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Mademoiselle Paradis (2017)

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A blind pianist living in 18th-century Vienna forms an extraordinary relationship with the physician who is trying to restore her sight.

Director:

Barbara Albert

Writers:

Kathrin Resetarits (screenplay), Barbara Albert (collaboration on screenplay) | 1 more credit »
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6 wins & 17 nominations. See more awards »

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Cast

Credited cast:
Maria Dragus ... Maria Theresia Paradis (as Maria-Victoria Dragus)
Devid Striesow ... Franz Anton Mesmer
Lukas Miko Lukas Miko ... Joseph Anton Paradis, Resis Vater
Katja Kolm ... Maria Rosalia Paradis, Resis Mutter
Maresi Riegner Maresi Riegner ... Dienstmagd Agnes
Johanna Orsini-Rosenberg Johanna Orsini-Rosenberg ... Mesmers Ehefrau, Maria Anna von Posch
Stefanie Reinsperger Stefanie Reinsperger ... Köchin Johanna (as Steffi Reinsperger)
Christoph Luser Christoph Luser ... Graf Pellegrini
Susanne Wuest ... Jungfer Ossine
Theresa Martini ... Catherine Zwelferin
Julia Pointner ... Hedi
Sascha Merényi ... Barths Begleiter
Attila Beke Attila Beke ... Herr 1
Thomas Anton Thomas Anton ... Herr 3
Rest of cast listed alphabetically:
Vivienne Causemann Vivienne Causemann ... Anna
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Storyline

A blind pianist living in 18th-century Vienna forms an extraordinary relationship with the physician who is trying to restore her sight.

Plot Summary | Add Synopsis

Genres:

Drama | History

Certificate:

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Details

Country:

Austria | Germany

Language:

German | French

Release Date:

10 November 2017 (Austria) See more »

Also Known As:

Licht See more »

Filming Locations:

Berlin, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39:1
See full technical specs »

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User Reviews

 
Well made historical drama
8 April 2018 | by Saint_PauleySee all my reviews

Mademoiselle Paradis is the true story of blind Austrian prodigy pianist Maria Theresia Paradis (1759-1824) and her treatment under controversial doctor Franz Anton Mesmer (who believed there is an invisible aether coursing through us, that the treatment of this liquid could cure diseases, and from whom we get the terms 'mesmerize' and 'animal magnetism'). He was, it would seem, able to cure her blindness long as she was in his care.

I don't know if the film is interesting from a historical point of view or if it's only the director that makes it so. What I do know is interesting is the directing, which makes good use of lighting and contrast to illuminate the story of this blind young woman and dispel the shadows around medicine and misogyny in late 18th century Europe.

The actors and their costumes blend in perfectly with the setting, so fans of period dramas will find a lot to admire here. In short, this film is like Mesmer's liquid: no one will ever see it, but that doesn't mean it's without power.


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