Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre.
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
Mary-Jane, a loving but lonely 40-year-old divorcee with two daughters, Lucy and Loulou asks, "Do all women fall in love with a boy, or just those without sons?" Lucy has a party where ... See full summary »
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda gets to know a relative she had never heard of before. This unknown uncle lives on a boat, is a painter, has adopted a hippie lifestyle and loves life.
Michal Waszynski was buried in Rome as a wealthy Polish aristocrat. But this mysterious man, who was Poland's leading 1930s filmmaker, had a lot of secrets and directed his own life in a brilliant way.
Agnes Varda, one of the leading lights of France's honored French New Wave cinema era, and professional photographer and muralist, J.R., partake on a special art project. Together, they travel around France in a special box truck equipped as a portable photo booth and traveling printing facility as they take photographs of people around the country. With that inspiration, they also create special colossal mural pictures of individuals, communities and places they want to honor and celebrate. Along the way, the old cinematic veteran and the young artistic idealist enjoy an odd friendship as they chat and explore their views on the world as only they can.Written by
Kenneth Chisholm (email@example.com)
The film was funded via crowfunding, and one of the reasons for that is that the directors/stars didn't want any pressure regarding deadlines. The shooting took months because they basically shot one week per month due to Varda's age. See more »
[to JR after he takes off his sunglasses]
I don't see you very well, but I see you.
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Time seems to be moving faster with every passing decade, with a younger generation looming around the corner to put a fresh perspective on life, art and politics. Visages Villages introduces the gap between the old and the new, as director Agnes Varda and photographer J.R. journey through rural France and form an unlikely friendship along the way.
J.R. and Agnes steal the show with their engaging philosophical chats and heartwarming intergenerational chemistry, no writer could've written a script like this. As we follow them on their travels from town to town, a deeper connection is developed not just between the two artists but between the townspeople they leave a mark on, literally. Both retrospective and introspective, Visages Villages challenges the viewer to bridge the generational gap with respect and gratitude but also to shape what has already come, to better what is to be. This thoroughly sweet watch will leave you with a gigantic smile on your face, and is likely to remain as indelible as the art work that is displayed.
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