In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones.Written by
Fox Searchlight Pictures
When The Shape of Water (2017) premiered at the Toronto International Film Festival in 2017, the screening was held in the Elgin Theatre. The interior scenes of the theater in the film were shot in the Elgin Theatre, so as the audience was watching the film, they were seeing the same theater on-screen that they were sitting in. See more »
When Elisa brings her portable record player to the creature, she has two albums of big-band swing, a Benny Goodman LP on Columbia and a Glenn Miller album. The Goodman LP has the correct Columbia label for the film's 1962 setting but the Miller album, which is shown on her turntable, has a green label. Miller's record company, RCA Victor, used black labels for its popular releases. See more »
If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to ...
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Moral ambiguity. Challenging questions. Debate-sparking presentations. That's what Guillermo Del Toro was good at! None of that are in this film. The whole time, I felt as if I was watching a political propaganda about how one should treat minorities or people of a different race. Although I value such political positions, that was not why I wanted to watch a film! I wanted to watch, experience, and immerse myself into a work of art. Not a fleshed-out, philosophically vacuous, overrated, overinflated, oversaturated propaganda! As a result, although the visuals are striking in a Guillermo-esque fashion, the subtlety, the richness, and the cerebral philosophy of what was very much entrench in Guillermo's earlier works are all gone. Truly a pity.
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