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Faces Places (2017)

Visages villages (original title)
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Director Agnes Varda and photographer/muralist J.R. journey through rural France and form an unlikely friendship.

Directors:

JR, Agnès Varda

Writers:

JR, Agnès Varda
Nominated for 1 Oscar. Another 34 wins & 33 nominations. See more awards »

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Cast

Cast overview, first billed only:
Agnès Varda ... Herself
JR ... Himself
Jeannine Carpentier Jeannine Carpentier ... Herself
Clemens Van Dungern Clemens Van Dungern ... Himself
Marie Douvet Marie Douvet ... Herself
Jean-Paul Beaujon Jean-Paul Beaujon ... Himself
Nathalie Schleehauf Nathalie Schleehauf ... Herself
Vincent Gils Vincent Gils ... Himself
Claude Flaert Claude Flaert ... Himself
Patrick Bernard Patrick Bernard ... Himself
Amaury Bossy Amaury Bossy ... Himself
Didier Campy Comte Didier Campy Comte ... Himself
Jacky Patin Jacky Patin ... Himself
Pony-Soleil-Air-Sauvage-Nature Pony-Soleil-Air-Sauvage-Nature ... Himself
Patricia Mercier Patricia Mercier ... Herself
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Storyline

Agnes Varda, one of the leading lights of France's honored French New Wave cinema era, and professional photographer and muralist, J.R., partake on a special art project. Together, they travel around France in a special box truck equipped as a portable photo booth and traveling printing facility as they take photographs of people around the country. With that inspiration, they also create special colossal mural pictures of individuals, communities and places they want to honor and celebrate. Along the way, the old cinematic veteran and the young artistic idealist enjoy an odd friendship as they chat and explore their views on the world as only they can. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated PG for brief nude images and thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

28 June 2017 (France) See more »

Also Known As:

Faces Places See more »

Filming Locations:

Paris, France See more »

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Box Office

Opening Weekend USA:

$31,006, 8 October 2017, Limited Release

Gross USA:

$953,717, 19 April 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Quotes

Agnès Varda: [to JR after he takes off his sunglasses] I don't see you very well, but I see you.
See more »

Connections

References Un Chien Andalou (1929) See more »

Soundtracks

Ring My Bell
Written by Frederick Knight
Performed by Anita Ward
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User Reviews

 
A life-affirming meditation on friendship, art, and mortality
6 October 2017 | by Howard SchumannSee all my reviews

89-year-old filmmaker Agnès Varda ("The Beaches of Agnès") said, "I have a nice relationship with time, because the past is here, you know? I've spent time, if I have something of my past, I'll just make it, nowadays, I make it now and here." Varda makes both past and present come alive in Faces Places (Visages Villages), 89-year-old filmmaker Agnès Varda ("The Beaches of Agnès") said, "I have a nice relationship with time, because the past is here, you know? I've spent time, if I have something of my past, I'll just make it, nowadays, I make it now and here." Varda makes both past and present come alive in Faces Places (Visages Villages), a life-affirming meditation on friendship, art, and mortality. Co-directed by JR ("Women are Heroes"), a 33-year-old hip French graffiti artist and photographer whom the director met in 2015, Varda and her companion make an unlikely couple. She stands out with her two-toned hair and diminutive stature and JR does a convincing Jean-Luc Godard ("Goodbye to Language") impersonation with his black fedora hat and dark sunglasses which Varda teases him about the entire film.

Both live life on the edges and do not live by the rules. "Chance has always been my best assistant," she says. Driving without any particular destination, they crisscross the French countryside in JR's van decorated to resemble a camera with a large lens on one of its sides. The travelers meet and take pictures of villagers, workers, and townspeople whom they immortalize with gigantic black and white portraits plastered on the sides of walls, old houses, container cargo, trains, and other objects. Playfully, Varda describes it like this, "We ended up with huge images of them after I made them express themselves. So it's a real documentary because we are careful about what they are, what they want to say. But also, we play our game, as being artists, making strange images or enjoying that people we meet becomes actors of our dreams."

The people they meet are former miners, waitresses, plant safety workers, truck drivers, and dockworkers and their wives in Le Havre. By himself on his 2,000 acre farm, a man laments the passing of the social aspects of farming, recalling how it was when three or four workers were always there for companionship. In other vignettes, a man and his son are responsible for ringing the church bell in a small village and farmers enjoy hand-milking horned goats, regretting that others cut off the goats' horns and do their milking with machines.Varda and JR also travel to an abandoned village which is suddenly filled with arriving well-wishers. They go to the Brittany seaside where she remembers the photographs she took of a young friend and fellow photographer during the mid-1950s, pasting an image of him reclining against a beach hut on a German bunker and telling JR how peaceful he looks resting there.

The slow pace of travel allows Agnès to confront other memories from her past, including a visit to a small cemetery where photographers Henri Cartier-Bresson and Martine Franck are buried. After visiting JRs 100-year-old grandmother, JR asks her if she is afraid of dying. Varda answers in the negative. "That'll be that," she says." Reflecting on her relationship with the great director Jean-Luc-Godard, she recalls the time she spent with him, his then wife Anna Karina, and Varda's late husband, director Jacques Demy ("The Umbrellas of Cherbourg"). Agnès and her friend then travel to Switzerland to meet with Godard, bringing the director a gift of his favorite pastry but he is not home. Unfortunately, their only communication is an enigmatic message left on his window pane. In her only sense of irritation in the film, Varda uncharacteristically expresses deep feelings of hurt.

Faces Places is a quiet celebration of what is most important in life, simple pleasures of companionship and collaboration, of art made real and accessible, and of the divine in the commonplace. Varda said it best, "I know that the seaside represents the whole world", she remarked, "the sky, the ocean, and the earth, the sand. And it's like expressing where is the world. It's about a calm sea, a calm ocean, just a very, very discreet wave ending on the sand. And that's a landscape that touches me a lot. But I know that also people feel that, too." It is hard not to be touched by her presence.


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