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Title: Errementari (2017)
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| Cast overview, first billed only: | |||
| Kandido Uranga | ... | Patxi | |
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Uma Bracaglia | ... | Usue |
| Eneko Sagardoy | ... | Sartael | |
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Ramón Aguirre | ... | Alfredo |
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José Ramón Argoitia | ... | Mateo |
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Josean Bengoetxea | ... | Santi |
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Gotzon Sanchez | ... | Faustino |
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Aitor Urcelai | ... | Benito (as Aitor Urtzelai) |
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Maite Bastos | ... | Blanca |
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Iñigo de la Iglesia | ... | Miguel |
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Unax Gonzalez | ... | Asier |
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Jon Ander Alonso | ... | Lukas |
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Ortzi Acosta | ... | Alastor / Gizon Gaztea 2 / Moloch Demonioa (as Ortzi Acosta Calvo) |
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Zigor Bilbao | ... | Nestor / Belfegor Demonioa |
| Itziar Ituño | ... | Ana | |
Errementari: The Blacksmith and the Devil is a re-telling of an ancient fable about a Blacksmith who finds himself battling the Devil. In this story the Blacksmith has captured a demon and lives a life of hermit-like seclusion away from the prying eyes of the townsfolk. All is going well until a desperate little girl, Usue, accidentally stumbles across the devil and unknowingly releases him. It is then left to the Blacksmith to reclaim his bounty, but this is easier said than done as he also finds himself at the end of a lynch mob that have come searching for the missing Usue. Written by thehollywoodnews.com
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An intriguing visualization of a classic Basque folklore tale representing the hubris of humankind and the question of what is good and evil. Oddly rewarding and disappointing at the same time; rewarding in the sense of a well designed period piece and visualization of a region-specific folktale, but disappointing in the casting choices and acting methods of some of the roles.
I was impressed with the boldness of the religious hypocrisy portrayed in this film as well as the representation of Hell as seen from the 19th century Christian church. I find it interesting how different cultures find similarities in Hell while completely changing other facets of its representation.
Although I would not recommend multiple viewings of this film, and in the end it left me a bit underwhelmed, I would recommend a single watch simply to see a film version of this folktale and how the director and writers viewed their version of Hell.