Intense thriller where politics, big business and narcotics collide.
Director:
Writers:
Stars:
Photos and Videos
Cast
| Jason Sudeikis | ... |
Jim Hoffman
|
|
| Lee Pace | ... |
John DeLorean
|
|
| Judy Greer | ... |
Ellen Hoffman
|
|
| Isabel Arraiza | ... |
Cristina DeLorean
|
|
| Michael Cudlitz | ... |
Morgan Hetrick
|
|
| Erin Moriarty | ... |
Katy Connors
|
|
| Jamey Sheridan | ... |
Bill
|
|
| Iddo Goldberg | ... |
Roy
|
|
| Tara Summers | ... |
Molly Gibson
|
|
| Justin Bartha | ... |
Howard Weitzman
|
|
| Corey Stoll | ... |
Special Agent Benedict Tisa
|
|
 |
Daniel Salinas González | ... |
Agent Smith
(as Daniel Salinas)
|
| Yuji Okumoto | ... |
Judge Takasugi
|
|
| Tyler Crumley | ... |
Tom Hoffman
|
|
| Asher Miles Fallica | ... |
Ryan Hoffman
|
|
|
|
John Alberts | ... |
Clerk
|
|
|
Anna Wholey | ... |
One Scene Reporter
|
|
|
Guillermo Valedon | ... |
Vicenza
|
|
|
Valentina Portela | ... |
Kathryn
|
| Samuel Jove | ... |
Zachary DeLorean
|
|
| Bruno Irizarry | ... |
Jerry West
|
|
|
|
Natalia Rivera | ... |
Hotel Receptionist
|
| Amber Rivera | ... |
Reporter #1
|
|
|
|
Chip Hamilton | ... |
DJ
(as Adam Chip Hamilton)
|
|
|
Brendan Clack | ... |
FBI Agent
|
| Brian Tester | ... |
Juror #1
|
|
| Katira Maria | ... |
Juror #2
(as Katira Alvarez)
|
|
| Yetta Gottesman | ... |
Juror #3
|
|
| Jeffrey Holsman | ... |
Juror #4
(as Jeffry Holsman)
|
|
|
|
Adrien Franciscus | ... |
Reporter #2
|
| Jim Meskimen | ... |
Johnny Carson (voice)
|
|
| Rest of cast listed alphabetically: | |||
|
|
Kathryn Aidyl | ... |
Self
|
|
|
Alfredo R. Robles Rodriguez | ... |
Party Guest
|
| Tom Brokaw | ... |
Self (uncredited) (archiveFootage)
|
|
|
|
Omar Cruz Soto | ... |
Executive BG (uncredited)
|
| Antonio Deleo | ... |
FBI Agent (uncredited)
|
|
|
|
Hector David Ortiz | ... |
On-Scene Reporter (uncredited)
|
| Josette Pagan | ... |
Bill's Wife (uncredited)
|
|
| Dan Rather | ... |
Self (uncredited) (archiveFootage)
|
|
|
|
Gabriel Alejandro Rodriguez | ... |
Party Guest (uncredited)
|
|
|
Luis O. Rosado | ... |
Party Guest (uncredited)
|
| Eddie Valdés | ... |
FBI Agent (uncredited)
|
|
Directed by
| Nick Hamm | ||
Written by
| Colin Bateman | ... | () |
| Alejandro Carpio | ... | (co-writer) |
Produced by
| Jo Bamford | ... | executive producer |
| Colin Bateman | ... | executive producer |
| René Besson | ... | producer |
| Alastair Burlingham | ... | executive producer |
| Brad Feinstein | ... | producer (produced by) |
| Thomas A. Giovine | ... | associate producer |
| Lauren Gleason | ... | associate producer |
| Hugo Grumbar | ... | executive producer |
| Jon Hamm | ... | executive producer |
| Matthew Helderman | ... | executive producer |
| Joseph Ingrassia | ... | executive producer |
| Patrick Josten | ... | associate producer |
| Walter Josten | ... | producer |
| Joe Listhaus | ... | executive producer |
| Kweku Mandela | ... | executive producer |
| Cyril Megret | ... | executive producer |
| Carl Moellenberg | ... | executive producer |
| Brandon Powers | ... | executive producer |
| Diana Príncipe | ... | executive producer |
| Luis A. Riefkohl | ... | executive producer |
| Luillo Ruiz | ... | producer |
| Imran Siddiq | ... | executive producer |
| Piers Tempest | ... | producer (produced by) |
| Belly Torres | ... | co-producer |
| Umida Umarbekova | ... | associate producer |
Music by
| Geronimo Mercado | ||
Cinematography by
| Karl Walter Lindenlaub | ||
Editing by
| Brett M. Reed | ||
Editorial Department
| Francisco Cueto | ... | on-line editor |
| Jason Fields | ... | first assistant editor |
| Edgar Lebrón | ... | colorist |
| Jordan Livingston | ... | archival editor |
Casting By
| Sharon Bialy | ||
| Sherry Thomas | ||
Production Design by
| Fernando Carrion | ||
| Tomas Voth | ||
Art Direction by
| Fernando Carrion | ||
Set Decoration by
| Monica Monserrate | ||
Costume Design by
| Julia Michelle Santiago | ||
Makeup Department
| Edna Franjul | ... | assistant makeup artist |
| Louise McCarthy | ... | personal makeup artist: Jason Sudeikis |
| Claudia Pascual | ... | personal makeup artist: Jason Sudeikis |
| Dannelle Satherley | ... | makeup and hair designer |
| Brian Wade | ... | special effects makeup sculptor |
Production Management
| Rosi Acosta | ... | unit production manager |
