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The Shape of Water (2017)

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At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

Director:

Guillermo del Toro

Writers:

Guillermo del Toro (screenplay by), Vanessa Taylor (screenplay by) | 1 more credit »
Popularity
100 ( 6)
Won 4 Oscars. Another 113 wins & 322 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sally Hawkins ... Elisa Esposito
Michael Shannon ... Richard Strickland
Richard Jenkins ... Giles
Octavia Spencer ... Zelda Fuller
Michael Stuhlbarg ... Dr. Robert Hoffstetler
Doug Jones ... Amphibian Man
David Hewlett ... Fleming
Nick Searcy ... General Hoyt
Stewart Arnott ... Bernard
Nigel Bennett ... Mihalkov
Lauren Lee Smith ... Elaine Strickland
Martin Roach ... Brewster Fuller
Allegra Fulton ... Yolanda
John Kapelos ... Mr. Arzoumanian
Morgan Kelly ... Pie Guy
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Storyline

From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Taglines:

Experience a connection beyond words. See more »


Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity, violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Release Date:

22 December 2017 (USA) See more »

Also Known As:

The Shape of Water See more »

Filming Locations:

Toronto, Ontario, Canada See more »

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Box Office

Budget:

$19,400,000 (estimated)

Opening Weekend USA:

$166,564, 1 December 2017, Limited Release

Gross USA:

$63,859,435, 3 May 2018

Cumulative Worldwide Gross:

$194,349,972, 29 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color | Black and White (dream sequence)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When The Shape of Water (2017) premiered at the Toronto International Film Festival in 2017, the screening was held in the Elgin Theatre. The interior scenes of the theater in the film were shot in the Elgin Theatre, so as the audience was watching the film, they were seeing the same theater on-screen that they were sitting in. See more »

Goofs

When Elisa brings her portable record player to the creature, she has two albums of big-band swing, a Benny Goodman LP on Columbia and a Glenn Miller album. The Goodman LP has the correct Columbia label for the film's 1962 setting but the Miller album, which is shown on her turntable, has a green label. Miller's record company, RCA Victor, used black labels for its popular releases. See more »

Quotes

[first lines]
Giles: If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to ...
See more »

Connections

Referenced in Saturday Night Live: Sterling K. Brown/James Bay (2018) See more »

Soundtracks

You'll Never Know
Music by Harry Warren
Lyrics by Mack Gordon
Performed by Alice Faye
From the motion picture Hello, Frisco, Hello (1943)
Courtesy of Twentieth Century Fox Film Corporation
See more »

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User Reviews

 
Overrated. Politically correct is all.
8 April 2018 | by vivaciouscontentSee all my reviews

Moral ambiguity. Challenging questions. Debate-sparking presentations. That's what Guillermo Del Toro was good at! None of that are in this film. The whole time, I felt as if I was watching a political propaganda about how one should treat minorities or people of a different race. Although I value such political positions, that was not why I wanted to watch a film! I wanted to watch, experience, and immerse myself into a work of art. Not a fleshed-out, philosophically vacuous, overrated, overinflated, oversaturated propaganda! As a result, although the visuals are striking in a Guillermo-esque fashion, the subtlety, the richness, and the cerebral philosophy of what was very much entrench in Guillermo's earlier works are all gone. Truly a pity.


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