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1,515 user 992 critic

The Shape of Water (2017)

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1:49 | Trailer
At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

Director:

Guillermo del Toro

Writers:

Guillermo del Toro (screenplay by), Vanessa Taylor (screenplay by) | 1 more credit »
Popularity
111 ( 89)
Won 4 Oscars. Another 134 wins & 345 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sally Hawkins ... Elisa Esposito
Michael Shannon ... Richard Strickland
Richard Jenkins ... Giles
Octavia Spencer ... Zelda Fuller
Michael Stuhlbarg ... Dr. Robert Hoffstetler
Doug Jones ... Amphibian Man
David Hewlett ... Fleming
Nick Searcy ... General Hoyt
Stewart Arnott ... Bernard
Nigel Bennett ... Mihalkov
Lauren Lee Smith ... Elaine Strickland
Martin Roach ... Brewster Fuller
Allegra Fulton ... Yolanda
John Kapelos ... Mr. Arzoumanian
Morgan Kelly ... Pie Guy
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Storyline

From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Taglines:

A Fairy Tale for Troubled Times See more »


Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity, violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Fox Searchlight | Official Facebook | See more »

Country:

USA | Canada

Release Date:

22 December 2017 (USA) See more »

Also Known As:

The Shape of Water See more »

Filming Locations:

Toronto, Ontario, Canada See more »

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Box Office

Budget:

$19,400,000 (estimated)

Opening Weekend USA:

$166,564, 3 December 2017

Gross USA:

$63,859,435

Cumulative Worldwide Gross:

$195,333,312
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color | Black and White (dream sequence)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In one scene, Michael Shannon's character asks, "What am I doing interviewing the help?" while referencing Sally Hawkins and Octavia Spencer's characters. Octavia Spencer famously won an Academy Award for Best Supporting Actress for her role in The Help (2011). See more »

Goofs

Strickland has two fingers surgically reattached after he is attacked by the Amphibian Man. But the film is set in 1962, and reattachment surgery was never performed till several years later. See more »

Quotes

[first lines]
Giles: If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to ...
See more »

Crazy Credits

The opening credits roll over footage of a flooded apartment. See more »

Connections

References The Hunchback of Notre Dame (1923) See more »

Soundtracks

You'll Never Know
Music by Harry Warren
Lyrics by Mack Gordon
Performed by Renée Fleming
Produced by Leo Birenberg
Vocal Production by Alexandre Desplat
Renée Fleming performs courtesy of Decca Music Group Limited
See more »

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User Reviews

 
Self-congratulatory and Gratuitous, the Perfect Candidate for the Oscars
4 February 2018 | by OtherShipwrecksSee all my reviews

The Shape of Water is really quite remarkable for how perfectly it embodies the mainstream Hollywood sensibility. Its liberal-progressive undertone appears to be culturally relevant, but completely fails to challenge the audience in any meaningful way. Its story of people living at the margins of society bonding over their mutually subjugated status appears progressive and edgy, but its self-congratulatory moralizing suspends any need for serious cultural reflection. It is really the perfect film for politically correct liberals.

The film features the quintessential villain in the liberal cultural imagination today - a racist, sexist, ableist, psychopathic straight white man in the 60s with a white suburban nuclear family. The film really tries to show us how much of a psychopath he is, so that it can score progressive points without having to acknowledge or confront the larger systems of racism, patriarchy, and capitalism which operate as the social fabric of American society and provide the structural condition for people's exploitation and oppression.

In this regard, the film truly epitomizes the ideological manipulations of liberal humanism. Political, legal, social, and historical structures are conveniently ignored and replaced by a narrow focus on individual prejudices and cruelty. Social injustices are explained by the evil of specific individuals. Oppressed minorities are endlessly ennobled and their humanity uncritically celebrated. Villains are reduced to caricatures and do bad things simply because they are bad people.

Reveling in its technical competence and feel-good petit-bourgeois sensibility, the film is utterly unaware of its cultural vapidity, its artistic mediocrity, and its sinister complicity with the status quo. Sprinkled with some gratuitous violence, it is the perfect candidate for the Oscars - a polished, glib, pandering, ostensibly radical but ultimately uninspired fairy tale peddling a complacent and clichéd liberal humanism.


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