Second Unit Director or Assistant Director
| René Besson | ... | second unit director |
| Ardy Brent Carlson | ... | second assistant director |
| Colleen Comer | ... | first assistant director |
| Jesús A. Romero | ... | second assistant director |
Art Department
| Eddie Antunez | ... | set dresser |
| Marsi Caraballo | ... | graphic designer |
| Juan Guallini Indij | ... | greensperson (as Juan Guallini) |
| Derek Marengo | ... | scenic artist |
| Mariella Navarro | ... | set dec buyer |
| Hannah May Roark | ... | property master |
| Virginia Sacarello | ... | set dresser |
| Jimmy Santos | ... | set dresser |
| Tomas Voth | ... | Conceptual Designer |
| Carolina Wolf | ... | art coordinator |
Sound Department
| Joshua Adeniji | ... | sound effects editor |
| Ryan Briley | ... | additional dialogue editor |
| Patrick Christensen | ... | adr mixer |
| Benjamin Curet | ... | utility |
| Patrick Cyccone Jr. | ... | re-recording mixer |
| Trevor Gates | ... | supervising sound editor |
| Jeff Hinton | ... | adr mixer |
| Mike Horton | ... | foley artist |
| Jared Marshack | ... | re-recording mixer |
| Tim McKeown | ... | foley artist |
| Jay Meagher | ... | sound mixer |
| Michael Miller | ... | adr mixer |
| Chris Navarro | ... | adr mixer |
| Leo Ochoa | ... | boom operator |
| Walter Spencer | ... | foley supervisor |
Special Effects by
| Charlie Bonilla | ... | special effects coordinator |
Visual Effects by
| Paul Barrett | ... | digital compositor: Yellowmoon |
| Marc Bell | ... | visual effects artist |
| Ed Bruce | ... | visual effects supervisor: SSVFX |
| Alfredo Colón | ... | visual effects editor |
| Kenneth Coyne | ... | visual effects producer: Screen Scene |
| Francisco Cueto | ... | di producer |
| Leona Helly | ... | digital compositor: Screen Scene |
| Eric A. Kohler | ... | visual effects executive producer: SSVFX |
| Liam Lavery | ... | visual effects artist |
| Carlos Miranda Martis | ... | opening titles and end credits |
| Colin McCusker | ... | digital compositor |
| Sophia McKeever | ... | visual effects producer |
| Nicholas Murphy | ... | visual effects production manager: Screen Scene |
| Robert Murray | ... | digital compositor: Screen Scene |
| Darren Nash | ... | visual effects supervisor |
| Jim O'Hagan | ... | 2d supervisor: Screen Scene |
| Josep Antoni Ribas Rossello | ... | digital compositor: Screen Scene |
| Greg Tully | ... | head of engineering: SSVFX |
| Ryan Patrick Yates | ... | compositor |
Stunts
| Raul Alcocer | ... | stunt coordinator |
| Lorenzo Orozco | ... | stunt double: Roy / stunt driver |
Camera and Electrical Department
| Gustavo Accetta | ... | electrician |
| Miguel Baerga | ... | crane operator |
| Baxter Bailey | ... | drone operator |
| Wilfredo Cancel | ... | Rigging electric best boy |
| Brendan Carlisle | ... | drone operator |
| Kellen Carlisle | ... | drone operator |
| Lizz Diaz | ... | second assistant camera |
| Carlos García | ... | first assistant camera: additional |
| Tommy Klines | ... | first assistant camera |
| Laura Magruder | ... | still photographer |
| Alfredo Melendez | ... | assistant camera |
| Arturo Melero | ... | best boy electric |
| Gabriel Padilla | ... | gaffer |
| Gabriel Padilla | ... | gaffer |
| Brian Pruitt | ... | grip: first unit |
| Su-Jeng Sang | ... | digital image technician |
| Orlando Suárez | ... | electrician |
| Carlos J. Vázquez | ... | video assist operator |
Casting Department
| Patricia Alonso | ... | casting director: Puerto Rico |
| Fabiana Arrastia | ... | adr voice casting |
| Susan Boyajian | ... | adr voice casting |
Costume and Wardrobe Department
| Lourdes Gandia | ... | principals |
| Lisa Harlow-Powell | ... | costume shopper |
| Rebecca Rivera | ... | key costumer |
| Ramón Sierra Torres | ... | set costumer |
Location Management
| Abdiel Angleró | ... | location scout |
| Luis R. Estrella-Rivera | ... | location manager |
| Luz Eneida Núñez | ... | location coordinator |
| Vivian Rebella | ... | location scout |
Music Department
| Max Aruj | ... | additional music |
| Lorne Balfe | ... | music producer |
| Will Greig | ... | musician |
| Kathryn Kluge | ... | additional music by |
| Kim Allen Kluge | ... | additional music by |
| Ross Sellwood | ... | executive music producer |
