In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones.Written by
Fox Searchlight Pictures
After seeing the trailer, Kevin Smith tweeted, "Seeing something as beautiful as this makes me feel stupid for ever calling myself a 'Director.'" See more »
When Elisa and Zelda are cleaning the men's room and Strickland comes in, you see cleaning products on a shelf. The bottle of Clorox has the present day logo rather than the one from 1962. See more »
If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to ...
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The difference between art and propaganda is not simply that the latter has an agenda. Art can have an agenda, too. But it's nuanced, disguised, suggested, induced (sometimes subliminally). While propaganda is singletrack-ed. No nuance, no symbolism, just plain, repetitive, broken-record-style, in-your-face agenda. Think communist or nazi posters. Then again, socialism and anti-Americanism is all the rave in Hollywood, lately. So, it shouldn't surprise anyone that commie-style poster movies get all the hype in Hollywood, nowadays.
Well, this is such a movie. You get the liberal perpetual and puerile recipe of the bad "white conservative", the "toxic general", and the not-that-bad soviet spy, which we should forgive anyway because ...uhm, let's see, he dies in the end? The other side of this cocktail of cliches is, of course, the "good open-minded liberal". So open minded that interspecies sex should be no problemo. Oh, but-of-course: God? Pfff! The good-ole liberal bows to no God. And if he does ...it might as well be the latest creature fished in the ocean.
While visually entertaining, the plot leaks like a sieve and the script reeks of political-correctness and anti-American brainwashing.
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