An old version of humorist Douglas Kenney tells the story of how he and Henry Beard parleyed their success in their campus magazine, Harvard Lampoon, into the commercial magazine, National Lampoon. Drawing upon their checkered lives and an aggressively puckish sense of humor, the pair created a publication that would redefine American comedy with outrageous drollery that grabbed the zeitgeist of the decade that expanded across various media. Unfortunately, for all his success, Doug Kenney with his overhanging insecurities, ego and irresponsible appetites began to consume him until he alienates everyone who ever cared and supported him even as they imitated him. In the end, this iconoclastic funnyman would come to a tragedy that comes when your comedy doesn't have enough distance.Written by
Kenneth Chisholm (email@example.com)
The Dwight D. Eisenhower Mug that Doug shows Kathryn in L.A. is identical to the one that Conan O'Brien has had on his desk throughout his run as a Late Night Host. See more »
Just before his death in Hawaii, Doug was shown driving a '87-'95 Jeep Wrangler. He Died in 1980. See more »
[after seeing Airplane!]
Surely you're not upset because someone else made a funny movie.
Don't you get it? That's the movie that everyone's gonna love, not fucking Caddyshack. I've been replaced. What the fuck am I gonna do now?
You're supposed to say, "Don't call me Shirley."
See more »
After the end credits have rolled, Martin Mull is shown singing the song "Time of My Life" with members of the cast. See more »
It's weird watching this immediately after Drunk Stoned Stupid Dead (Im also reading the Making of Caddyshack, which is basically about the making of National Lampoon) and....
Joel McHale as Chevy is inspired casting. A lot of the casting is - Will Forte and Domnhall Gleeson at the top and their scenes in the first half of the film making up the real heart of the thing (like Social Network but totally wiseass, which is fun).
But that framing device is just pure WTF, and it ends on a note that maybe Kenney would have appreciated if he were alive, but he's not and we are and it feels so... I dunno. It's also strange to be living in 2018 and (as David Erhlich pointed out, im sure he wasnt alone) have a straight-faced take on the "wrong kid died" cliche that was mocked ten years ago in Walk Hard. Sure it did happen here, but Wain's treatment doesnt skirt the cliche, it just is one.
There are enough fun bits here to make it watchable (grading sort of on a Netflix curve), and the actors are all trying their best. And... It's fine. Which is not the kind of praise Kenney would've wanted.
3 of 3 people found this review helpful.
Was this review helpful to you?
| Report this