Glen Mastroberte | ... | special thanks |
| Tosca Musk | ... | special thanks |
| Ngoc Nguyen | ... | special thanks |
| Chris O'Donnell | ... | special thanks |
| Isobel Rosenthal | ... | special thanks |
| Chloe Sarbib | ... | special thanks |
| Christopher Slager | ... | special thanks |
| Greg Slewett | ... | special thanks |
| Patrice Smith | ... | special thanks |
| Maria Striar | ... | special thanks |
| Ben Wexler | ... | special thanks |
| Alex Wolff | ... | special thanks |
| Anton Yelchin | ... | in memory of |
Production Companies
Distributors
- Focus Features (2017) (United States) (theatrical)
- Parco Co. Ltd. (2019) (Japan) (theatrical)
- Universal Pictures International (UPI) (2018) (Germany) (theatrical)
- Universal Pictures International (UPI) (2018) (Spain) (theatrical)
- Universal Pictures International (UPI) (2018) (France) (theatrical)
- Filmostrada (2018) (Poland) (DVD)
- Universal Pictures (2018) (Germany) (Blu-ray)
- Universal Pictures (2018) (Germany) (DVD)
Special Effects
- Zero VFX (visual effects)
Other Companies
- Back Lot Music (soundtrack)
- C.P. Casting (Casting) (Boston)
- Coastal Capital Film Finance (production finance services)
- Endcrawl.com (end titles created with)
- Fall On Your Sword (post-production facilities)
- Fintage CAM (collection account management)
- GreenSlate (payroll company)
- Nice Dissolve (post-production facilities)
- Sessions Payroll Management (extras payroll services)
Storyline
| Plot Summary |
In suburban Connecticut, upper-class high schooler Amanda (Olivia Cooke) euthanizes her crippled horse with a knife, resulting in charges of animal cruelty. Some time later, Amanda arrives at the home of the more popular and academically-inclined Lily (Anya Taylor-Joy). The girls had previously been best friends but grew apart after the death of Lily's father. They meet under the pretense of hanging out and having a casual tutoring session, but Amanda knows that her mother (Kaili Vernoff) has paid Lily to socialize with Amanda. Lily denies being paid, but Amanda, left emotionless by an unspecified mental disorder, is unfazed. Lily meets with Amanda again, this time voluntarily, and they rekindle their friendship.. |
| Plot Keywords | |
| Taglines | Good Breeding Gone Bad See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $6,000,000 (estimated) |
| Opening Weekend United States | $1,224,430, 11 Mar 2018 |
Did You Know?
| Trivia | Originally written for the stage. See more » |
| Goofs | (at around 00:35:00) When Lily opens her eye the cameraman and camera are clearly visible in her pupil's reflection. See more » |
| Movie Connections | Featured in 2018 Catch-Up (part 1 of 2) (2018). See more » |
| Soundtracks | Sila See more » |
| Crazy Credits | The title is shown at the beginning of the credits, followed by a dedication to Anton Yelchin. See more » |
| Quotes |
Amanda:
You cannot hesitate. The only thing worse than being incompetent, or being unkind, or being evil, is being indecisive. See more » |