| Steffen Thum | ... | composer: additional music |
| Vicki Williams | ... | music consultant |
| Richard Ziegler | ... | music editor |
| Andrew Smith | ... | musician (uncredited) |
Script and Continuity Department
| Steve Brookes | ... | script consultant |
| Coraly Santaliz | ... | script supervisor |
Transportation Department
| Jose de Miguel | ... | picture car coordinator |
| Jorge Fernandez | ... | picture car assistant |
| Angel D. Lopez Jr. | ... | transportation |
Additional Crew
| Libby D'Arcy | ... | general counsel |
| Alberto de la Vega | ... | office p.a. |
| Allen Del Toro | ... | production assistant (as Allen Pulliza) |
| Ursula Devine | ... | development executive: Northern Ireland Screen |
| Adrienne Franciscus | ... | production coordinator |
| Chip Hamilton | ... | assistant: Jason Sudeikis |
| Marlon Hunter | ... | first assistant accountant |
| Kemel Jamis | ... | production staff |
| Marcia Matthew | ... | production accountant |
| Jean Pierre Prats | ... | body/photo double: Jason Sudeikis / stand-in: Jason Sudeikis |
| Iván Rodríguez | ... | Set PA |
| Rachell Russinyol | ... | production assistant |
| Chad Russo | ... | production legal |
| Christopher Tricarico | ... | distribution legal |
| José R. Varona | ... | set medic |
| Gerardo Vélez | ... | production assistant |
| Diana White | ... | assistant: Mr. Feinstein |
| Kevin De La Cruz | ... | Additional Set Production Assistant (uncredited) |
Thanks
| Monica Lee Bellais | ... | special thanks |
| Christopher Slager | ... | special thanks |
| Geneva Wasserman | ... | special thanks |
Production Companies
Distributors
- WME Global (2018) (United States) (theatrical)
- Embankment Films (2018) (United Kingdom) (theatrical)
- Twin Co. Ltd. (2019) (Japan) (theatrical)
- Filmarti (2018) (Turkey)
- Front Row Filmed Entertainment (2018) (United Arab Emirates) (Middle East, North Africa & Iran)
- Monolith Films (2019) (Poland)
- Nos Lusomundo Audiovisuais (2019) (Portugal)
- Picture Works (2019) (India)
- Sandrews (2019) (Sweden)
- Spentzos Films (2019) (Greece)
- Transmission Films (2019) (Australia)
- Transmission (2018) (Australia)
- United King Films (2019) (Israel)
- Volga (2019) (Russia)
- Vértice 360 (2019) (Spain)
Special Effects
- SSVFX (visual effects)
Other Companies
- BondIt Media Capital (Financing)
- Digiloid (post-production facilities) (archival footage)
- Freeway CAM B.V. (collection account management)
- Katrina Wan PR (film publicist)
- Sherborne Media (specialty financing arranged by)
- The Money Pool (bridge financing)
Storyline
| Plot Summary |
After he's busted for smuggling coke on his plane, Jim Hoffman has a chance to start over in a lush, affluent suburb of San Diego. Jim and his wife, Ellen are surprised to find maverick auto mogul John DeLorean lives in a glamorous house down the street. Soon an unexpected friendship forms between the two men, just as John's new venture--the DeLorean Motor Company--is taking off. But with the FBI pushing Jim to inform on his flashy former dealer, Morgan Hetrick and John's financing falling through the cracks, things are far from idyllic...and about to take a dark turn. Based on the real events that would become the celebrity scandal of its generation. Written by Lauren G |
| Plot Keywords | |
| Taglines | How a Lemon Became a Legend See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Filming Locations |
Did You Know?
| Trivia | For the film's premiere at the Venice Film Festival, actor Lee Pace managed to find an original DeLorean car in Italy that unfortunately broke down and had to be pushed onto the red carpet for the publicity photographs. See more » |
| Goofs | In one of the first scenes, it is stated that the year is 1977, yet Ellen is shown to be driving an Oldsmobile Cutlass Cruiser that can only be as old as 1989. This is a massive oversight as the Oldsmobile Cutlass Cruiser didn't exist at all until 1982, nor did any GM vehicle of that body style as the A-Body did not exist until 1982 either, let alone the updated version from 1989. See more » |
| Movie Connections | Referenced in Episode 863: Barbarian (2022). See more » |
| Quotes |
John DeLorean:
The darkest dark is the dark beside the spotlight. You can do anything there and no one seems to notice. See more » |