In a city where greeting card writers are celebrated like movie stars, Romance writer Ray used to be the king. In trying to recapture the feelings that once made him the greatest, he gets ... See full summary »
An old version of humorist Douglas Kenney tells the story of how he and Henry Beard parleyed their success in their campus magazine, Harvard Lampoon, into the commercial magazine, National Lampoon. Drawing upon their checkered lives and an aggressively puckish sense of humor, the pair created a publication that would redefine American comedy with outrageous drollery that grabbed the zeitgeist of the decade that expanded across various media. Unfortunately, for all his success, Doug Kenney with his overhanging insecurities, ego and irresponsible appetites began to consume him until he alienates everyone who ever cared and supported him even as they imitated him. In the end, this iconoclastic funnyman would come to a tragedy that comes when your comedy doesn't have enough distance.Written by
Kenneth Chisholm (email@example.com)
Multiple scenes from National Lampoons Animal House and Caddyshack were filmed for the production. See more »
When Doug is driving a Jeep in Hawaii the Jeep has square headlights. These didn't appear on Jeeps until 1986. The scene is set in 1980. See more »
Mr. Kenney, it's a fine line between being clever and offensive, isn't it?
Look, if I could just say something in defense of National Lampoon for one moment...
We come from a tradition of truth-tellers. A long time ago, there was someone else society found offensive. They thought that what he did was radical - dangerous. They persecuted him... and eventually killed him. Of course, I'm referring to Dracula.
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After the end credits have rolled, Martin Mull is shown singing the song "Time of My Life" with members of the cast. See more »
POILER: I really enjoyed this film. I have watched several of the documentaries concerning Animal House and Caddyshack and Doug Kenney's name comes up quite often amongst the cast and crew. Chevy Chase and he were really close and Chevy still feels some guilt over leaving Hawaii right before Kenney's death. The man was apparently a comic genius who couldn't escape his childhood baggage.
The format is well played with Will Forte as the young Doug and Martin Mull as kind of older, alternate universe Doug, if Kenney had lived, narrating the film. The rest of the cast is well known, playing unknown actors and writers. It took me a second to recognize Natasha Lyonne (American Pie) as Anne Beatts, Thomas Lennon (Reno 911) as Micheal O'Donoghue, and Joel McHale (Community) as Chevy Chase. All of them are covered in 70s hairstyles and McHale does a really good job of mimicking Chase's speech patterns and even his trademark pratfalls.
The film excels in showing how Kenney rose from a malcontent to a Harvard grad to a fledgling magazine editor to movie writer. Forte is especially compelling and funny as Kenney. He doesn't quite have the acting range to pull off the downward spiral of the person, but he does an excellent job with the jokes and the other aspects of Kenney's life. Where the film fails is trying to shoehorn too many characters into its 100 minute run time. There is even a humorous scene of older Kenney (Mull) explaining to a bunch of supporting characters that there wasn't enough screen time for all of them so they get ignored. But the film goes to great pains to cram in other famous people such as Gilda Radner, Christopher Guess (Seth Green), Bill Murray, and John Belushi. The actors playing Murray and Belushi came off as actors lampooning (no pun intended) the famous comedians. Belushi was such a huge personality, I doubt anyone could portray him properly in such a short cameo.
Another special mention goes out to Emmy Rossum. She is a stunning screen presence and even though her appearance is short, as Kenney's last girlfriend, she lights up the screen. She is a gorgeous actress as well.
There is also a fun nod to Animal House with Mark Metcalf (Neidermeyer) portraying a publisher.
The movie moves fast through the various periods of Kenney's life, but I think he would have enjoyed it. He comes off as funny, yet troubled, a brilliant comedian, but an emotionally stinted adult. A Futile and Stupid Gesture is anything but. The only thing I would have added, is maybe some post interviews with the actual people portrayed in the movie who knew Kenney, even if they were archival for some (Belushi and Ramis). Still, this was a well-done film.
5 of 7 people found this review helpful.
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